Boston, 1978. Justine heeft een bijeenkomst opgezet in een verlaten pakhuis tussen twee Ieren en een bende onder leiding van Vernon en Ord, die hen een voorraad wapens wil verkopen. Maar wanneer er schoten vallen tijdens de overdracht ontstaat er een bloedstollend spel om te overleven.
Nee, helaas is Free Fire nog niet beschikbaar op Netflix in Nederland.
| Editing | Jason Rayton | Assistant Editor |
| Directing | Ben Wheatley | Director |
| Editing | Ben Wheatley | Editor |
| Camera | Laurie Rose | Director of Photography |
| Editing | Amy Jump | Editor |
| Production | Andrew Starke | Producer |
| Costume & Make-Up | Sian Evans | Costume Supervisor |
| Art | Liz Griffiths | Set Decoration |
| Art | Paul Frost | Art Direction |
| Art | Craig Price | Property Master |
| Crew | Simon Edwards | Armorer |
| Crew | Mark Shelley | Armorer |
| Directing | Anita Christy | Script Supervisor |
| Art | Nigel Pollock | Supervising Art Director |
| Production | Shaheen Baig | Casting |
| Art | Paki Smith | Production Design |
| Crew | Phillip Stone | Armorer |
| Costume & Make-Up | Jemma Carballo | Makeup Artist |
| Camera | John Hembrough | Steadicam Operator |
| Camera | Kevin Foy | Key Grip |
| Visual Effects | Murray Barber | VFX Supervisor |
| Camera | Nick Gillespie | Camera Operator |
| Costume & Make-Up | Emma J. Slater | Prosthetic Makeup Artist |
| Costume & Make-Up | Emma Scott | Hair Designer |
| Camera | Karim Hussain | Aerial Director of Photography |
| Camera | Alf Tramontin | Steadicam Operator |
| Costume & Make-Up | Philip Goldsworthy | Key Costumer |
| Costume & Make-Up | Sarah Nuth | Makeup Artist |
| Camera | Kerry Brown | Still Photographer |
| Sound | Martin Pavey | Sound Designer |
| Sound | Mark Henry | ADR & Dubbing |
| Editing | Patrick Malone | Digital Intermediate |
| Lighting | Barry Conroy | Gaffer |
| Sound | Simon Trundle | Foley |
| Costume & Make-Up | Peta Dunstall | Hair Department Head |
| Crew | James Smith | Special Effects Coordinator |
| Visual Effects | Natalie Reid | Visual Effects Producer |
| Editing | Rob Farris | Digital Intermediate |
| Editing | Nikki Ruck | Dialogue Editor |
| Costume & Make-Up | Nicky Barron | Key Costumer |
| Visual Effects | Danny Hargreaves | Special Effects Supervisor |
| Crew | Jade Poole | Special Effects Coordinator |
| Costume & Make-Up | Emma Scott | Makeup Designer |
| Costume & Make-Up | Ray Marston | Wigmaker |
| Writing | Amy Jump | Screenplay |
| Writing | Ben Wheatley | Screenplay |
| Sound | Geoff Barrow | Original Music Composer |
| Sound | Ben Salisbury | Original Music Composer |
| Costume & Make-Up | Dan Martin | Prosthetics |
| Crew | Jean-Paul Jesstiece | Stunt Double |
| Crew | Joseph Racki | Stunts |
| Crew | John Sharpe | Stunt Double |
| Crew | Robert Racki | Stunt Coordinator |
| Crew | Moody Shwales | Stunt Driver |
| Crew | Neil Chapelhow | Stunt Double |
| Crew | James O'Daly | Stunt Double |
| Crew | Craig Miller | Stunt Double |
| Crew | Ryan Oliva | Stunts |
| Crew | Ian Pead | Stunt Double |
| Crew | Freddie Mason | Stunt Double |
| Crew | Reg Wayment | Stunt Double |
| Crew | Peter Pedrero | Stunt Coordinator |
| Crew | Roy Taylor | Stunt Double |
| Crew | Jude Poyer | Stunt Double |
| Crew | Russell MacLeod | Stunt Double |
| Sound | Rob Entwistle | Production Sound Mixer |
| Production | Martin Scorsese | Executive Producer |
| Crew | Daniel Rogers | Health and Safety |
| Art | Michael Eaton | Graphic Designer |
| Directing | Ian Hughes | Second Unit First Assistant Director |
