Het is 1896 en de geruchtmakende Can-Can dans is verboden in Parijs. Dat weerhoudt een café eigenaresse er niet van de dans toch op te voeren, dit tot groot genoegen van haar gasten. Zij weet op slinkse wijze de wet te omzeilen, daar haar advocaat de corrupte rechter in zijn macht heeft.
Nee, helaas is Can-Can nog niet beschikbaar op Netflix in Nederland.
Art | Paul S. Fox | Set Decoration |
Art | Lyle R. Wheeler | Art Direction |
Art | Jack Martin Smith | Art Direction |
Art | Walter M. Scott | Set Decoration |
Costume & Make-Up | Irene Sharaff | Costume Design |
Costume & Make-Up | Ben Nye | Makeup Artist |
Art | Tom Keogh | Title Designer |
Sound | W.D. Flick | Sound |
Directing | Joseph E. Rickards | Assistant Director |
Editing | Robert L. Simpson | Editor |
Sound | Fred Hynes | Recording Supervision |
Costume & Make-Up | Myrl Stoltz | Hairstylist |
Camera | Leonard Doss | Other |
Production | Saul Chaplin | Associate Producer |
Costume & Make-Up | Tony Duquette | Costume Consultant |
Writing | Dorothy Kingsley | Screenplay |
Writing | Charles Lederer | Screenplay |
Directing | Walter Lang | Director |
Sound | Nelson Riddle | Music Arranger |
Production | Jack Cummings | Producer |
Sound | Nelson Riddle | Conductor |
Writing | Abe Burrows | Theatre Play |
Sound | Bobby Tucker | Vocal Coach |
Writing | Cole Porter | Lyricist |
Sound | Cole Porter | Music |
Camera | William H. Daniels | Director of Photography |
Sound | Cole Porter | Songs |
Crew | Hermes Pan | Choreographer |
Sound | Cole Porter | Original Music Composer |