Najaar 1941, La Rochelle aan de Franse kust: 50 Duitse militairen drinken zich zat en maken plezier in een Franse nachtclub. Voor hen kan dit de laatste keer zijn, aangezien ze de volgende morgen aan boord van een onderzeeër zullen gaan, om zo veel mogelijk vijandelijke schepen tot zinken te brengen.
| Writing | Dean Riesner | Screenplay |
| Sound | Klaus Doldinger | Original Music Composer |
| Production | Günter Rohrbach | Producer |
| Production | Willy Schlenter | Casting |
| Writing | Lothar-Günther Buchheim | Novel |
| Production | Ortwin Freyermuth | Producer |
| Production | John W. Hyde | Executive Producer |
| Writing | Wolfgang Petersen | Screenplay |
| Production | Edward R. Pressman | Executive Producer |
| Camera | Jost Vacano | Director of Photography |
| Editing | Hannes Nikel | Editor |
| Production | Mark Damon Johnson | Executive Producer |
| Directing | Wolfgang Petersen | Director |
| Production | Michael Bittins | Producer |
| Art | Götz Weidner | Art Direction |
| Costume & Make-Up | Monika Bauert | Costume Design |
| Sound | Hans-Walter Kramski | Foley |
| Art | Philipp von Seil | Assistant Art Director |
| Sound | Alan Willis | Music Editor |
| Directing | Isabel Prochnow | Script Supervisor |
| Costume & Make-Up | Rüdiger von Sperl | Makeup Artist |
| Art | Walter E. Richarz | Assistant Art Director |
| Sound | Peter Horrocks | Sound Effects Editor |
| Costume & Make-Up | Alfred Rasche | Makeup Artist |
| Sound | Mel Kutbay | Foley |
| Costume & Make-Up | Ago von Sperl | Makeup Artist |
| Sound | Karola Storr | Sound Effects Editor |
| Crew | Karsten Ullrich | Sound Recordist |
| Crew | Werner Böhm | Sound Recordist |
| Camera | Karl-Heinz Vogelmann | Still Photographer |
| Crew | Friedrich Thaler | Scenic Artist |
| Crew | Albrecht von Bethmann | Sound Recordist |
| Crew | Heinz Schürer | Sound Recordist |
| Production | Michael Bittins | Production Manager |
| Crew | William H. Brown | Post Production Supervisor |
| Sound | Stanislav Litera | Sound Recordist |
| Camera | Mike Rutter | Assistant Camera |
| Camera | Ernst Wild | Additional Photography |
| Production | Lutz Hengst | Production Executive |
| Sound | Mike Le Mare | Sound Editor |
| Sound | Milan Bor | Sound Mixer |
| Directing | Georg Borgel | First Assistant Director |
| Sound | Trevor Pyke | Sound Mixer |
| Art | Rolf Zehetbauer | Production Design |
| Lighting | Willi Zopf | Electrician |
| Production | Ingrid von Anka | Production Secretary |
| Art | Peter Dürst | Property Master |
| Crew | Karl-Heinz Bochnig | Special Effects |
| Lighting | Franz Schlammer | Electrician |
| Directing | Marie-Antoinette Petersen | Second Assistant Director |
| Production | Philippe Dussart | Production Manager |
| Crew | Willi Neuner | Special Effects |
| Lighting | Rudi Denk | Electrician |
| Production | Caroline Perchaud | Production Secretary |
| Art | Rüdiger Wagner | Property Master |
| Camera | Ludwig Sauermann | Key Grip |
| Crew | Max Gretmann | Special Effects |
| Crew | Franz Kirschke | Special Effects |
| Directing | Isabel Goslar | Continuity |
| Visual Effects | Karl Baumgartner | Special Effects Supervisor |
| Art | Monika Moritz | Property Master |
| Directing | Hannes Nikel | Second Unit Director |
| Lighting | Iko Dimitri | Electrician |
