Sissy Hankshaw is geboren met uitzonderlijk grote duimen. Ze besluit van haar handicap gebruik te maken en wordt beroepslifter. Zonder vaste verblijfplaats reist ze dwars door Amerika. In New York woont één van haar vrienden, The Countess. Hij is de eigenaar van de beauty farm en ranch 'De Rubber Rose' in Oregon. Wanneer hij Sissy daar voor een fotosessie naar toestuurt leert zij haar grote liefde Bonanza Jellybean kennen. De ontmoeting brengt een grote verandering in Sissy's leven teweeg.
Nee, helaas is Even Cowgirls Get the Blues nog niet beschikbaar op Netflix in Nederland.
| Directing | Gus Van Sant | Director |
| Writing | Gus Van Sant | Writer |
| Writing | Tom Robbins | Novel |
| Crew | Bill Corso | Makeup Effects |
| Sound | K.D. Lang | Original Music Composer |
| Editing | Gus Van Sant | Editor |
| Editing | Curtiss Clayton | Editor |
| Art | Missy Stewart | Production Design |
| Camera | Eric Alan Edwards | Director of Photography |
| Camera | John J. Campbell | Director of Photography |
| Art | Dan Self | Art Direction |
| Production | Richard Pagano | Casting |
| Art | Nina Bradford | Set Decoration |
| Production | Debi Manwiller | Casting |
| Production | Mary Ann Marino | Associate Producer |
| Production | Laurie Parker | Producer |
| Production | Sharon Bialy | Casting |
| Production | Gus Van Sant | Executive Producer |
| Production | Lucy Phillips | Producer |
| Costume & Make-Up | Beatrix Aruna Pasztor | Costume Design |
| Sound | Ben Mink | Original Music Composer |
| Production | Eric McLeod | Line Producer |
| Crew | Jeff Imada | Stunts |
| Directing | Jane Goldsmith | Script Supervisor |
| Editing | Curtis Croeni | First Assistant Editor |
| Production | Whitney J. Willard | Assistant Accountant |
| Camera | Abigayle Tarsches | Still Photographer |
| Production | Beth DePatie | Production Coordinator |
| Production | Gwen Everman | Production Accountant |
| Art | Ryan Plucknett | Construction Coordinator |
| Art | Blanche Sindelar | Property Master |
| Art | David Saltzman | Assistant Property Master |
| Costume & Make-Up | Gina Monaci | Hair Designer |
| Sound | E. Larry Oatfield | Sound Editor |
| Directing | Phillip Christon | First Assistant Director |
| Directing | David Minkowski | Second Second Assistant Director |
| Sound | Charlene Hamer | Boom Operator |
| Costume & Make-Up | Anne Morgan | Key Hair Stylist |
| Sound | Jennifer Myers | Foley Artist |
| Production | Eric McLeod | Unit Production Manager |
| Sound | Kelley Baker | Supervising Sound Editor |
| Editing | Jeff Smithwick | Color Timer |
| Sound | Peter Appleton | Sound Editor |
| Sound | Margie O'Malley | Foley Artist |
| Crew | Susan J. Dupre | Post Production Supervisor |
| Costume & Make-Up | Gina Monaci | Makeup Designer |
| Costume & Make-Up | Leonard MacDonald | Key Makeup Artist |
| Crew | William 'Fleet' Eakland | Transportation Coordinator |
| Editing | Amy E. Duddleston | Associate Editor |
| Visual Effects | Chel White | Visual Effects Supervisor |
| Sound | Mary Bauer | Sound Editor |
| Sound | John Verbeck | Sound Editor |
| Crew | Jake Crawford | Stunt Coordinator |
| Art | Benjamin Hayden | Leadman |
| Editing | Karen Thorndike | Negative Cutter |
| Sound | Kelley Baker | Sound Designer |
| Sound | Jim Pasque | Foley Recordist |
| Sound | Jon Huck | Sound Mixer |
| Sound | Malcolm Fife | Sound Editor |
| Directing | Shiho Ito | Second Assistant Director |
| Crew | Leslie A. Leitner | Post Production Supervisor |
| Sound | David A. Cohen | Sound Editor |
| Camera | Kevin Fletcher | Grip |
