Johnny Dingle is al jaren stiekem verliefd op de knappe Missy McCloud. Nu heeft hij een gewaagd plan ontwikkeld: in een nepoverval op de winkel waar ze werkt zou hij haar het leven redden, waarna een afspraakje in de lijn der verwachting ligt. Maar in de winkel blijken ineens ook echte overvallers aan het werk te zijn...
Nee, helaas is My Boyfriend's Back nog niet beschikbaar op Netflix in Nederland.
| Directing | Bob Balaban | Director |
| Art | Douglas A. Mowat | Set Decoration |
| Art | Michael Z. Hanan | Production Design |
| Art | Charles M. Lagola | Art Direction |
| Costume & Make-Up | J.M. Logan | Special Effects Makeup Artist |
| Costume & Make-Up | Kimberly Greene | Makeup Artist |
| Camera | Mac Ahlberg | Director of Photography |
| Costume & Make-Up | Kimberly A. Tillman | Costume Design |
| Writing | Dean Lorey | Writer |
| Production | David Giella | Casting |
| Production | Julie Hughes | Casting |
| Crew | Lonnie Nelson | Stunts |
| Art | Tad Smalley | Leadman |
| Directing | David Cass Jr. | Second Assistant Director |
| Production | Debbie Hayn-Cass | Unit Production Manager |
| Production | Barry Moss | Casting |
| Sound | Michael Linn | Music Editor |
| Art | David A. Weinman | Construction Foreman |
| Crew | Michael T. Daigle | Scenic Artist |
| Production | Shana A. Clester | Local Casting |
| Sound | Evyen Klean | Music Consultant |
| Costume & Make-Up | Barbara Olvera | Hairstylist |
| Camera | James 'Buz' Maloy | Dolly Grip |
| Directing | Donald P.H. Eaton | First Assistant Director |
| Sound | Donald Murray | Dialogue Editor |
| Sound | Jerry Lambert | Sound Mixer |
| Costume & Make-Up | Louise Mingenbach | Costume Supervisor |
| Sound | Phillip Seretti | Sound Supervisor |
| Lighting | Michael Tolochko | Best Boy Electric |
| Camera | Mary C. Nelson | Best Boy Grip |
| Art | Eugene McCarthy | Property Master |
| Production | Matthew Woody | Location Manager |
| Art | John Frick | Set Designer |
| Production | Tim Swan | Location Manager |
| Sound | Phillip Seretti | Sound Re-Recording Mixer |
| Sound | T.W. Davis | ADR Supervisor |
| Production | Jeffrey J. Kiehlbauch | Production Coordinator |
| Crew | Jim Dicuffa | Transportation Captain |
| Sound | Paul Broucek | Music Consultant |
| Lighting | James Lawrence Spencer | Gaffer |
| Art | David T. Cannon | Construction Coordinator |
| Directing | Linda Giffin-Citron | Script Supervisor |
| Sound | John K. Adams | Sound Effects |
| Camera | Marc Andrus | Key Grip |
| Art | Jonathan Short | Set Designer |
| Camera | Derek Bruyere | Second Assistant Camera |
| Sound | Darrell Henke | Sound Mixer |
| Sound | Lisa J. Levine | ADR Supervisor |
| Sound | Jed M. Dodge | Supervising Dialogue Editor |
| Editing | Logan Breit | Assistant Editor |
| Sound | Carl Zittrer | Music Editor |
| Sound | T.W. Davis | Foley Supervisor |
| Art | Katie Carmichael | Assistant Property Master |
| Crew | Don Breneman | Transportation Coordinator |
| Crew | David S. Cass Sr. | Stunt Coordinator |
| Production | Jessica Gilburne | Casting Associate |
| Camera | Jonathan Burkhart | First Assistant Camera |
| Sound | Don Broughton | Boom Operator |
| Editing | Noel Cunningham | First Assistant Editor |
| Production | Wendie Saltarski | Production Accountant |
| Production | Vicki Ellis | Production Accountant |
| Editing | Peter Yanovitch | Negative Cutter |
| Production | Amy Chance | Assistant Production Coordinator |
| Directing | Sarah Shields | Second Second Assistant Director |
| Production | Michelle Romaine | Location Manager |
| Camera | Gary Farr | Still Photographer |
| Crew | Kevin Phinney | Unit Publicist |
| Art | Charles McDonald | Title Designer |
| Sound | Bobby Muzingo | Orchestrator |
| Sound | Harry Manfredini | Music |
| Production | Debbie Hayn-Cass | Associate Producer |
| Production | Sean S. Cunningham | Producer |
| Editing | Michael Jablow | Editor |
