Najaar 1941, La Rochelle aan de Franse kust: 50 Duitse militairen drinken zich zat en maken plezier in een Franse nachtclub. Voor hen kan dit de laatste keer zijn, aangezien ze de volgende morgen aan boord van een onderzeeër zullen gaan, om zo veel mogelijk vijandelijke schepen tot zinken te brengen.
| Writing | Lothar-Günther Buchheim | Novel |
| Production | Günter Rohrbach | Producer |
| Directing | Wolfgang Petersen | Director |
| Production | Michael Bittins | Producer |
| Costume & Make-Up | Monika Bauert | Costume Design |
| Writing | Wolfgang Petersen | Screenplay |
| Production | Mark Damon Johnson | Executive Producer |
| Sound | Klaus Doldinger | Original Music Composer |
| Art | Götz Weidner | Art Direction |
| Camera | Jost Vacano | Director of Photography |
| Editing | Hannes Nikel | Editor |
| Production | Willy Schlenter | Casting |
| Production | Ortwin Freyermuth | Producer |
| Production | John W. Hyde | Executive Producer |
| Production | Edward R. Pressman | Executive Producer |
| Writing | Dean Riesner | Screenplay |
| Art | Walter E. Richarz | Assistant Art Director |
| Sound | Mel Kutbay | Foley |
| Costume & Make-Up | Rüdiger von Sperl | Makeup Artist |
| Art | Philipp von Seil | Assistant Art Director |
| Sound | Hans-Walter Kramski | Foley |
| Costume & Make-Up | Ago von Sperl | Makeup Artist |
| Sound | Alan Willis | Music Editor |
| Costume & Make-Up | Alfred Rasche | Makeup Artist |
| Directing | Isabel Prochnow | Script Supervisor |
| Sound | Peter Horrocks | Sound Effects Editor |
| Sound | Karola Storr | Sound Effects Editor |
| Production | Michael Bittins | Production Manager |
| Camera | Karl-Heinz Vogelmann | Still Photographer |
| Crew | Albrecht von Bethmann | Sound Recordist |
| Crew | Heinz Schürer | Sound Recordist |
| Crew | Karsten Ullrich | Sound Recordist |
| Crew | Werner Böhm | Sound Recordist |
| Crew | Friedrich Thaler | Scenic Artist |
| Crew | William H. Brown | Post Production Supervisor |
| Sound | Stanislav Litera | Sound Recordist |
| Camera | Mike Rutter | Assistant Camera |
| Directing | Georg Borgel | First Assistant Director |
| Camera | Ernst Wild | Additional Photography |
| Sound | Trevor Pyke | Sound Mixer |
| Production | Lutz Hengst | Production Executive |
| Sound | Mike Le Mare | Sound Editor |
| Sound | Milan Bor | Sound Mixer |
| Art | Rolf Zehetbauer | Production Design |
| Lighting | Willi Zopf | Electrician |
| Art | Peter Dürst | Property Master |
| Crew | Willi Neuner | Special Effects |
| Crew | Karl-Heinz Bochnig | Special Effects |
| Camera | Ludwig Sauermann | Key Grip |
| Lighting | Iko Dimitri | Electrician |
| Production | Philippe Dussart | Production Manager |
| Art | Rüdiger Wagner | Property Master |
| Directing | Hannes Nikel | Second Unit Director |
| Directing | Marie-Antoinette Petersen | Second Assistant Director |
| Lighting | Franz Schlammer | Electrician |
| Production | Ingrid von Anka | Production Secretary |
| Production | Caroline Perchaud | Production Secretary |
| Art | Monika Moritz | Property Master |
| Visual Effects | Karl Baumgartner | Special Effects Supervisor |
| Crew | Max Gretmann | Special Effects |
| Crew | Franz Kirschke | Special Effects |
| Lighting | Rudi Denk | Electrician |
| Directing | Isabel Goslar | Continuity |
