De nonnen Alessandra, Fernanda en Genevra leiden een eenvoudig bestaan in hun klooster. Met regelmaat van de klok schelden ze de boer, werkzaam op het terrein, uit tot hij het niet langer verdraagt en wegvlucht. Hierop neemt eerwaarde Tommasso de nieuwe knecht Massetto aan. Deze is een viriele jonge dienaar die gedwongen wordt onder te duiken. Om enige verleiding bij de zusters te ontmoedigen moet hij zich voordoen als een doofstomme. Massetto worstelt met het handhaven van deze leugen als het onderdrukte nonnenklooster uitbarst in een wervelwind van seksualiteit, drugsmisbruik en feestvreugde.
Nee, helaas is The Little Hours nog niet beschikbaar op Netflix in Nederland.
| Visual Effects | Dane Allan Smith | Visual Effects Producer |
| Editing | Ryan Brown | Editor |
| Directing | Jeff Baena | Director |
| Camera | Quyen Tran | Director of Photography |
| Production | Elizabeth Destro | Producer |
| Art | Susie Mancini | Production Design |
| Production | Aubrey Plaza | Producer |
| Sound | Dan Romer | Original Music Composer |
| Sound | Zach Cowie | Music Supervisor |
| Production | Courtney Bright | Casting |
| Production | Peter Pietrangeli | Executive Producer |
| Production | Margot McGowan | Associate Producer |
| Production | Lauren Russell | Associate Producer |
| Production | Joshua Bachove | Co-Producer |
| Writing | Jeff Baena | Screenplay |
| Writing | Giovanni Boccaccio | Novel |
| Production | Michael Sherman | Executive Producer |
| Production | Alessandro Bertolucci | Co-Producer |
| Production | Daniel McGilvray | Co-Producer |
| Production | Roberto Vasconcellos | Executive Producer |
| Production | Christopher Opalenik | Associate Producer |
| Production | Liv Banks | Production Coordinator |
| Sound | Phillip Bladh | Sound Mixer |
| Lighting | Brett Carleton | Gaffer |
| Production | Gustavo Adolfo López Gómez | Associate Producer |
| Production | Nicole Daniels | Casting |
| Camera | Max Feldman | Key Grip |
| Costume & Make-Up | Anouck Sullivan | Makeup Department Head |
| Production | William G. Santor | Executive Producer |
| Production | Andrew Chang-Sang | Executive Producer |
| Directing | Shahrzad Davani | First Assistant Director |
| Production | Daniel McCarney | Associate Producer |
| Production | Nick Rufca | Production Supervisor |
| Art | Elena Medori | Set Dresser |
| Costume & Make-Up | Natalie O'Brien | Costume Designer |
| Art | Luciano Mancini | Property Master |
| Production | Shahrzad Davani | Co-Producer |
| Production | Fernando Loureiro | Executive Producer |
| Production | Carlos Cuscó | Executive Producer |
| Production | Matthew Perniciaro | Executive Producer |
| Production | Patrick Fabian | Associate Producer |
| Production | Gustavo Ignacio Gómez | Associate Producer |
| Art | Andrew Katz | Art Direction |
| Crew | Tim Pedegana | Post Production Supervisor |
| Sound | Brandon Walz | Boom Operator |
| Production | Kim Leadford | Executive Producer |
| Directing | Soren Miltich | Second Assistant Director |
| Production | Thomas Barton | Associate Producer |
| Production | Emerson Machtus | Executive Producer |
| Production | Charles Sauveur Bonan | Executive Producer |
| Production | Michael Ferraro | Associate Producer |
| Directing | Andrea Manners | Script Supervisor |
| Sound | Christopher Barnett | Sound Re-Recording Mixer |
| Sound | Kim B. Christensen | Sound Effects Editor |
| Visual Effects | Roopesh Gujar | Visual Effects Supervisor |
| Sound | Christopher Barnett | Supervising Sound Editor |
| Sound | Andrea Gard | Foley Artist |
| Crew | Aziz Ansari | Thanks |
