Professor Harry Beckmeyer is gefascineerd door het feit dat er een vreemd ras - een soort wolfachtige mensen - is gesignaleerd in Australië. Hij gaat op zoek naar de wezens en komt ze al snel op het spoor via Jerboa, een jongedame die op de vlucht is en verliefd is geworden op Donny. De twee willen het liefst samen zijn, maar worden opgejaagd door de overheid.
Nee, helaas is The Howling III nog niet beschikbaar op Netflix in Nederland.
| Directing | Philippe Mora | Director |
| Directing | Stuart Wood | First Assistant Director |
| Production | Stephen MacCagnon | Location Manager |
| Sound | Bob Clayton | Sound Recordist |
| Sound | Sue Mabey | Assistant Sound Editor |
| Editing | April Cooper | Assistant Editor |
| Sound | Catherine Sheehan | Assistant Sound Editor |
| Sound | Lee Smith | Sound Editor |
| Camera | John Lewis | Still Photographer |
| Sound | Michael Bahas | Foley Recordist |
| Sound | John Herron | Sound Mixer |
| Visual Effects | Roger Cowland | Visual Effects |
| Sound | Ron Purvis | Sound Mixer |
| Production | Steven A. Lane | Executive Producer |
| Sound | Les Fiddess | Sound Recordist |
| Sound | Martin Oswin | Sound Mixer |
| Sound | Gerry Nucifora | Boom Operator |
| Crew | Peter Armstrong | Stunts |
| Crew | Dale Aspin | Stunts |
| Camera | Damon Merryman | Assistant Grip |
| Camera | Peter Terakes | Clapper Loader |
| Directing | Sian Fatouros | Continuity |
| Production | Edward Simons | Executive Producer |
| Crew | Wayne Pleace | Stunts |
| Crew | Max Aspin | Stunt Coordinator |
| Editing | Jerry Cler | Assistant Editor |
| Production | Lionel Midford | Publicist |
| Production | Charles Waterstreet | Producer |
| Directing | John Titley | Second Assistant Director |
| Directing | Adam Spencer | Third Assistant Director |
| Production | Gilda Baracchi | Co-Producer |
| Editing | Noelleen Westcombe | First Assistant Editor |
| Crew | Diane Garcia | Choreographer |
| Production | Philippe Mora | Producer |
| Production | Robert Pringle | Executive Producer |
| Camera | Derry Field | Focus Puller |
| Lighting | Reg Garside | Gaffer |
| Editing | Tony Manning | Color Grading |
| Crew | Robert Simper | Stunts |
| Camera | Paul Thompson | Key Grip |
| Camera | William Yang | Still Photographer |
| Editing | Nicola Wylie | Assistant Editor |
| Production | Tony Hulstrom | Production Accountant |
| Costume & Make-Up | Bob McCarron | Makeup Supervisor |
| Lighting | Robert Verkerk | Best Boy Electric |
| Production | Alan Lake | Post Production Coordinator |
| Production | Rosslyn Abernethy | Production Coordinator |
| Art | Penny Lang | Art Department Coordinator |
| Sound | Noelleen Westcombe | Assistant Sound Editor |
| Costume & Make-Up | Bob McCarron | Makeup Designer |
| Production | Stephen MacCagnon | Unit Manager |
| Costume & Make-Up | Sonja Smuk | Makeup Artist |
| Art | Ross Major | Production Design |
| Writing | Gary Brandner | Novel |
| Costume & Make-Up | Ross Major | Costume Design |
| Sound | Allan Zavod | Original Music Composer |
| Art | Brian Edmonds | Set Decoration |
| Editing | Lee Smith | Editor |
| Writing | Philippe Mora | Screenplay |
| Camera | Louis Irving | Director of Photography |
| Production | Bob McCarron | Associate Producer |
