In 1990 begeeft Amélie zich op de Japanse arbeidsmarkt. Ze vindt een baan als tolk in Tokio en maakt kennis met een meedogenloze bedrijfscultuur. Bij Yumimoto, een firma met een onwrikbare hiërarchie, wordt van de werknemers de puurste kadaverdiscipline verwacht. Haar superieuren beschouwen de westerse dadendrang en ondernemingslust van Amélie als het toppunt van subversie.
Nee, helaas is Stupeur et tremblements nog niet beschikbaar op Netflix in Nederland.
| Directing | Alain Corneau | Director |
| Writing | Alain Corneau | Writer |
| Writing | Amélie Nothomb | Novel |
| Camera | Yves Angelo | Director of Photography |
| Editing | Thierry Derocles | Editor |
| Sound | Pierre Gamet | Sound |
| Camera | Marion Stalens | Still Photographer |
| Production | Alain Sarde | Producer |
| Production | Christine Gozlan | Executive Producer |
| Production | 堀越謙三 | Executive Producer |
| Art | Valérie Leblanc | Production Design |
| Art | Philippe Taillefer | Production Design |
| Costume & Make-Up | Sophie Benaiche | Key Makeup Artist |
| Costume & Make-Up | Michel Lunetta | Key Hair Stylist |
| Production | Frédéric Blum | Production Manager |
| Production | Olivier Chiavassa | Production Director |
| Crew | Helene Glabeke | Post-Production Manager |
| Production | Martine Vergnes | Unit Production Manager |
| Production | Rodolphe Viémont | Unit Manager |
| Directing | Mathieu Partay | Second Assistant Director |
| Directing | Hideki Tomita | Assistant Director |
| Directing | Vincent Trintignant | First Assistant Director |
| Crew | Didier Beauland | Carpenter |
| Art | Jean-Louis Bergougnoux | Head Carpenter |
| Crew | Laurent Philippe | Carpenter |
| Art | Jochen Rohrig | Construction Manager |
| Art | Nathalie Sarret | Painter |
| Art | Stéphane Vinciguerra | Painter |
| Sound | Sandie Bompar | Assistant Sound Editor |
| Sound | Bernard Chaumeil | Assistant Sound Engineer |
| Sound | Toni Di Rocco | Sound Recordist |
| Sound | Rodolphe Duhamel | Sound Recordist |
| Sound | Judith Guittier | Assistant Foley Artist |
| Sound | Mineharu Kitamura | Sound Engineer |
| Sound | Jérôme Lévy | Foley Artist |
| Sound | Armelle Mahé | Sound Engineer |
| Sound | Gréggory Poncelet | Sound Recordist |
| Crew | Patrice Fauquemberg | Special Effects |
| Crew | Philippe Hubin | Special Effects |
| Crew | Jean-Christophe Magnaud | Special Effects |
| Visual Effects | Vincent Alexander | Visual Effects Coordinator |
| Visual Effects | Frédéric Moreau | Visual Effects |
| Visual Effects | Sarah Moreau | Visual Effects Coordinator |
| Visual Effects | Philippe Soeiro | Visual Effects Supervisor |
| Crew | Odile Guillodeau | Stunt Double |
| Crew | Daniel Vérité | Stunt Coordinator |
| Camera | Jérôme Alméras | First Assistant Camera |
| Lighting | Pascal Hénin | Electrician |
| Camera | Eric Le Roux | Camera Operator |
| Lighting | Rachid Madaoui | Gaffer |
| Lighting | Makoto Sano | Electrician |
| Camera | 佐々木原保志 | Camera Operator |
| Camera | 相馬大輔 | Assistant Camera |
| Camera | Rokurō Terada | Assistant Camera |
| Camera | Jean-Baptiste Wery | Camera Trainee |
| Costume & Make-Up | Julie Mallard | Costumer |
| Editing | Thomas Gilson | Assistant Editor |
| Editing | Aude Humblet | Colorist |
| Editing | Sylvie Petat | Assistant Editor |
| Sound | Sylvie Petat | Dialogue Editor |
| Editing | Gerard Savary | Color Grading |
| Crew | Philippe Tourret | Post-Production Manager |
| Sound | Valérie Lindon | Music Supervisor |
| Production | Laure Blaess | Production Accountant |
| Production | Mitsuko Jurgenson | Production Assistant |
