Na een aanvaring raakt een luxueus cruiseschip in nood. Acht overlevenden slagen erin aan boord te klimmen van wat een verlaten olietanker lijkt. Eenmaal aan boord worden ze het slachtoffer van vreemde gebeurtenissen, een vrouw wordt door een tros in zee geslingerd, de motoren beginnen op mysterieuze wijze te draaien en het schip zet zich op weg naar een onbekende bestemming, zonder dat iemand aan het roer staat.
Nee, helaas is Death Ship nog niet beschikbaar op Netflix in Nederland.
Camera | Norman Smith | Key Grip |
Directing | Alvin Rakoff | Director |
Camera | René Verzier | Director of Photography |
Production | Derek Gibson | Producer |
Production | Larry Nesis | Associate Producer |
Art | Chris Burke | Production Design |
Writing | John Robins | Screenplay |
Editing | Mike Campbell | Editor |
Art | Michel Proulx | Art Direction |
Writing | Jack Hill | Story |
Writing | David P. Lewis | Story |
Production | Harold Greenberg | Producer |
Sound | Ivor Slaney | Original Music Composer |
Costume & Make-Up | Pierre David | Hairdresser |
Sound | Terry Burke | Sound Effects |
Art | David Phillips | Props |
Sound | Andy Malcolm | Sound Effects |
Crew | Grant Page | Stunt Coordinator |
Sound | Michele Moses | Sound Effects |
Crew | Peter Hughes | Special Effects |
Directing | Charles Braive | First Assistant Director |
Art | Jim Hodgson | Property Buyer |
Sound | David Appleby | Sound Re-Recording Mixer |
Sound | Austin Grimaldi | Sound Re-Recording Mixer |
Production | Roger Héroux | Production Manager |
Art | Pierre Gelinas | Assistant Art Director |
Production | Adrian Hughes | Production Supervisor |
Costume & Make-Up | Joan Isaacson | Makeup Artist |
Crew | Michael Albrechtsen | Special Effects |
Art | Frances Calder | Property Buyer |
Directing | Pedro Gandol | Second Assistant Director |
Sound | Henri Blondeau | Sound Mixer |
Sound | Normand Mercier | Boom Operator |
Production | Michael Bennett | Unit Manager |
Costume & Make-Up | Huguette Roy | Hairdresser |
Sound | William Trent | Sound Effects Editor |
Sound | Don White | Foley Recording Engineer |
Art | Norman Simpson | Property Master |
Sound | Steven Cole | Sound Effects |
Art | Andre Brochu | Construction Foreman |
Costume & Make-Up | Paul-André Guérin | Dresser |
Production | Anna St. Johns | Casting |
Directing | June Randall | Script Supervisor |
Production | Victoria Barney | Production Assistant |
Camera | Denis Gingras | Assistant Camera |
Camera | André Ouellette | Grip |
Production | Linda Gregory | Production Accountant |
Camera | Greg Daniels | Best Boy Grip |
Camera | Frank Connor | Still Photographer |
Crew | Dave Novak | Unit Publicist |
Production | Norman Smith | Casting |
Costume & Make-Up | Gaudeline Sauriol | Dresser |
Crew | Jean Louis Bibeau | Technical Advisor |
Production | Monique Brasseur | Production Assistant |
Camera | Peter Benison | Still Photographer |
Lighting | Michel Paul Bélisle | Chief Lighting Technician |
Camera | Paul Gravel | Assistant Camera |
Production | Victoria Mitchell | Casting |
Production | Shirley Gill | Production Accountant |
Directing | Linda Browne | Script Supervisor |
Production | Nancy Mayer | Production Assistant |
Production | Ingrid Fischer | Casting |
Crew | Joy Berger | Unit Publicist |
Editing | Greg Glynn | Assistant Editor |
Crew | Michael Dalling | Unit Publicist |
Crew | Captain Pelletier | Technical Advisor |
Crew | Leon Vezina | Technical Advisor |
Editing | Yurij Luhovy | Assistant Editor |
Production | Micheline D'Andre | Production Assistant |
Camera | Frank Lenk | Camera Operator |
Camera | John Palmer | Camera Operator |
Editing | Jean-Pol Passet | Assistant Editor |
Production | Don Carmody | Production Executive |
Crew | Jacques Vezina | Technical Advisor |