Wanneer de charismatische terrorist Adam Qasim tijdens een routine overdacht ontsnapt uit de gevangenis van veiligheidsdienst MI5 krijgt het hoofd van beveiliging, de legendarische Harry Pearce, de schuld.
Nee, helaas is Spooks: The Greater Good nog niet beschikbaar op Netflix in Nederland.
| Art | Liz Griffiths | Set Decoration |
| Production | Jane Hooks | Co-Producer |
| Art | Karl Probert | Art Direction |
| Art | Justin Warburton-Brown | Art Direction |
| Costume & Make-Up | Cate Hall | Makeup Artist |
| Writing | Jonathan Brackley | Writer |
| Production | Jane Featherstone | Producer |
| Production | Stephen Garrett | Producer |
| Costume & Make-Up | Colleen Kelsall | Costume Design |
| Directing | Richard Oxford | Assistant Director |
| Directing | Bharat Nalluri | Director |
| Costume & Make-Up | Hannah Edwards | Makeup Artist |
| Costume & Make-Up | Kate Smith | Hairstylist |
| Art | Simon Bowles | Production Design |
| Production | Kathrin Krückeberg | Production Manager |
| Production | Tom Ehrhardt | Line Producer |
| Production | Reg Poerscout-Edgerton | Casting |
| Costume & Make-Up | Emilie Yong | Makeup Department Head |
| Directing | Stuart Renfrew | Assistant Director |
| Costume & Make-Up | Frankie Francis | Makeup Artist |
| Production | Ollie Madden | Producer |
| Crew | Clare Maclean | Post Production Supervisor |
| Production | Eve Swannell | Production Manager |
| Directing | Tom Ackerley | Assistant Director |
| Crew | Lucy Cork | Stunt Double |
| Sound | Linda Brenon | Foley |
| Sound | Andrew Caller | Sound Re-Recording Mixer |
| Sound | Simon Chase | Dolby Consultant |
| Visual Effects | Mervyn New | Visual Effects Supervisor |
| Sound | Robert Houston | Music Editor |
| Crew | Gary Arthurs | Stunt Coordinator |
| Lighting | Jonathan Spencer | Gaffer |
| Sound | Brendan Nicholson | Sound Re-Recording Mixer |
| Lighting | John Whickman | Rigging Gaffer |
| Costume & Make-Up | Sheena Wichary | Costume Supervisor |
| Visual Effects | Noga Alon Stein | Visual Effects Producer |
| Sound | Simon Chase | Supervising Sound Editor |
| Visual Effects | Sascha Fromeyer | Visual Effects Supervisor |
| Art | Damian Léon Watts | Assistant Art Director |
| Sound | Samir Fočo | Sound Designer |
| Sound | Jack Stew | Foley |
| Writing | Sam Vincent | Writer |
| Art | Andrew Munro | Supervising Art Director |
| Sound | Dominic Lewis | Original Music Composer |
| Crew | Julian Spencer | Stunt Coordinator |
| Crew | Ben Desmond | Floor Runner |
| Art | Max Klaentschi | Art Department Assistant |
| Art | Ken Lau | Graphic Designer |
| Costume & Make-Up | Cate Hall | Makeup Designer |
| Sound | George Atkins | ADR Mixer |
| Sound | Jack Stew | Foley Artist |
| Sound | Linda Brenon | Foley Editor |
| Camera | Hubert Taczanowski | Director of Photography |
| Art | Mark Papworth | Dressing Prop |
| Sound | Sam Biggs | ADR Recordist |
| Art | Temple Clark | Storyboard Artist |
| Sound | James Shannon | Dolby Consultant |
| Camera | Alias Gallione | Second Assistant "B" Camera |
| Art | Mike Syson | Dressing Prop |
| Art | Craig Price | Property Master |
| Lighting | Mike Parsons | Electrician |
| Sound | Nick Baldock | ADR Mixer |
| Visual Effects | Chris Reynolds | Special Effects Supervisor |
| Production | Ollie Gilbert | Casting Assistant |
| Sound | Ben Jeffes | Boom Operator |
| Camera | Adam Dale | Aerial Director of Photography |
| Visual Effects | Denis Reva | Digital Compositor |
| Art | Ben Munro | Standby Art Director |
| Camera | Matt Wright | Clapper Loader |
| Camera | Alessio Bastianelli | First Assistant "B" Camera |
| Camera | Maurizio Benvenuto | Grip |
| Costume & Make-Up | Cate Hall | Hair Designer |
| Art | Gareth Bailey | Dressing Prop |
| Art | Mal Zawadzki | Painter |
| Sound | Ben Carr | ADR Mixer |
| Sound | Rolf Martens | Sound Mix Technician |
| Camera | Fabio Ferrantini | Digital Imaging Technician |
| Camera | Trevor Henen | First Assistant Camera |
| Sound | Glen Gathard | Foley Mixer |
| Visual Effects | Matthew Chan | Digital Compositor |
| Visual Effects | Caroline Delgado | Digital Compositor |
| Costume & Make-Up | Yolanda Collins | Costume Assistant |
| Costume & Make-Up | Elizabeth Farrer | Tailor |
| Crew | Liam McCartney | Armorer |
| Sound | Ian Voigt | Sound Mixer |
| Costume & Make-Up | Emilie Yong | Makeup Supervisor |
| Crew | Jeff Woodbridge | Carpenter |
| Art | Roddy Dolan | Dressing Prop |
| Art | Thomas Alexander | Dressing Prop |
| Camera | Gian Claudio Giacomini | First Assistant "A" Camera |
| Camera | Sergio Bernuzzi | Grip |
| Editing | Adam Inglis | Colorist |
| Art | Mike Rawlings | Dressing Prop |
| Lighting | Oliver Whickman | Electrician |
| Camera | Esther Venanzi | Second Assistant "A" Camera |
| Sound | Scott Cannizzaro | ADR Mixer |
| Lighting | Mike Prior | Electrician |
| Production | Bev Lawley | Extras Casting |
| Crew | Ben Rothwell | Armory Coordinator |
| Visual Effects | Taskin Kenan | Digital Compositor |
| Crew | Paula C. Frías | Floor Runner |
| Production | Lillie Jeffrey | Casting Associate |
| Visual Effects | Maxwell Alexander | Digital Compositor |
| Editing | Nigel Bunyan | First Assistant Editor |
| Camera | Alain Galès | Epk Producer |
| Art | Matt Curtis | Title Designer |
| Production | Emily Cook | Extras Casting Assistant |
| Visual Effects | Lewis Wright | Digital Compositor |
| Visual Effects | Vladimir Savadov-Senchenko | Digital Compositor |
| Visual Effects | Finola O'Brien | Visual Effects Coordinator |
| Production | Katy Covell | Casting Assistant |
| Crew | Jon Baker | Supervising Armorer |
| Visual Effects | Agueda Del Castillo | Digital Compositor |
