Ellen, dochter van een rijke kopermagnaat, wordt na de zelfmoord van haar tweelingzuster verliefd op de ambitieuze Jonathan. Als zij de zelfmoord van haar zuster onderzoekt, stuit ze op een aantal schokkende feiten. Allen wijzen in de richting van Jonathan die inmiddels haar man is geworden. Nu blijkt pas hoe slecht Ellen hem kent.
Nee, helaas is A Kiss Before Dying nog niet beschikbaar op Netflix in Nederland.
| Writing | James Dearden | Screenplay |
| Directing | James Dearden | Director |
| Crew | G.A. Aguilar | Stunts |
| Crew | Greg Powell | Stunts |
| Crew | Mike Potter | Stunts |
| Art | Jim Clay | Production Design |
| Camera | Mike Southon | Director of Photography |
| Production | Billy Hopkins | Casting |
| Editing | Michael Bradsell | Editor |
| Writing | Ira Levin | Novel |
| Production | Suzanne Smith Crowley | Casting |
| Production | Robert Lawrence | Producer |
| Costume & Make-Up | John Dods | Makeup Artist |
| Crew | Martin Grace | Stunts |
| Directing | Patrick Clayton | First Assistant Director |
| Production | Suzanne Smith | Casting Associate |
| Crew | Jery Hewitt | Stunts |
| Production | Mary Richards | Production Manager |
| Camera | Philip Sindall | Camera Operator |
| Production | Bobbie Johnson | Production Accountant |
| Production | Tania Windsor | Production Coordinator |
| Crew | Cliff Cudney | Stunts |
| Sound | Ian Voigt | Sound Recordist |
| Production | Tarn Harper | Assistant Accountant |
| Costume & Make-Up | Ken Crouch | Wardrobe Supervisor |
| Sound | Campbell Askew | Sound Editor |
| Production | Bill Darby | Assistant Location Manager |
| Production | Guy Tannahill | Location Manager |
| Costume & Make-Up | Jo Korer | Wardrobe Master |
| Crew | Graeme Crowther | Stunts |
| Camera | Malcolm Sheehan | Grip |
| Costume & Make-Up | Martin Samuel | Hairdresser |
| Crew | Tracey Eddon | Stunts |
| Directing | Tim Lewis | Second Assistant Director |
| Camera | Mark Milsome | Clapper Loader |
| Crew | Helen Caldwell | Stunts |
| Camera | Ian Jackson | Focus Puller |
| Costume & Make-Up | Sue Love | Hairdresser |
| Crew | Hugh Aodh O'Brien | Stunts |
| Art | Tessa Harrison | Assistant Art Director |
| Sound | John Hayward | Sound Mixer |
| Editing | Natalie Baker | Assistant Editor |
| Sound | Robert Gavin | Assistant Dialogue Editor |
| Sound | Graham Sutton | Music Editor |
| Art | Dave Reilly | Property Master |
| Directing | Diana Dill | Continuity |
| Sound | Howard Shore | Conductor |
| Camera | David Appleby | Still Photographer |
| Directing | Julia Waye | Third Assistant Director |
| Directing | Julie Robinson | Script Supervisor |
| Costume & Make-Up | Peter Frampton | Makeup Supervisor |
| Lighting | Micky Brown | Gaffer |
| Art | Roy Evans | Construction Manager |
| Art | Stephenie McMillan | Set Dresser |
| Art | Jo Graysmark | Art Department Assistant |
| Crew | Susan d'Arcy | Unit Publicist |
| Sound | Homer Denison | Orchestrator |
| Lighting | Bill Thornhill | Best Boy Electric |
| Costume & Make-Up | Hilary Watson | Assistant Costume Designer |
| Sound | Kevin Brazier | Dialogue Editor |
| Sound | Gerard McCann | Assistant Sound Editor |
| Production | Melissa Wyn Griffith | Production Secretary |
| Crew | Donna Evans | Stunts |
| Art | Paul Bradburn | Props |
| Art | Catherine Davis | Set Decoration |
| Art | Chris Seagers | Art Direction |
| Art | Rod McClean | Art Direction |
| Production | Paul Raphael | Associate Producer |
| Production | Eric Fellner | Executive Producer |
| Production | Chris Thompson | Associate Producer |
| Costume & Make-Up | Marit Allen | Costume Design |
| Crew | Eddie Powell | Stunts |
| Sound | Howard Shore | Original Music Composer |
