Herfst, 2003. Na een pijnlijke relatie beëindiging met zijn vriendin Erica, besluit Harvard student Mark Zuckerburg zijn frustraties te uitten door erover te bloggen op zijn computer. Na een aantal drankjes krijgt hij samen met zijn kamergenoot Eduardo Saverin het geweldige idee om foto’s op internet te zetten van de vrouwelijke medestudenten en ze door te sturen naar andere colleges om ze vervolgens te laten beoordelen op uiterlijk.
Nee, helaas is The Social Network nog niet beschikbaar op Netflix in Nederland.
| Editing | Tyler Nelson | Assistant Editor |
| Production | Ceán Chaffin | Producer |
| Production | Kevin Spacey | Executive Producer |
| Directing | David Fincher | Director |
| Production | Dana Brunetti | Producer |
| Camera | Tom Abrams | Camera Supervisor |
| Writing | Aaron Sorkin | Screenplay |
| Writing | Ben Mezrich | Novel |
| Production | Scott Rudin | Producer |
| Production | Michael De Luca | Producer |
| Art | Trish Gallaher Glenn | Property Master |
| Crew | Iain Reid | Thanks |
| Directing | Maileen Williams Matheny | Second Second Assistant Director |
| Directing | Allen Kupetsky | Second Assistant Director |
| Directing | Matt Carver | Second Assistant Director |
| Directing | Bob Wagner | First Assistant Director |
| Sound | Tom Williams | Sound Mixer |
| Camera | Jeff Cronenweth | Director of Photography |
| Editing | Angus Wall | Editor |
| Production | Laray Mayfield | Casting |
| Editing | Kirk Baxter | Editor |
| Art | Donald Graham Burt | Production Design |
| Art | Aaron Haye | Set Designer |
| Costume & Make-Up | Kelly Muldoon | Key Hair Stylist |
| Sound | David Raymond | Boom Operator |
| Art | Curt Beech | Art Direction |
| Production | JoAnn Perritano | Unit Production Manager |
| Sound | Michael Semanick | Sound Re-Recording Mixer |
| Costume & Make-Up | Clare M. Corsick | Hairstylist |
| Costume & Make-Up | Wayne Kimball | Set Dressing Artist |
| Costume & Make-Up | Ann Pala | Makeup Artist |
| Art | Theodore Sharps | Set Designer |
| Art | Freddy Waff | Leadman |
| Crew | James R. Lord | Propmaker |
| Sound | David Parker | Sound Re-Recording Mixer |
| Art | Cindy M. Ichikawa | Art Department Coordinator |
| Crew | Ted Nolan | Carpenter |
| Sound | E. Larry Oatfield | Sound Effects Editor |
| Costume & Make-Up | Yeşim "Shimmy" Osman | Hairstylist |
| Art | Jane Wuu | Set Designer |
| Sound | Ren Klyce | Sound Re-Recording Mixer |
| Art | Keith P. Cunningham | Art Direction |
| Costume & Make-Up | Felicity Bowring | Makeup Department Head |
| Art | Francesco Franco Ferrara | Painter |
| Art | Victor J. Zolfo | Set Decoration |
| Costume & Make-Up | Alex Proctor | Makeup Artist |
| Crew | Carey Len Smith | Post Production Supervisor |
| Crew | Steve Burnes | Propmaker |
| Sound | Richard Quinn | ADR & Dubbing |
| Costume & Make-Up | Linda Flowers | Hair Department Head |
| Art | Chris Samp | Standby Painter |
| Sound | David C. Hughes | Sound Effects Editor |
| Costume & Make-Up | Jacqueline West | Costume Design |
| Crew | Cesar Orozco | Propmaker |
| Art | Chris Snyder | Construction Coordinator |
| Crew | Gregory Lynch Jr. | Carpenter |
| Visual Effects | Thomas Nittmann | Visual Effects Producer |
| Camera | John Flemming | Grip |
| Camera | Wally Webber | Grip |
| Sound | Patty Connolly | ADR & Dubbing |
| Visual Effects | Maciek Sokalski | Digital Compositors |
| Production | Jonah Coombes | Location Manager |
| Production | Ben Gladstone | Location Manager |
| Visual Effects | Brice Liesveld | Visual Effects Producer |
| Crew | Dan Brown | Stunts |
| Camera | Peter Rosenfeld | Camera Operator |
| Production | William Doyle | Location Manager |
| Camera | William T. Iversen | Grip |
| Camera | Merrick Morton | Still Photographer |
| Camera | Shaun Sangkarat | Grip |
| Production | Charley Armstrong | Location Manager |
| Camera | Adam Camacho | Grip |
| Camera | Miles Gutkin | Grip |
| Sound | Marie Ebbing | Music Editor |
| Visual Effects | Enid Dalkoff | Digital Compositors |
| Visual Effects | Andrea D'Amico | Visual Effects Producer |
| Visual Effects | Max Leonard | Visual Effects Coordinator |
| Visual Effects | Fred Pienkos | Visual Effects Supervisor |
| Crew | Steve Cremin | Special Effects Coordinator |
| Crew | Robert Cole | Special Effects |
| Lighting | Andrea Krout | Rigging Grip |
| Sound | Jonathon Stevens | Music Editor |
| Editing | Alex Olivares | Assistant Editor |
| Lighting | Richard Jones | Rigging Grip |
| Sound | Mark Sussman | ADR & Dubbing |
| Crew | Mickey Giacomazzi | Stunt Coordinator |
| Lighting | Harold Skinner | Gaffer |
| Crew | Elena Moscatt | Craft Service |
| Sound | Michael Patterson | Scoring Mixer |
| Directing | Sharron Reynolds-Enriquez | Script Supervisor |
| Directing | Lisa Arnone | Script Supervisor |
| Crew | Elizabeth Himelstein | Dialect Coach |
| Production | Richard Schuler | Location Manager |
| Crew | Ken Edling | Stand In |
| Crew | Patrick Mahoney | Craft Service |
| Lighting | Chris Weigand | Lighting Technician |
| Art | David Corral | Greensman |
| Visual Effects | Dave Levine | VFX Artist |
| Visual Effects | Edson Williams | Visual Effects Supervisor |
| Visual Effects | Jeremiah Sweeney | VFX Artist |
| Production | Marc A. Hammer | Production Supervisor |
| Art | David E. Scott | Production Design |
| Directing | Michael Stevenson | Additional Second Assistant Director |
| Art | Randall D. Wilkins | Set Designer |
| Sound | Ronald G. Roumas | Sound Recordist |
| Sound | Mark Weingarten | Sound Mixer |
| Directing | Noble Jones | Second Unit Director |
| Sound | Malcolm Fife | Dialogue Editor |
| Sound | Atticus Ross | Original Music Composer |
| Sound | Trent Reznor | Original Music Composer |
| Production | Adam Cole | Post Production Coordinator |
| Sound | Thom Brennan | Foley Supervisor |
| Sound | John Roesch | Foley Artist |
| Sound | Alyson Dee Moore | Foley Artist |
