Claire Ward huurt privé-detective John March in om haar man Charles, die veel tijd doorbrengt in een afgelegen huisje, in de gaten te houden. Tijdens een zoektocht vinden John en Claire dan dagboek van Charles' voorouders uit 1771, met daarin documenten over een aantal gruwelijke moorden die in die tijd plaats hebben gevonden. John en Claire beginnen vervolgens te vermoeden dat er iets goed mis is met de experimenten, waar Charles in het oude huisje mee bezig is ...
Nee, helaas is The Resurrected nog niet beschikbaar op Netflix in Nederland.
Directing | Dan O'Bannon | Director |
Writing | H.P. Lovecraft | Original Story |
Writing | Brent V. Friedman | Screenplay |
Crew | Owen Walstrom | Stunts |
Crew | Marc Akerstream | Stunts |
Crew | Curt Bonn | Stunts |
Crew | Mike Crestejo | Stunts |
Crew | Scott J. Ateah | Stunt Coordinator |
Crew | Bill Ferguson | Stunts |
Crew | Bill Stewart | Stunts |
Crew | Scott Nicholson | Stunts |
Lighting | David Moxness | Gaffer |
Visual Effects | Dave Gregory | Visual Effects Supervisor |
Directing | Kenneth Raich | Second Unit Director |
Directing | Morgan Beggs | Second Assistant Director |
Sound | Richard Band | Original Music Composer |
Production | Tony Scotti | Executive Producer |
Production | Shayne Sawyer | Co-Producer |
Production | Kenneth Raich | Producer |
Production | Tom Bradshaw | Executive Producer |
Production | Mark Borde | Producer |
Camera | Irv Goodnoff | Director of Photography |
Editing | Russell Livingstone | Editor |
Production | Penny Ellers | Casting |
Production | Fiona Jackson | Casting |
Art | Brent Thomas | Production Design |
Art | Doug Byggdin | Art Direction |
Art | Christine MacLean | Set Decoration |
Costume & Make-Up | Marcella Mulder Robertson | Costume Design |
Crew | Melissa R. Stubbs | Stunts |
Crew | Rick Pearce | Stunts |
Directing | Mark Corbeil | Script Supervisor |
Camera | Paul Little Roy | Still Photographer |
Art | Ane Christensen | Property Master |
Sound | Barney Cabral | Supervising Sound Editor |
Sound | Norto Sepulveda | ADR Editor |