Een Britse elite kostschool voor meisjes, in 1934; Miss G. is lerares en belichaamt alles wat de meisjes verlangen: ze heeft lak aan regels, rookt en is één brok sensualiteit. Ze draagt zelfs soms een broek! Miss G. is vastbesloten de meisjes wat meer te leren dan de strakke regeltjes uit hun leefomgeving. Ze wil hen laten leven en voor zichzelf laten denken, wat ze onder meer stimuleert door feestjes en een erotische vrijheid op te wekken. De meisjes zijn dolblij met hun vrijdenkende lerares. Maar er ontstaan scheurtjes in de relatie wanneer sommige meisjes zich bedreigd voelen in de machtsstructuur en er bovendien een mooie nieuwe Spaanse arriveert.
Nee, helaas is Cracks nog niet beschikbaar op Netflix in Nederland.
| Writing | Jordan Scott | Screenplay |
| Directing | Jordan Scott | Director |
| Writing | Ben Court | Screenplay |
| Writing | Caroline Ip | Screenplay |
| Production | Rosalie Swedlin | Producer |
| Production | Julie Payne | Producer |
| Production | Kwesi Dickson | Producer |
| Production | Christine Vachon | Producer |
| Production | Andrew Lowe | Producer |
| Sound | Peter Burgis | Foley Artist |
| Sound | Jeremy Child | Foley Editor |
| Costume & Make-Up | Niamh O'Loan | Makeup Artist |
| Costume & Make-Up | Morna Ferguson | Makeup Designer |
| Costume & Make-Up | Deirdre Fitzgerald | Makeup Artist |
| Sound | Mark Appleby | ADR Mixer |
| Costume & Make-Up | Orla Carrol | Hairstylist |
| Sound | Glen Gathard | Foley Mixer |
| Sound | Andie Derrick | Foley Artist |
| Production | Ricardo García Arrojo | Executive Producer |
| Production | Charles Pugliese | Co-Producer |
| Production | Elisa Alvares | Associate Producer |
| Art | Ben Scott | Production Design |
| Production | Michael Costigan | Co-Producer |
| Production | Sheila Kohler | Associate Producer |
| Writing | Sheila Kohler | Novel |
| Sound | Maggie Rodford | Music Supervisor |
| Production | Shaheen Baig | Casting |
| Editing | Valerio Bonelli | Editor |
| Production | Paul Myler | Line Producer |
| Sound | Alison Wright | Music Supervisor |
| Sound | Michael Higham | Music Editor |
| Camera | Jonathan Hession | Still Photographer |
| Production | Alain Goldman | Executive Producer |
| Production | Ridley Scott | Executive Producer |
| Sound | Javier Navarrete | Original Music Composer |
| Production | Tony Scott | Executive Producer |
| Production | Guy Collins | Executive Producer |
| Production | Malcolm Reeve | Co-Producer |
| Production | Catherine Morisse | Co-Producer |
| Production | John Wells | Executive Producer |
| Costume & Make-Up | Alison Byrne | Costume Design |
| Art | Jenny Oman | Set Decoration |
| Directing | Jean Bourne | Script Supervisor |
| Sound | Ray Cross | Sound mixer |
| Production | Carola Ash | Associate Producer |
| Camera | John Mathieson | Director of Photography |
| Camera | Paul Edwards | Steadicam Operator |
| Crew | Donal O'Farrell | Stunt Coordinator |
| Sound | Mike Prestwood Smith | Sound Re-Recording Mixer |
| Sound | Andrew Felton | Boom Operator |
| Sound | Andrew Caller | Sound Re-Recording Mixer |
| Sound | Oliver Tarney | Supervising Sound Editor |
| Editing | Peter Lambert | First Assistant Editor |
| Production | Naomi Jalil | Casting Associate |
| Directing | Luke Johnston | First Assistant Director |
| Camera | Keith McNamara | Focus Puller |
| Directing | Anna Harrison | Third Assistant Director |
| Directing | Jill Dempsey | Second Assistant Director |
| Production | Eve Rowan | Casting Assistant |
| Art | Clyde Doyle | Assistant Art Director |
| Art | Bill Crutcher | Art Direction |
