In de nabije toekomst worden in Los Angeles sinistere criminelen verzorgd in een ondergronds ziekenhuis dat zich bevindt in het hotel genaamd Artemis. We volgen de verpleegkundige Jean Thomas die aan het hoofd staat van het hospitaal.
Nee, helaas is Hotel Artemis nog niet beschikbaar op Netflix in Nederland.
| Sound | Cliff Martinez | Original Music Composer |
| Costume & Make-Up | Gary Archer | Prosthetics |
| Crew | Danny Wynands | Stunt Driver |
| Crew | Duffy Gaver | Stunts |
| Directing | Drew Pearce | Director |
| Writing | Drew Pearce | Screenplay |
| Crew | Eddie Perez | Stunts |
| Production | Marc Platt | Producer |
| Camera | 정정훈 | Director of Photography |
| Costume & Make-Up | Lisa Lovaas | Costume Design |
| Costume & Make-Up | Tijen Osman | Hairstylist |
| Art | Lucie Bourgeau | Art Department Coordinator |
| Art | Josh Roth | Property Master |
| Lighting | Douglas Kieffer | Lighting Technician |
| Editing | Paul Zucker | Editor |
| Costume & Make-Up | Jenny Lind Bryant | Set Costumer |
| Production | Simon Cornwell | Producer |
| Art | Ramsey Avery | Production Design |
| Camera | Matt Kennedy | Still Photographer |
| Lighting | John Zivelonghi | Lighting Technician |
| Visual Effects | James Lorimer | Special Effects Supervisor |
| Camera | Eric Zucker | Dolly Grip |
| Costume & Make-Up | Chrissy Callan | Assistant Costume Designer |
| Camera | Michael Svitak | Additional Photography |
| Production | Adam Siegel | Producer |
| Editing | Eboni Price | Digital Intermediate |
| Production | Michael J. Burmeister | Location Manager |
| Production | Tiffany Little Canfield | Casting |
| Costume & Make-Up | Molly Tissavary | Key Makeup Artist |
| Art | Jon Carlos | Art Direction |
| Sound | Douglas Shamburger | Boom Operator |
| Sound | Wylie Stateman | Sound Designer |
| Production | Rose Bochner | Casting Assistant |
| Sound | Mary Parker | Music Editor |
| Art | Rosemary Brandenburg | Set Decoration |
| Costume & Make-Up | Darlene Brumfield | Hair Department Head |
| Art | Samantha Avila | Art Direction |
| Lighting | Jarred Waldron | Gaffer |
| Production | Conrad Woolfe | Casting Associate |
| Editing | Gardner Gould | Editor |
| Costume & Make-Up | Aurora Bergere | Makeup Department Head |
| Art | Gary McMonnies | Assistant Art Director |
| Art | Joseph D. Weber | Set Designer |
| Production | Stephen Cornwell | Producer |
| Camera | Jody Miller | Camera Operator |
| Lighting | Toby LeCheminant | Rigging Gaffer |
| Directing | Renetta G. Amador | Script Supervisor |
| Sound | Eric Hoehn | Sound Re-Recording Mixer |
| Sound | Wylie Stateman | Supervising Sound Editor |
| Production | Rachel Dill | Casting Associate |
| Editing | Lillian Dawson Bain | Assistant Editor |
| Crew | H. Leah Amir | Craft Service |
| Visual Effects | Venti Hristova | Visual Effects Supervisor |
| Editing | Michael Costello | First Assistant Editor |
| Costume & Make-Up | Jaclyn Tamizato | Costume Supervisor |
| Sound | Mark Jan Wlodarkiewicz | Music Editor |
| Crew | Oakley Lehman | Stunt Double |
| Production | Ian Fisher | Associate Producer |
| Production | Jeffrey Stott | Executive Producer |
| Production | Alice S. Kim | Co-Producer |
| Production | Ian Spence | Co-Executive Producer |
| Production | Bill Wohlken | Co-Producer |
| Production | Yogita Puri | Co-Executive Producer |
| Production | Joe Tsai | Executive Producer |
| Production | Drew Pearce | Executive Producer |
| Production | Arthur Wang | Executive Producer |
