Een stel checkt in in een suite in Las Vegas. In flashbacks zien we dat hij een computerwonder is die op het punt staat dot.com-miljonair te worden, zij is een lapdance in een club. Hij is depressief, trekt zich terug uit zijn werk en mist ontmoetingen met investeerders. Hij wil een connectie, dus biedt hij haar $ 10.000 aan om drie nachten bij hem in Vegas door te brengen, en zij accepteert onder voorwaarden. Is er sprake van wederzijdse aantrekkingskracht?
Nee, helaas is The Center of the World nog niet beschikbaar op Netflix in Nederland.
| Directing | Wayne Wang | Director |
| Production | Wayne Wang | Producer |
| Production | Heidi Levitt | Co-Producer |
| Costume & Make-Up | Sophie de Rakoff | Costume Design |
| Production | Ira Deutchman | Executive Producer |
| Camera | Mauro Fiore | Director of Photography |
| Costume & Make-Up | Paul LeBlanc | Hairstylist |
| Production | Peter Newman | Producer |
| Crew | Yael Melamede | Post Production Supervisor |
| Directing | Paul Schmitz | Assistant Director |
| Writing | Siri Hustvedt | Story |
| Costume & Make-Up | Lydia Milars | Makeup Department Head |
| Sound | Deva Anderson | Music Supervisor |
| Writing | Paul Auster | Story |
| Writing | Ellen Benjamin Wong | Screenplay |
| Production | Heidi Levitt | Casting |
| Production | Kris Nicolau | Casting |
| Production | Bill Block | Executive In Charge Of Production |
| Sound | Marko Costanzo | Foley Artist |
| Production | Francey Grace | Co-Producer |
| Directing | Gabi Endicott | Script Supervisor |
| Writing | Wayne Wang | Story |
| Production | Greg Johnson | Executive Producer |
| Sound | Delphine Robertson | Music Coordinator |
| Writing | Miranda July | Story |
| Production | Andrew Loo | Co-Producer |
| Sound | David Diamond | Boom Operator |
| Art | Diana Kunce | Art Direction |
| Directing | Gaby Rizeanu | Script Supervisor |
| Production | Andrew Loo | Unit Production Manager |
| Sound | Mark DeSimone | ADR Mixer |
| Costume & Make-Up | Lesley Anderson | Hairstylist |
| Directing | Jonathan McGarry | First Assistant Director |
| Camera | Sean Fairburn | Camera Operator |
| Camera | Monica Schad | Assistant Camera |
| Camera | John Johnson | Still Photographer |
| Costume & Make-Up | Marina Ray | Costumer |
| Editing | Marty Levenstein | Associate Editor |
| Production | Wayne T. Silva | Production Assistant |
| Editing | Misako Shimizu | First Assistant Editor |
| Production | Melissa Chesman | Production Executive |
| Sound | Sean Garnhart | Sound Supervisor |
| Sound | Skip Lievsay | Sound Mixer |
| Production | M. Michelle Nishikawa | Production Coordinator |
| Sound | Jim Stuebe | Production Sound Mixer |
| Production | Nancy Haecker | Location Manager |
| Sound | Bill Orrico | Assistant Sound Editor |
| Lighting | Michael Bauman | Gaffer |
| Art | Randall Balsmeyer | Title Designer |
| Sound | Jesse Ehredt | Sound Recordist |
| Production | Jay Traynor | Location Manager |
| Crew | Robin Antin | Choreographer |
| Crew | Alisha Klass | Technical Advisor |
| Editing | Michael Hatzer | Color Timer |
| Sound | Sean Garnhart | Sound Re-Recording Mixer |
| Production | Jorina King | Extras Casting |
| Sound | Aaron Rihel | Sound Recordist |
| Crew | Annalise Ophelian | Other |
| Production | Lora Hingst | Production Assistant |
| Visual Effects | Dan Schmit | Visual Effects Supervisor |
| Visual Effects | Eric Heavens | Digital Compositor |
| Production | Keith Potter | Production Assistant |
| Sound | Albert Gasser | Supervising ADR Editor |
| Sound | Albert Gasser | Dialogue Editor |
| Lighting | Anatoliy Neznanov | Electrician |
| Production | Leann Emmert | Assistant Location Manager |
| Production | Amy Carroll | Production Assistant |
| Editing | Lee Percy | Editor |
| Art | Donald Graham Burt | Production Design |
