Paul Conway is een 15 jarige jongen die verhuist is naar een andere stad. Hij heeft een robot met de naam BeeBee. Paul raakt bevriend met zijn buurmeisje Samantha maar op een avond mishandeld haar vader haar zo erg dat ze klinisch dood is. Paul wil haar redden door Beebee's microchips in haar hersenen te implanteren maar dat heeft gevolgen.
Nee, helaas is Deadly Friend nog niet beschikbaar op Netflix in Nederland.
| Directing | Wes Craven | Director |
| Production | Phil Rawlins | Unit Production Manager |
| Directing | Nicholas Batchelor | First Assistant Director |
| Directing | Peter C. Graupner | Second Assistant Director |
| Art | Edward J. McDonald | Set Decoration |
| Sound | Dale Johnston | Supervising Sound Editor |
| Camera | Kenneth Zunder | First Assistant Camera |
| Camera | Horace Jordan | First Assistant Camera |
| Directing | Marion Tumen | Script Supervisor |
| Costume & Make-Up | Michael Hancock | Makeup Artist |
| Costume & Make-Up | Bette Iverson | Hairstylist |
| Lighting | Buddy Bowles | Gaffer |
| Camera | Howard Anderson | Key Grip |
| Production | Bruce Lawhead | Location Manager |
| Production | Susan Montgomery | Production Accountant |
| Art | Roy Barnes | Set Designer |
| Sound | John LaSalandra | Music Editor |
| Sound | Don Cahn | Sound Re-Recording Mixer |
| Sound | Allen L. Stone | Sound Re-Recording Mixer |
| Art | Vic Petrotta Jr. | Property Master |
| Art | John Sweeney | Assistant Property Master |
| Crew | Robert Neilson | Transportation Coordinator |
| Crew | Dave Robling | Transportation Captain |
| Art | Larry Verne | Construction Coordinator |
| Crew | Terry Leonard | Stunt Coordinator |
| Crew | Anthony Cecere | Stunt Coordinator |
| Crew | Linda Arvidson | Stunts |
| Crew | Doc D. Charbonneau | Stunts |
| Crew | J. Mark Donaldson | Stunts |
| Crew | Leslie Hoffman | Stunts |
| Crew | Tracy Keehn-Dashnaw | Stunts |
| Crew | Lane Leavitt | Stunts |
| Crew | Mike H. McGaughy | Stunts |
| Crew | Tom Oldberg | Stunts |
| Crew | Pat Romano | Stunts |
| Crew | Debbie Lynn Ross | Stunts |
| Writing | Diana Henstell | Novel |
| Writing | Bruce Joel Rubin | Screenplay |
| Production | Robert Crawford Jr. | Co-Producer |
| Production | Robert M. Sherman | Producer |
| Production | Patrick Kelley | Executive Producer |
| Sound | Charles Bernstein | Original Music Composer |
| Camera | Philip H. Lathrop | Director of Photography |
| Editing | Michael Eliot | Editor |
| Art | John Loggia | Production Design |
| Art | Daniel A. Lomino | Production Design |
| Art | Keith Huber | Prop Designer |
| Crew | William H. Faeth | Medical Consultant |
| Editing | John P. Morrisey | Associate Editor |
| Sound | Richard S. Church | Production Sound Mixer |
| Sound | Gene Ashbrook | Boom Operator |
| Camera | Bill Johnson | Camera Operator |
| Camera | Paul Mindrup | Second Assistant Camera |
| Camera | Carol McCullough | Still Photographer |
| Costume & Make-Up | Barton Kent James | Costumer |
| Costume & Make-Up | Carole Brown-James | Costumer |
| Lighting | William Peets | Best Boy Electric |
| Camera | Jon. W. Robinson | Best Boy Grip |
| Crew | Peter Albiez | Special Effects |
| Art | Fred Morrison | Leadman |
| Production | Karen Shaw | Production Secretary |
| Crew | Patti Birznieks | Unit Publicist |
| Crew | Marianne Maddalena | Other |
| Crew | Ruth Ellen Daniels | Other |
| Costume & Make-Up | Lance Anderson | Other |
| Crew | Pam Benson | Stunts |
| Art | Dan Perri | Title Designer |
