Christian keert terug naar zijn ouderlijk huis in een slaapstadje waar zijn vader Henry gaat trouwen met de veel jongere Anna. Thuis komt Christian weer in contact met zijn jeugdvriend Oliver, die in het stadje is gebleven om te werken bij de houtmolen van zijn vader en nu zonder werk zit. Wanneer Christian Olivers vrouw Charlotte, dochter Hedvig en vader Walter leert kennen, ontdekt hij een geheim dat Olivers gezin uit elkaar kan scheuren.
Nee, helaas is The Daughter nog niet beschikbaar op Netflix in Nederland.
| Writing | Simon Stone | Screenplay |
| Directing | Simon Stone | Director |
| Camera | Andrew Commis | Director of Photography |
| Visual Effects | Lucas Newton | VFX Artist |
| Sound | Les Fiddess | Foley |
| Sound | Liam Egan | Sound Designer |
| Editing | Veronika Jenet | Editor |
| Art | Steven Jones-Evans | Production Design |
| Costume & Make-Up | Margot Wilson | Costume Design |
| Production | Natalie Wall | Casting Associate |
| Crew | Tad Pride | Armorer |
| Visual Effects | Walter Ratcliffe | VFX Editor |
| Visual Effects | Craig Deeker | Visual Effects Supervisor |
| Editing | Tony Murtagh | Dialogue Editor |
| Editing | Paul Booth | First Assistant Editor |
| Costume & Make-Up | Jennifer Stanfield | Makeup Artist |
| Art | Annie Clapton | Art Department Coordinator |
| Lighting | Zac Murphy | Gaffer |
| Production | Nicole O'Donohue | Producer |
| Camera | Marco Stefanoni | First Assistant Camera |
| Sound | James Andrews | ADR & Dubbing |
| Art | Maxine Dennett | Art Direction |
| Sound | Yulia Akerholt | Sound Effects Editor |
| Crew | Nick Emond | Sound Recordist |
| Camera | Peter Barta | Steadicam Operator |
| Camera | Mark Rogers | Still Photographer |
| Costume & Make-Up | Chiara Tripodi | Makeup Designer |
| Production | Jan Chapman | Producer |
| Art | Sara Mathers | Set Decoration |
| Costume & Make-Up | Lyn Askew | Costume Supervisor |
| Camera | Scott Dolan | First Assistant Camera |
| Production | Nikki Barrett | Casting |
| Sound | Andrew Kotatko | Music Supervisor |
| Directing | Kristin Voumard | Script Supervisor |
| Sound | Arvo Pärt | Additional Soundtrack |
| Sound | Mark Bradshaw | Original Music Composer |
| Writing | Henrik Ibsen | Author |
| Crew | Jane Maguire | Post Production Consulting |
| Crew | Olga Miller | Stunt Double |
| Crew | Danielle Roffe | Dialect Coach |
| Directing | Jay Corry | Third Assistant Director |
| Directing | Deborah Antoniou | First Assistant Director |
| Sound | Mike Bakaloff | Boom Operator |
| Crew | Tony Lynch | Stunt Coordinator |
| Crew | Simon Mak Murrell | Stunts |
| Production | Jasmin Lyford | Production Coordinator |
| Camera | Zane Kamat | Second Assistant Camera |
| Production | Lorelle Adamson | Line Producer |
| Costume & Make-Up | Michelle Beeckman | Assistant Makeup Artist |
| Production | Alex White | Associate Producer |
| Art | Peter 'Babylon' Owens | Construction Manager |
| Lighting | Andy MacRae | Electrician |
| Production | Morgan Smallbone | Extras Casting |
| Production | Lorelle Adamson | Production Manager |
| Production | Djuro Bandur | Unit Manager |
| Art | Peter Pound | Storyboard Artist |
| Production | Jessica Carrera | Publicist |
| Visual Effects | Daniel Durao | Visual Effects Producer |
| Sound | Martin Oswin | Foley Mixer |
| Production | Sandie Morris | Production Accountant |
| Costume & Make-Up | Micheala Macrae | Assistant Makeup Artist |
| Sound | Tobi Armbruster | Foley Mixer |
| Camera | Ian Barton | Dolly Grip |
| Camera | David Nichols | Key Grip |
| Production | Melina Maraki | Post Production Coordinator |
| Directing | Nerida Groth | Second Assistant Director |
| Art | Adrian Dalton | Property Master |
