De jonge D'Artagnan arriveert in Parijs met de droom bij de musketiers van de koning te horen. Hij ontmoet 3 mannen waarmee hij een duel aangaat, maar hij komt erachter dat het 3 musketiers zijn. Hij wordt uitgenodigd om tegenstand te bieden aan Kardinaal Richelieu, die de macht wil overnemen van de koning.
Nee, helaas is The Three Musketeers nog niet beschikbaar op Netflix in Nederland.
| Writing | Alexandre Dumas | Novel |
| Camera | David Watkin | Director of Photography |
| Sound | Michel Legrand | Original Music Composer |
| Writing | George MacDonald Fraser | Screenplay |
| Production | Alexander Salkind | Producer |
| Art | Brian Eatwell | Production Design |
| Editing | John Victor-Smith | Editor |
| Directing | Richard Lester | Director |
| Costume & Make-Up | Yvonne Blake | Costume Design |
| Art | Leslie Dilley | Art Direction |
| Production | Francisco Bellot | General Manager |
| Directing | Alain Walker | Assistant Director |
| Art | Rafael Ablanque | Assistant Art Director |
| Production | Wolfdieter von Stein | Associate Producer |
| Directing | Patricio Beltran Aparicio | Assistant Director |
| Production | Miriam Brickman | Casting |
| Art | Fernando González | Art Direction |
| Directing | Dusty Symonds | Assistant Director |
| Costume & Make-Up | Charlene Roberson | Makeup Artist |
| Sound | Robin O'Donoghue | ADR & Dubbing |
| Art | José María Alarcón | Assistant Art Director |
| Sound | Gerry Humphreys | ADR & Dubbing |
| Costume & Make-Up | Kaye Pownall | Hairdresser |
| Production | Pierre Spengler | Executive In Charge Of Production |
| Sound | Don Challis | Sound Editor |
| Costume & Make-Up | Carmen Sánchez | Hairdresser |
| Costume & Make-Up | Ziggy Geike | Makeup Artist |
| Camera | Antonio Colmenar | Grip |
| Lighting | Francisco Gallardo | Gaffer |
| Editing | Richard Hymns | Assistant Editor |
| Crew | Eddie Fowlie | Special Effects |
| Crew | Pablo Pérez | Special Effects Coordinator |
| Crew | Brandy | Stunt Double |
| Directing | Clive Reed | First Assistant Director |
| Art | Eddie Fowlie | Property Master |
| Crew | Joaquín Parra | Stunt Coordinator |
| Camera | Frank Elliott | Assistant Camera |
| Camera | Peter Ewens | Camera Operator |
| Costume & Make-Up | Manuela Iglesias | Wardrobe Assistant |
| Production | Michael Salkind | Executive Producer |
| Sound | George Rice | Boom Operator |
| Art | Emilio Ardura | Set Dresser |
| Art | Francisco Prósper | Construction Coordinator |
| Lighting | Enrique de la Jara | Best Boy Electric |
| Camera | Luis Peña | Assistant Camera |
| Costume & Make-Up | Haleen K. Holt | Costume Illustrator |
| Editing | Peter Holt | Assistant Editor |
| Sound | Simon Kaye | Sound Mixer |
| Costume & Make-Up | Susan Germaine | Hairdresser |
| Costume & Make-Up | José Antonio Sánchez | Makeup Artist |
| Production | Ilya Salkind | Executive Producer |
| Costume & Make-Up | Cristóbal Criado | Makeup Artist |
| Production | Enrique Esteban | Production Supervisor |
| Art | John Lanzer | Property Buyer |
| Camera | Alejandro Diges | Still Photographer |
| Crew | Julián Martín | Scenic Artist |
| Sound | Roy Charman | Sound Mixer |
| Sound | Don Sharpe | Sound Editor |
| Camera | Ronald Anscombe | Assistant Camera |
| Camera | Federico Gómez Grau | Still Photographer |
| Editing | Peter Boyle | Assistant Editor |
| Camera | Vincent Rossell | Still Photographer |
| Camera | Paul Wilson | Camera Operator |
| Directing | Ann Skinner | Continuity |
| Costume & Make-Up | May Routh | Costume Illustrator |
| Costume & Make-Up | Jean Zay | Costume Supervisor |
| Costume & Make-Up | Ron Talsky | Costume Designer |
| Sound | Tom Buchanan | Boom Operator |
