In een afgelegen laboratorium bevindt zich een kunstmatig gecreëerde levensvorm die zich snel lijkt te ontwikkelen. Een bedrijfsadviseuse wordt ingeschakeld om het wezen te evalueren. Het is aan haar om te bepalen of deze moet worden vernietigd.
Nee, helaas is Morgan nog niet beschikbaar op Netflix in Nederland.
| Production | Aidan Elliott | Executive Producer |
| Production | George F. Heller | Executive Producer |
| Production | Elishia Holmes | Executive Producer |
| Crew | Paul Herbert | Stunt Coordinator |
| Production | James Smith | Unit Production Manager |
| Directing | William Dodds | First Assistant Director |
| Directing | Tom Mulberge | Second Assistant Director |
| Sound | Derek Hehir | Production Sound Mixer |
| Sound | Markus Stemler | Sound Designer |
| Sound | Mark Taylor | Supervising Sound Editor |
| Sound | Matt Collinge | Supervising Sound Editor |
| Costume & Make-Up | Deborah McCarthy | Makeup Supervisor |
| Costume & Make-Up | Lisa McConville | Makeup Artist |
| Visual Effects | Lorna Carmichael | Visual Effects Coordinator |
| Sound | Matt Collinge | Sound Re-Recording Mixer |
| Directing | Luke Scott | Director |
| Writing | Seth W. Owen | Writer |
| Editing | Laura Jennings | Editor |
| Crew | Gary Campbell | Armorer |
| Crew | Ryan McNeill | Armorer |
| Directing | Andrea Bamford | Script Supervisor |
| Directing | Marie Clare Cushinan | Script Supervisor |
| Camera | Mark Patten | Director of Photography |
| Sound | Michael Connell | Music Editor |
| Sound | Tony Lewis | Music Editor |
| Production | Mark Huffam | Producer |
| Production | Michael Schaefer | Producer |
| Production | Ridley Scott | Producer |
| Production | Carmen Cuba | Casting |
| Production | Charley Medigovich | Casting Associate |
| Art | John Merry | Art Direction |
| Art | Daniel Swingler | Assistant Art Director |
| Art | Tom McCullagh | Production Design |
| Art | Elaine McLenachan | Set Decoration |
| Art | Fiona Gavin | Supervising Art Director |
| Costume & Make-Up | Stefano De Nardis | Costume Design |
| Costume & Make-Up | Sarah Robinson | Costume Supervisor |
| Costume & Make-Up | Geri Doherty | Set Costumer |
| Costume & Make-Up | Maurizio Torti | Set Costumer |
| Camera | Imanol Nabea | Camera Operator |
| Camera | Aidan Monaghan | Still Photographer |
| Lighting | Vinny Madden Jr. | Gaffer |
| Camera | Andy Gardner | First Assistant Camera |
| Camera | Eric Greenberg | First Assistant Camera |
| Visual Effects | Simon Cockren | Special Effects Supervisor |
| Visual Effects | Lucy Ainsworth-Taylor | Visual Effects Producer |
| Visual Effects | Angela Barson | Visual Effects Supervisor |
| Visual Effects | Rupert Davies | Visual Effects Supervisor |
| Sound | Becki Ponting | ADR & Dubbing |
| Sound | Hugo Adams | Foley |
| Sound | Mike Dowson | Sound Re-Recording Mixer |
| Costume & Make-Up | Aidan Bradley | Hairstylist |
| Costume & Make-Up | Jordan Samuel | Makeup Designer |
| Editing | Rob Farris | Digital Intermediate |
| Editing | Patrick Malone | Digital Intermediate |
| Sound | Max Richter | Original Music Composer |
| Costume & Make-Up | Davide Losi | Prosthetics |
| Art | Peter N. Brown | Construction Manager |
| Production | Alex Boyd | Production Manager |
| Sound | Jack Stew | Foley Artist |
| Sound | Mark DeSimone | ADR Mixer |
| Sound | Andrea King | Foley Artist |
| Sound | Glen Gathard | Foley Mixer |
| Sound | Jemma Riley-Tolch | Assistant Foley Artist |
