'Mad' Mary McArdle keert na een korte periode in de gevangenis terug naar Drogheda voor iets dat ze liever vergeet. Thuis is alles en iedereen veranderd. Haar beste vriendin, Charlene, staat op het punt te trouwen en Mary is bruidsmeisje. Wanneer Charlene Mary een 'plus één' weigert op grond van het feit dat ze waarschijnlijk geen date kon vinden, is Mary vastbesloten om haar ongelijk te bewijzen.
Nee, helaas is A Date for Mad Mary nog niet beschikbaar op Netflix in Nederland.
| Crew | Emer O'Shea | Other |
| Production | Ed Guiney | Producer |
| Editing | Tony Cranstoun | Editor |
| Costume & Make-Up | Alison Byrne | Costume Design |
| Directing | Darren Thornton | Director |
| Production | Louise Kiely | Casting |
| Camera | Ole Bratt Birkeland | Director of Photography |
| Production | Juliette Bonass | Producer |
| Editing | Juangus Dinsmore | Editor |
| Art | Kieran McNulty | Production Design |
| Writing | Colin Thornton | Writer |
| Camera | Bernard Walsh | Still Photographer |
| Lighting | Addo Gallagher | Gaffer |
| Art | Michael Moynihan | Art Direction |
| Directing | Dave Moran | Script Supervisor |
| Camera | Karl Roche | Key Grip |
| Camera | Patrick Redmond | Still Photographer |
| Visual Effects | Andy Clarke | VFX Artist |
| Camera | Keith Durham | Steadicam Operator |
| Sound | Juliet Martin | Music Supervisor |
| Sound | Michelle Fingleton | Sound Effects Editor |
| Sound | Ken Galvin | Sound Re-Recording Mixer |
| Costume & Make-Up | Sandra Kelly | Hair Department Head |
| Production | Eva-Jane Gaffney | Casting Assistant |
| Costume & Make-Up | Liz Byrne | Makeup Department Head |
| Writing | Darren Thornton | Writer |
| Visual Effects | Kevin O'Brien | VFX Artist |
| Sound | Michelle McCormack | Foley Editor |
| Sound | Niall Brady | Supervising Sound Editor |
| Costume & Make-Up | Clodagh Deegan | Costume Supervisor |
| Sound | Alan Scully | Boom Operator |
| Camera | Keith Durham | Camera Operator |
| Production | Pat Nangle | Location Manager |
| Editing | Anna Maria O'Flannagan | Additional Editing |
| Writing | Yasmine Akram | Original Story |
| Production | Andrew Lowe | Executive Producer |
| Directing | Adrienne Greenhalgh | Second Assistant Director |
| Production | Ruth Power | Assistant Production Coordinator |
| Production | Evelyn McLoughlin | Production Accountant |
| Directing | Sandra Corbally | Third Assistant Director |
| Art | Sarah McLoughlin | Set Decoration |
| Lighting | Mark Lawless | Best Boy Electrician |
| Production | John Brady | Line Producer |
| Costume & Make-Up | Adelle Hickey | Assistant Costume Designer |
| Directing | Barry Keil | First Assistant Director |
| Directing | Keith Barry | Third Assistant Director |
| Crew | Paul Cullen | Transportation Captain |
| Sound | Hugh Drumm | Original Music Composer |
| Production | Susan McDaid | Production Coordinator |
| Crew | Joe Condren | Stunt Coordinator |
| Crew | Patrick Condren | Stunt Coordinator |
| Sound | Patrick Hanlon | Sound Recordist |
| Lighting | James Doyle | Electrician |
| Sound | Stephen Rennicks | Original Music Composer |
| Production | Mark Byrne | Executive Producer |
| Production | Rory Gilmartin | Executive Producer |
| Production | Emma Norton | Executive Producer |
