Malcolm moet opnieuw in actie komen wanneer zijn stiefzoon Trent getuige is geweest van een moord. Hij en Trent gaan daarom undercover op een kunstacademie voor jongedames, als Big Momma en Charmaine. Ondertussen zoeken ze door naar de moordenaar, maar die is ook op zoek naar hen...
Nee, helaas is Big Mommas: Like Father, Like Son nog niet beschikbaar op Netflix in Nederland.
| Directing | John Whitesell | Director |
| Crew | David Fletcher | Stunts |
| Costume & Make-Up | Camille Friend | Hair Department Head |
| Production | Ainslie Thomas | Production Coordinator |
| Sound | Dave Jordan | Music Supervisor |
| Directing | Gail Hunter | Script Supervisor |
| Writing | Don Rhymer | Story |
| Production | Martin Lawrence | Executive Producer |
| Production | Jeff Kwatinetz | Executive Producer |
| Production | Mark Fincannon | Casting |
| Costume & Make-Up | Beverly Jo Pryor | Makeup Department Head |
| Sound | David Newman | Original Music Composer |
| Writing | Matthew Fogel | Screenplay |
| Production | Jeremiah Samuels | Executive Producer |
| Sound | Nerses Gezalyan | Sound Mixer |
| Sound | Whit Norris | Production Sound Mixer |
| Production | William Paul Clark | Associate Producer |
| Camera | Anthony B. Richmond | Director of Photography |
| Sound | Jojo Villanueva | Music Supervisor |
| Production | Alexa L. Fogel | Casting |
| Sound | Kelly Oxford | Supervising Sound Editor |
| Camera | John Johnson | Still Photographer |
| Writing | Matthew Fogel | Story |
| Art | Meghan C. Rogers | Production Design |
| Production | Arnon Milchan | Executive Producer |
| Production | David T. Friendly | Producer |
| Editing | Priscilla Nedd-Friendly | Editor |
| Production | Michael Green | Producer |
| Art | Mark Garner | Art Direction |
| Production | Darice Rollins | Associate Producer |
| Art | Frank Galline | Set Decoration |
| Sound | Karen Vassar Triest | Sound Effects Editor |
| Costume & Make-Up | Leah Katznelson | Costume Design |
| Production | Kim Taylor-Coleman | Casting |
| Sound | Beau Borders | Sound Re-Recording Mixer |
| Sound | Kevin O'Connell | Sound Re-Recording Mixer |
| Production | Sean Lampkin | Executive Assistant |
| Production | Jeremiah Samuels | Unit Production Manager |
| Lighting | David Parker | Electrician |
| Crew | Michael L. Covington | Stand In |
| Sound | Tom Kramer | Music Editor |
| Writing | Darryl Quarles | Characters |
| Directing | William Paul Clark | Assistant Director |
| Crew | Cody Rowlett | Stand In |
| Art | Doug Fick | Set Designer |
| Art | Justin O'Neal Miller | Set Designer |
| Crew | Lonnie R. Smith Jr. | Stunt Coordinator |
| Camera | Jeffrey Greeley | Camera Operator |
| Crew | Stan Lee Rice | Stunts |
| Crew | Jamal Sims | Choreographer |
| Lighting | Russell Engels | Gaffer |
| Camera | Rick Drapkin | Steadicam Operator |
| Crew | Lena Fennema | Stunts |
| Art | Thomas A. Morris Jr. | Construction Coordinator |
| Camera | Art Bartels | Key Grip |
| Crew | Reece Fleetwood | Stunts |
| Art | Tracy Farrington | Property Master |
| Art | Patrick Fuhrman | Leadman |
| Editing | Anthony Rosc | Assistant Editor |
| Production | Mark Fincannon | Location Casting |
| Editing | Gary Burritt | Negative Cutter |
| Production | Carmen Matheny | Production Assistant |
