Xavier Quinn is politiecommissaris op een eilandje in de Caraïben, een klein paradijsje waar toeristen genieten van de zon. Plots wordt de rust verstoord door de brutale moord op Donald Pater, een rijke zakenman. De hoofdverdachte is een vriend van Quinn, de onverbeterlijke Maubee. De man slaagt erin voortdurend aan Quinn te ontsnappen. In de ogen van de eilandbewoners is Maubee trouwens een held: een gekke, luie rebel, door de vrouwen op handen gedragen, door de mannen benijd.
Nee, helaas is The Mighty Quinn nog niet beschikbaar op Netflix in Nederland.
| Directing | Carl Schenkel | Director |
| Art | Roger Murray-Leach | Production Design |
| Art | Gregory P. Keen | Art Direction |
| Sound | Jonathan Bates | Sound Editor |
| Sound | Gerry Humphreys | Sound Re-Recording Mixer |
| Production | Wallis Nicita | Casting |
| Costume & Make-Up | Dana Lyman | Costume Design |
| Production | Dale Pollock | Executive Producer |
| Production | Gil Friesen | Executive Producer |
| Production | Jack Cummins | Associate Producer |
| Sound | David Anderle | Music Supervisor |
| Production | Sanford Lieberson | Producer |
| Production | Marion Hunt | Producer |
| Crew | Cedric Adams | Stunts |
| Crew | Stephen McRay | Stunts |
| Crew | Paul Sherrod | Stunt Double |
| Crew | John Sherrod | Stunt Double |
| Crew | Al Simon | Stunt Double |
| Crew | Eric Mansker | Stunt Double |
| Crew | Eric Chambers | Stunt Double |
| Production | Matthew Binns | Production Manager |
| Directing | J. Stephen Buck | First Assistant Director |
| Directing | Joe Camp III | Second Assistant Director |
| Directing | Michael London | Second Assistant Director |
| Camera | J. Michael Muro | Steadicam Operator |
| Camera | Paul F. Birkett | Camera Operator |
| Camera | Mark Davison | First Assistant Camera |
| Camera | Nathaniel Goodman | Second Assistant Camera |
| Sound | John Pritchett | Sound Mixer |
| Sound | Joel Shryack | Boom Operator |
| Editing | William Webb | Associate Editor |
| Editing | David Barrett | Assistant Editor |
| Costume & Make-Up | Fred Lloyd | Costume Supervisor |
| Art | Brian Read | Set Dresser |
| Costume & Make-Up | Medusah | Hair Designer |
| Costume & Make-Up | Medusah | Makeup Designer |
| Costume & Make-Up | Marietta Carter-Narcisse | Makeup Supervisor |
| Costume & Make-Up | Robin Siegel | Hair Supervisor |
| Crew | Georgio Ferrari | Special Effects Coordinator |
| Production | Teresa M. Yarbrough | Production Coordinator |
| Production | Colleen Roome Shelton | Production Assistant |
| Production | Lizzie Bryant | Production Coordinator |
| Production | Kevin Hyman | Production Accountant |
| Crew | Dean Raphael Ferrandini | Stunt Coordinator |
| Crew | Dan Bradley | Stunt Coordinator |
| Lighting | Scott Guthrie | Chief Lighting Technician |
| Crew | Ken Nevin | Transportation Coordinator |
| Art | John Park | Construction Coordinator |
| Camera | Susan Gray | Still Photographer |
| Production | Joanne Zaluski | Casting Associate |
| Crew | Maxine Walters | Dialect Coach |
| Camera | Karl Kases | Second Unit Director of Photography |
| Sound | Rita Marley | Music Consultant |
| Writing | Albert Z. Carr | Novel |
| Writing | Hampton Fancher | Screenplay |
| Production | Ed Elbert | Producer |
| Crew | Vincent Paterson | Choreographer |
| Sound | Anne Dudley | Original Music Composer |
| Sound | Dina Eaton | Music Editor |
| Sound | Roger Dudley | Scoring Mixer |
| Editing | John Jympson | Editor |
| Art | Alan Bailey | Property Master |
| Camera | Jacques Steyn | Director of Photography |
| Directing | Sharron Reynolds-Enriquez | Script Supervisor |
