Carol Hunnicut (Anne Archer) is getuige van moord op haar blind date voor die avond. Het blijkt de maffia te zijn die achter de moord zit. Carol vlucht en ze neemt de trein. Wie zal haar het eerste vinden, de maffia of de procureur (Gene Hackman), die haar wil laten getuigen in de rechtbank?
Nee, helaas is Narrow Margin nog niet beschikbaar op Netflix in Nederland.
| Directing | Peter Hyams | Director |
| Writing | Earl Felton | Screenplay |
| Directing | Robert Lee | Second Assistant Director |
| Sound | Neal Burger | Sound Editor |
| Crew | Glenn R. Wilder | Stunt Coordinator |
| Crew | Melissa R. Stubbs | Stunt Double |
| Sound | Michael J. Kohut | Sound Re-Recording Mixer |
| Crew | Curtis Lupo | Stunts |
| Editing | Beverly Pinnas | First Assistant Editor |
| Sound | Per Hallberg | Assistant Sound Editor |
| Sound | Karen Baker Landers | Assistant Sound Editor |
| Crew | Denny Arnold | Stunts |
| Costume & Make-Up | Leslie Ann Anderson | Hairstylist |
| Costume & Make-Up | Pat Gerhardt | Makeup Artist |
| Crew | Gar Stephen | Stunts |
| Crew | Lon Katzman | Stunts |
| Crew | Doc Duhame | Stunts |
| Crew | Scott Nicholson | Stunts |
| Art | David Willson | Supervising Art Director |
| Costume & Make-Up | Ellen Mirojnick | Costume Designer |
| Production | Yvonne Melville | Assistant Production Coordinator |
| Crew | Amy Stephen Wilder | Stunts |
| Camera | John Hyams | Grip |
| Sound | Carlos Delarios | Sound Re-Recording Mixer |
| Sound | John Brilhante | Sound Recordist |
| Production | Judith French | Assistant Accountant |
| Sound | Dan Sharp | Sound Recordist |
| Directing | Lisa Weinstein | Third Assistant Director |
| Sound | Bill W. Benton | Sound Re-Recording Mixer |
| Production | Don Orlando | Production Accountant |
| Production | Penny Gibbs | Production Office Coordinator |
| Production | Jonathan A. Zimbert | Producer |
| Sound | Bruce Broughton | Music |
| Editing | James Mitchell | Editor |
| Production | Mary Eilts | Associate Producer |
| Camera | Rick Stadder | Dolly Grip |
| Lighting | Dale Garrison | Rigging Gaffer |
| Sound | Tom Bellfort | Supervising Sound Editor |
| Camera | Peter Hyams | Director of Photography |
| Art | Joel Schiller | Production Design |
| Camera | Ralph Gerling | Camera Operator |
| Costume & Make-Up | Jerry R. Allen | Costumer |
| Production | Andrew G. Vajna | Executive Producer |
| Camera | Nick Kuchera | Key Grip |
| Camera | Steve Peterson | First Assistant Camera |
| Production | Jerry Offsay | Co-Producer |
| Writing | Martin Goldsmith | Original Story |
| Sound | Douglas Greenfield | Dolby Consultant |
| Art | Kim MacKenzie | Set Decoration |
| Art | Wayne McLaughlin | Property Master |
| Production | Lynne Carrow | Casting |
| Crew | Steve Wolke | Special Effects Assistant |
| Crew | Guy Faria | Special Effects Assistant |
| Art | Kim Mooney | Art Direction |
| Crew | Kevin Quibell | Special Effects Assistant |
| Sound | Wylie Stateman | Supervising Sound Editor |
| Costume & Make-Up | Dolores Burke | Costumer |
| Camera | Jack Rowand | Still Photographer |
| Lighting | Les Erskine | Chief Lighting Technician |
| Writing | Jack Leonard | Original Story |
| Art | Eric W. Orbom | Art Direction |
| Camera | Robin Jobin | Best Boy Grip |
| Production | Mario Kassar | Executive Producer |
| Crew | Dan Moore | Video Assist Operator |
| Camera | Adam Sliwinski | Camera Trainee |
| Art | Phil Gough | Assistant Property Master |
| Crew | Stan Parks | Special Effects Coordinator |
| Costume & Make-Up | Roy Sidick | Hairstylist |
| Production | James Forsyth | Extras Casting |
| Production | Mary Eilts | Unit Production Manager |
| Directing | Jack Frost Sanders | First Assistant Director |
| Camera | Nathaniel Massey | Steadicam Operator |
| Camera | Pat Williams | Second Assistant Camera |
| Crew | Scott Wilder | Stunt Coordinator |
| Sound | Dan M. Rich | Sound Editor |
| Writing | Peter Hyams | Writer |
| Sound | Kevin Hearst | Sound Editor |
| Sound | Curt Sobel | Music Editor |
| Editing | Bob Kaiser | Color Timer |
| Costume & Make-Up | Margaret Solomon | Makeup Artist |
| Art | Michael Rennison | Construction Foreman |
| Sound | Scott Martin Gershin | Sound Editor |
| Sound | Gary A. Hecker | Foley Artist |
| Sound | Dan O'Connell | Foley Artist |
| Sound | Mark McKenzie | Orchestrator |
| Sound | Don Brown | Boom Operator |
| Art | Gary Brooks | Head Greensman |
| Crew | Brigitte Prochaska | Unit Publicist |
| Sound | Don Nemitz | Orchestrator |
| Crew | Roger Lifsey | Special Effects Assistant |
| Sound | Armin Steiner | Scoring Mixer |
| Directing | Lara Fox | Script Supervisor |
| Sound | Doc Kane | Foley Mixer |
| Editing | Donah Bassett | Negative Cutter |
| Sound | Ralph Parker | Production Sound Mixer |
| Crew | Fred Moroz | Transportation Captain |
| Crew | Alois Stranan | Transportation Coordinator |
| Production | Adam Druxman | Production Assistant |
| Production | James Sallis | Location Manager |
