Begin twintigste eeuw komt de zestienjarige Riyo naar Amerika om er te trouwen met iemand die ze alleen kenden van brieven en foto's. Ze treft echter niet de leuke jongeman van de foto's aan als haar aanstaande echtgenoot. En Hawaii is niet het paradijs waar hij over had geschreven: op de suikerrietplantages moet keihard gewerkt worden en er zijn fikse raciale spanningen.
Nee, helaas is Picture Bride nog niet beschikbaar op Netflix in Nederland.
| Directing | Kayo Hatta | Director |
| Writing | Kayo Hatta | Story |
| Writing | Kayo Hatta | Screenplay |
| Production | Diane Mei Lin Mark | Executive Producer |
| Production | Lisa Onodera | Producer |
| Art | Renee Confair | Location Scout |
| Lighting | Dave Sullivan | Gaffer |
| Sound | Jonathan Miller | Sound Designer |
| Crew | Francis Badzey | Post Production Assistant |
| Directing | Irish Barber | Script Supervisor |
| Crew | Mary F. Jansen | Post Production Supervisor |
| Editing | Gordon Antell | First Assistant Editor |
| Crew | Yuki Sakamura | Unit Publicist |
| Production | Nina Blake | Associate Producer |
| Production | Marilyn Carrera Killeri | Production Coordinator |
| Crew | Jake Eberle | Sound Design Assistant |
| Directing | Janet Holman | Script Supervisor |
| Lighting | Bob Johnson | Gaffer |
| Crew | Bruce Westcott | Post Production Assistant |
| Production | Anna Fishburn | Casting |
| Costume & Make-Up | Michael Pacciorini | Assistant Costume Designer |
| Camera | Claudio Rocha | Director of Photography |
| Production | Eleanor R. Nakama | Associate Producer |
| Production | Yumi Takada | Casting |
| Sound | Susan Moore-Chong | Sound Mixer |
| Costume & Make-Up | Bryan D. Furer | Makeup Department Head |
| Costume & Make-Up | Chantal Boom'la | Hairstylist |
| Editing | Lynzee Klingman | Editor |
| Editing | Mallory Gottlieb | Editor |
| Writing | Diane Mei Lin Mark | Story |
| Production | Dana Satler Hankins | Line Producer |
| Sound | John Reynolds | Boom Operator |
| Editing | Lois Freeman-Fox | Additional Editing |
| Costume & Make-Up | Ada Akaji | Costume Design |
| Art | Shell Dalzell | Construction Coordinator |
| Camera | Kolo Barber | Grip |
| Art | Paul Guncheon | Production Design |
| Costume & Make-Up | Newton Koshi | Hair Department Head |
| Editing | Robert Komatsu | First Assistant Editor |
| Production | Paul Mayersohn | Co-Executive Producer |
| Directing | Angela Robinson | Script Supervisor |
| Crew | Archie Ahuna | Special Effects |
| Writing | Mari Hatta | Story |
| Crew | Karen Kodner | Unit Publicist |
| Directing | Summer Banner | Script Supervisor |
| Camera | Irish Barber | Grip |
| Sound | Joanie Diener | Music Editor |
| Crew | Colin C.L. Fong | Stunt Coordinator |
| Crew | Mike van Arkel | Special Effects |
| Writing | Mari Hatta | Screenplay |
| Camera | Mike Weisbrod | First Assistant Camera |
| Costume & Make-Up | Cindy Stratt | Makeup Artist |
| Editing | Ray Morfino | Color Timer |
| Sound | Barbara McBane | Dialogue Editor |
| Art | Leslie Craig | Property Master |
| Sound | Hugh Waddell | Dialogue Editor |
| Sound | Marilyn McCoppen | ADR Editor |
| Sound | Gwendolyn Yates Whittle | Dialogue Editor |
| Sound | Mark Adler | Original Music Composer |
| Art | Dan Perri | Title Designer |
| Sound | Lora Hirschberg | Sound Re-Recording Mixer |
