Sissy Hankshaw is geboren met uitzonderlijk grote duimen. Ze besluit van haar handicap gebruik te maken en wordt beroepslifter. Zonder vaste verblijfplaats reist ze dwars door Amerika. In New York woont één van haar vrienden, The Countess. Hij is de eigenaar van de beauty farm en ranch 'De Rubber Rose' in Oregon. Wanneer hij Sissy daar voor een fotosessie naar toestuurt leert zij haar grote liefde Bonanza Jellybean kennen. De ontmoeting brengt een grote verandering in Sissy's leven teweeg.
Nee, helaas is Even Cowgirls Get the Blues nog niet beschikbaar op Netflix in Nederland.
| Directing | Gus Van Sant | Director |
| Writing | Tom Robbins | Novel |
| Writing | Gus Van Sant | Writer |
| Crew | Bill Corso | Makeup Effects |
| Sound | K.D. Lang | Original Music Composer |
| Sound | Ben Mink | Original Music Composer |
| Camera | John J. Campbell | Director of Photography |
| Camera | Eric Alan Edwards | Director of Photography |
| Editing | Curtiss Clayton | Editor |
| Editing | Gus Van Sant | Editor |
| Art | Missy Stewart | Production Design |
| Production | Sharon Bialy | Casting |
| Production | Debi Manwiller | Casting |
| Production | Richard Pagano | Casting |
| Art | Dan Self | Art Direction |
| Art | Nina Bradford | Set Decoration |
| Costume & Make-Up | Beatrix Aruna Pasztor | Costume Design |
| Production | Mary Ann Marino | Associate Producer |
| Production | Eric McLeod | Line Producer |
| Production | Laurie Parker | Producer |
| Production | Lucy Phillips | Producer |
| Production | Gus Van Sant | Executive Producer |
| Crew | Jeff Imada | Stunts |
| Crew | Jake Crawford | Stunt Coordinator |
| Production | Eric McLeod | Unit Production Manager |
| Directing | Jane Goldsmith | Script Supervisor |
| Directing | Phillip Christon | First Assistant Director |
| Directing | Shiho Ito | Second Assistant Director |
| Directing | David Minkowski | Second Second Assistant Director |
| Production | Beth DePatie | Production Coordinator |
| Production | Gwen Everman | Production Accountant |
| Production | Whitney J. Willard | Assistant Accountant |
| Crew | Leslie A. Leitner | Post Production Supervisor |
| Crew | Susan J. Dupre | Post Production Supervisor |
| Editing | Amy E. Duddleston | Associate Editor |
| Editing | Curtis Croeni | First Assistant Editor |
| Camera | Abigayle Tarsches | Still Photographer |
| Sound | Jon Huck | Sound Mixer |
| Sound | Charlene Hamer | Boom Operator |
| Art | Benjamin Hayden | Leadman |
| Visual Effects | Chel White | Visual Effects Supervisor |
| Costume & Make-Up | Leonard MacDonald | Key Makeup Artist |
| Art | Blanche Sindelar | Property Master |
| Art | David Saltzman | Assistant Property Master |
| Art | Ryan Plucknett | Construction Coordinator |
| Costume & Make-Up | Gina Monaci | Makeup Designer |
| Costume & Make-Up | Gina Monaci | Hair Designer |
| Costume & Make-Up | Anne Morgan | Key Hair Stylist |
| Crew | William 'Fleet' Eakland | Transportation Coordinator |
| Editing | Karen Thorndike | Negative Cutter |
| Editing | Jeff Smithwick | Color Timer |
| Sound | Kelley Baker | Sound Designer |
| Sound | Kelley Baker | Supervising Sound Editor |
| Sound | Peter Appleton | Sound Editor |
| Sound | David A. Cohen | Sound Editor |
| Sound | Mary Bauer | Sound Editor |
| Sound | E. Larry Oatfield | Sound Editor |
| Sound | John Verbeck | Sound Editor |
| Sound | Malcolm Fife | Sound Editor |
| Sound | Margie O'Malley | Foley Artist |
| Sound | Jennifer Myers | Foley Artist |
| Sound | Jim Pasque | Foley Recordist |
| Camera | Kevin Fletcher | Grip |
| Crew | Lynn Salvatori | Stunts |
