Paul Conway is een 15 jarige jongen die verhuist is naar een andere stad. Hij heeft een robot met de naam BeeBee. Paul raakt bevriend met zijn buurmeisje Samantha maar op een avond mishandeld haar vader haar zo erg dat ze klinisch dood is. Paul wil haar redden door Beebee's microchips in haar hersenen te implanteren maar dat heeft gevolgen.
Nee, helaas is Deadly Friend nog niet beschikbaar op Netflix in Nederland.
| Directing | Wes Craven | Director |
| Directing | Nicholas Batchelor | First Assistant Director |
| Production | Phil Rawlins | Unit Production Manager |
| Camera | Horace Jordan | First Assistant Camera |
| Sound | Dale Johnston | Supervising Sound Editor |
| Costume & Make-Up | Bette Iverson | Hairstylist |
| Production | Susan Montgomery | Production Accountant |
| Art | Edward J. McDonald | Set Decoration |
| Lighting | Buddy Bowles | Gaffer |
| Directing | Peter C. Graupner | Second Assistant Director |
| Camera | Kenneth Zunder | First Assistant Camera |
| Camera | Howard Anderson | Key Grip |
| Production | Bruce Lawhead | Location Manager |
| Directing | Marion Tumen | Script Supervisor |
| Costume & Make-Up | Michael Hancock | Makeup Artist |
| Art | Roy Barnes | Set Designer |
| Art | Vic Petrotta Jr. | Property Master |
| Art | John Sweeney | Assistant Property Master |
| Sound | Don Cahn | Sound Re-Recording Mixer |
| Crew | Robert Neilson | Transportation Coordinator |
| Sound | Allen L. Stone | Sound Re-Recording Mixer |
| Sound | John LaSalandra | Music Editor |
| Crew | Doc D. Charbonneau | Stunts |
| Crew | Dave Robling | Transportation Captain |
| Art | Larry Verne | Construction Coordinator |
| Crew | J. Mark Donaldson | Stunts |
| Crew | Linda Arvidson | Stunts |
| Crew | Leslie Hoffman | Stunts |
| Crew | Lane Leavitt | Stunts |
| Crew | Terry Leonard | Stunt Coordinator |
| Crew | Debbie Lynn Ross | Stunts |
| Crew | Anthony Cecere | Stunt Coordinator |
| Crew | Tracy Keehn-Dashnaw | Stunts |
| Crew | Tom Oldberg | Stunts |
| Crew | Mike H. McGaughy | Stunts |
| Crew | Pat Romano | Stunts |
| Writing | Diana Henstell | Novel |
| Writing | Bruce Joel Rubin | Screenplay |
| Art | John Loggia | Production Design |
| Production | Robert Crawford Jr. | Co-Producer |
| Sound | Charles Bernstein | Original Music Composer |
| Editing | Michael Eliot | Editor |
| Art | Daniel A. Lomino | Production Design |
| Production | Patrick Kelley | Executive Producer |
| Camera | Philip H. Lathrop | Director of Photography |
| Production | Robert M. Sherman | Producer |
| Production | Karen Shaw | Production Secretary |
| Costume & Make-Up | Lance Anderson | Other |
| Crew | Marianne Maddalena | Other |
| Editing | John P. Morrisey | Associate Editor |
| Art | Fred Morrison | Leadman |
| Camera | Jon. W. Robinson | Best Boy Grip |
| Camera | Bill Johnson | Camera Operator |
| Sound | Richard S. Church | Production Sound Mixer |
| Crew | William H. Faeth | Medical Consultant |
| Lighting | William Peets | Best Boy Electric |
| Crew | Ruth Ellen Daniels | Other |
| Art | Keith Huber | Prop Designer |
| Camera | Paul Mindrup | Second Assistant Camera |
| Camera | Carol McCullough | Still Photographer |
| Crew | Pam Benson | Stunts |
| Costume & Make-Up | Barton Kent James | Costumer |
| Costume & Make-Up | Carole Brown-James | Costumer |
| Sound | Gene Ashbrook | Boom Operator |
| Crew | Peter Albiez | Special Effects |
| Crew | Patti Birznieks | Unit Publicist |
| Art | Dan Perri | Title Designer |
