Professor Harry Beckmeyer is gefascineerd door het feit dat er een vreemd ras - een soort wolfachtige mensen - is gesignaleerd in Australië. Hij gaat op zoek naar de wezens en komt ze al snel op het spoor via Jerboa, een jongedame die op de vlucht is en verliefd is geworden op Donny. De twee willen het liefst samen zijn, maar worden opgejaagd door de overheid.
Nee, helaas is The Howling III nog niet beschikbaar op Netflix in Nederland.
| Directing | Philippe Mora | Director |
| Directing | Adam Spencer | Third Assistant Director |
| Crew | Peter Armstrong | Stunts |
| Camera | Damon Merryman | Assistant Grip |
| Production | Stephen MacCagnon | Location Manager |
| Production | Gilda Baracchi | Co-Producer |
| Sound | Bob Clayton | Sound Recordist |
| Crew | Dale Aspin | Stunts |
| Camera | William Yang | Still Photographer |
| Crew | Wayne Pleace | Stunts |
| Camera | Peter Terakes | Clapper Loader |
| Editing | Noelleen Westcombe | First Assistant Editor |
| Crew | Diane Garcia | Choreographer |
| Camera | Paul Thompson | Key Grip |
| Sound | Ron Purvis | Sound Mixer |
| Production | Charles Waterstreet | Producer |
| Camera | John Lewis | Still Photographer |
| Production | Lionel Midford | Publicist |
| Sound | Sue Mabey | Assistant Sound Editor |
| Sound | Catherine Sheehan | Assistant Sound Editor |
| Production | Robert Pringle | Executive Producer |
| Directing | John Titley | Second Assistant Director |
| Sound | Les Fiddess | Sound Recordist |
| Sound | John Herron | Sound Mixer |
| Sound | Lee Smith | Sound Editor |
| Crew | Robert Simper | Stunts |
| Sound | Gerry Nucifora | Boom Operator |
| Sound | Martin Oswin | Sound Mixer |
| Visual Effects | Roger Cowland | Visual Effects |
| Camera | Derry Field | Focus Puller |
| Directing | Stuart Wood | First Assistant Director |
| Sound | Michael Bahas | Foley Recordist |
| Editing | Jerry Cler | Assistant Editor |
| Production | Steven A. Lane | Executive Producer |
| Crew | Max Aspin | Stunt Coordinator |
| Editing | Nicola Wylie | Assistant Editor |
| Production | Tony Hulstrom | Production Accountant |
| Production | Edward Simons | Executive Producer |
| Lighting | Reg Garside | Gaffer |
| Editing | Tony Manning | Color Grading |
| Editing | April Cooper | Assistant Editor |
| Directing | Sian Fatouros | Continuity |
| Production | Philippe Mora | Producer |
| Production | Alan Lake | Post Production Coordinator |
| Production | Rosslyn Abernethy | Production Coordinator |
| Production | Stephen MacCagnon | Unit Manager |
| Art | Penny Lang | Art Department Coordinator |
| Costume & Make-Up | Bob McCarron | Makeup Supervisor |
| Costume & Make-Up | Sonja Smuk | Makeup Artist |
| Lighting | Robert Verkerk | Best Boy Electric |
| Costume & Make-Up | Bob McCarron | Makeup Designer |
| Sound | Noelleen Westcombe | Assistant Sound Editor |
| Camera | Louis Irving | Director of Photography |
| Writing | Philippe Mora | Screenplay |
| Editing | Lee Smith | Editor |
| Writing | Gary Brandner | Novel |
| Art | Ross Major | Production Design |
| Sound | Allan Zavod | Original Music Composer |
| Costume & Make-Up | Ross Major | Costume Design |
| Art | Brian Edmonds | Set Decoration |
| Production | Bob McCarron | Associate Producer |
