De stomme slaaf One-Eye wordt gedwongen te vechten tegen andere slaven zodat zijn meester geld kan winnen met het afsluiten van weddenschappen. Wanneer een nieuwe meester zich aandient, weet One-Eye zich te bevrijden. Gevolgd door zijn jonge verzorger Are laat hij zijn oude bestaan achter zich. Niet lang na zijn ontsnapping komen One-Eye en Are een groep vroeg-Christelijke Vikingen tegen. Ze worden ingelijfd om samen met hen het Beloofde Land en de Heilige Stad te bevrijden. Na een zeetocht die eeuwig lijkt te duren bereiken de kruisvaarders eindelijk land. Tijdens verkenningstochten wordt de groep aangevallen door een onzichtbare vijand. Zijn ze wel aangekomen in het Beloofde Land of zijn ze in de Hel beland?
Nee, helaas is Valhalla Rising nog niet beschikbaar op Netflix in Nederland.
| Production | Yves Chevalier | Executive Producer |
| Production | Christine Alderson | Executive Producer |
| Sound | Peter Peter | Original Music Composer |
| Camera | Morten Søborg | Director of Photography |
| Editing | Matthew Newman | Editor |
| Production | Lene Børglum | Executive Producer |
| Art | Laurel Wear | Production Design |
| Writing | Nicolas Winding Refn | Writer |
| Crew | Matthew Read | Additional Writing |
| Production | Johnny Andersen | Producer |
| Production | Thor Sigurjonsson | Executive Producer |
| Sound | Peter Kyed | Original Music Composer |
| Art | Natalie Astridge | Art Direction |
| Production | Mads Peter Ole Olsen | Executive Producer |
| Production | Henrik Danstrup | Producer |
| Production | Carole Sheridan | Executive Producer |
| Production | Des Hamilton | Casting |
| Writing | Roy Jacobsen | Writer |
| Production | Linda James | Executive Producer |
| Directing | Nicolas Winding Refn | Director |
| Production | Bo Ehrhardt | Producer |
| Production | Sigurjón Sighvatsson | Executive Producer |
| Costume & Make-Up | Kathryn Tart | Costume Supervisor |
| Art | Allie Milligan | Art Direction |
| Costume & Make-Up | Gill Horn | Costume Design |
| Crew | Ken Petrie | Special Effects Technician |
| Visual Effects | James Ballard | Visual Effects |
| Camera | Jo Irvine | Still Photographer |
| Camera | Dean Rogers | Still Photographer |
| Editing | Michele De Benedetti | Digital Intermediate |
| Directing | Dolina MacFarlane | Script Supervisor |
| Lighting | Freddie Bonfanti | Gaffer |
| Sound | Iain Anderson | Sound Re-Recording Mixer |
| Costume & Make-Up | Maxine Dallas | Makeup Artist |
| Costume & Make-Up | Niamh Morrison | Makeup Designer |
| Visual Effects | Mike Kelt | Special Effects Supervisor |
| Editing | Paul J. Wright | Digital Intermediate |
| Editing | Julie Harding | Digital Intermediate |
| Costume & Make-Up | Maxine Dallas | Hairstylist |
| Sound | Howard Halsall | Dialogue Editor |
| Production | Mette Sø | Researcher |
| Camera | Jon Priddle | First Assistant Camera |
| Editing | Tony Ray | Digital Intermediate |
| Sound | Giles Lamb | Sound Designer |
| Sound | Chris Sinclair | Sound Re-Recording Mixer |
| Sound | Micheal MacKinnon | Foley |
| Sound | Douglas MacDougall | Sound Designer |
| Crew | Peter Fowler | Marine Coordinator |
| Visual Effects | Myfanwy Harris | Visual Effects |
| Sound | Cameron Mercer | Sound Recordist |
| Visual Effects | Edward Andrews | Visual Effects |
| Costume & Make-Up | Duncan Jarman | Prosthetics |
