In februari 1952 wordt de oostkust van New England getroffen door een van de zwaarste stormen uit de geschiedenis. Het zorgt ervoor dat een olietanker voor de kust van Cape Cod letterlijk in tweeën breekt.
Nee, helaas is The Finest Hours nog niet beschikbaar op Netflix in Nederland.
| Lighting | Christopher Ferguson | Lighting Programmer |
| Editing | Jered Zalman | Assistant Editor |
| Crew | Aaron Vexler | Stunts |
| Directing | Craig Gillespie | Director |
| Crew | Tim Trella | Stunt Double |
| Crew | Peter Epstein | Stunts |
| Writing | Paul Tamasy | Screenplay |
| Writing | Scott Silver | Screenplay |
| Writing | Eric Johnson | Screenplay |
| Crew | Jodi Michelle Pynn | Stunt Double |
| Writing | Michael J. Tougias | Book |
| Production | Dorothy Aufiero | Producer |
| Art | Michael Corenblith | Production Design |
| Production | Douglas C. Merrifield | Executive Producer |
| Camera | Javier Aguirresarobe | Director of Photography |
| Writing | Casey Sherman | Book |
| Sound | Carter Burwell | Original Music Composer |
| Editing | Tatiana S. Riegel | Editor |
| Production | Mindy Marin | Casting |
| Costume & Make-Up | Louise Frogley | Costume Design |
| Production | Jim Whitaker | Producer |
| Art | William Ladd Skinner | Supervising Art Director |
| Production | Kara Lipson | Casting Associate |
| Costume & Make-Up | Whitney James | Makeup Department Head |
| Camera | Peter Zuccarini | Underwater Camera |
| Art | J.M. Hunter | Art Department Coordinator |
| Costume & Make-Up | Mary L. Hart-Mastro | Hair Department Head |
| Costume & Make-Up | Donna Casey-Aira | Costume Supervisor |
| Sound | Adam Milo Smalley | Music Editor |
| Costume & Make-Up | Desne J. Holland | Makeup Artist |
| Costume & Make-Up | Parrish Kennington | Set Costumer |
| Directing | Diane Durant | Script Supervisor |
| Costume & Make-Up | Brenda McNally | Hairstylist |
| Costume & Make-Up | Paula Dion | Hairstylist |
| Costume & Make-Up | Rebecca Woodfork | Hairstylist |
| Art | Samantha Avila | Assistant Art Director |
| Camera | Jamie Alac | Camera Operator |
| Costume & Make-Up | Trish Seeney | Makeup Artist |
| Camera | Claire Folger | Still Photographer |
| Lighting | Phil Darrell | Gaffer |
| Costume & Make-Up | Joe Rossi | Makeup Artist |
| Costume & Make-Up | Beau Desmond | Set Costumer |
| Costume & Make-Up | Linda Kaufman | Makeup Artist |
| Camera | Brian Heller | Helicopter Camera |
| Costume & Make-Up | Aimee McCue | Set Costumer |
| Lighting | Scott D. Davis | Gaffer |
| Lighting | Mark J. Casey | Rigging Gaffer |
| Art | Susan Benjamin | Set Decoration |
| Costume & Make-Up | Raul Hernandez | Hairstylist |
| Costume & Make-Up | Juliet Loveland | Makeup Artist |
| Crew | Adriano Rinaldi | CG Supervisor |
| Visual Effects | Felix Crawshaw | Visual Effects Producer |
| Editing | Stefan Sonnenfeld | Digital Intermediate |
| Art | Lorrie Campbell | Set Designer |
| Crew | Paul Wishart | CG Supervisor |
| Visual Effects | Aaron Deerfield | Animation |
| Visual Effects | Garrett Wilson | VFX Editor |
| Visual Effects | Kevin T. Hahn | Visual Effects Supervisor |
| Editing | Annie Johnson | Digital Intermediate |
| Sound | John T. Cucci | Foley |
| Art | Joseph Kearney | Construction Coordinator |
| Art | Clint Wallace | Set Designer |
| Crew | Chris Ryan | CG Supervisor |
| Sound | Dean A. Zupancic | Sound Re-Recording Mixer |
| Art | Steven M. Saylor | Set Designer |
| Sound | Andy Koyama | Sound Re-Recording Mixer |
| Crew | Danny Singh | Visual Effects Editor |
| Sound | Dan O'Connell | Foley |
| Crew | Craig Tex Barnett | Special Effects Coordinator |
| Art | Cameron Matheson | Leadman |
| Production | Stephani DeLuca | Researcher |
| Visual Effects | Ran Sieradzki | Animation |
| Crew | Chris Kowal | Visual Effects Editor |
| Crew | Thomas MacKenzie | Visual Effects Editor |
| Visual Effects | Aaron Weintraub | Visual Effects Supervisor |
| Art | Bria Kinter | Set Designer |
| Sound | Albert Gasser | Sound Effects Editor |
| Visual Effects | Tom Goodenough | Animation Supervisor |
| Crew | Steve Bobertz | Visual Effects Editor |
| Editing | Joe Ken | Digital Intermediate |
| Sound | Mark P. Stoeckinger | Supervising Sound Editor |
| Crew | Gong Myung Lee | CG Supervisor |
| Editing | Daniel Boccoli | First Assistant Editor |
| Visual Effects | Tom Driscoll | VFX Editor |
| Art | Robert Andrew Johnson | Set Designer |
| Visual Effects | Seth Maury | Visual Effects Supervisor |
| Visual Effects | Paul V. Molles | Visual Effects Producer |
| Visual Effects | Mark Hawker | Special Effects Supervisor |
| Sound | John Sanacore | Foley |
| Sound | Tim Walston | Sound Effects Editor |
| Art | Masako Masuda | Set Designer |
| Crew | Dan Marshall | Choreographer |
| Sound | Daniel S. Irwin | Dialogue Editor |
| Sound | Luke Gibleon | Foley Editor |
| Sound | Daniel Saxlid | Dialogue Editor |
| Sound | Daniel S. Irwin | Supervising ADR Editor |
| Camera | Seacia Pavao | Additional Still Photographer |
| Art | David Gulick | Property Master |
| Crew | Airon Armstrong | Stunt Double |
| Crew | Josh Vinyard | Stunt Double |
| Crew | Thomas La Marche | Stunt Double |
| Crew | Matt Emig | Stunt Double |
| Crew | Pete Klein | Stunt Double |
| Crew | Dave Reaves | Stunt Double |
| Crew | Caroline Vexler | Stunt Double |
| Crew | Mariusz Kubicki | Stunt Double |
| Crew | Edward Gabree | Stunt Double |
| Crew | Evan Dane Taylor | Stunt Double |
| Visual Effects | Shaila Tobin | Animation |
