Bob en Gail Jones verwachten hun eerste kind, maar bij Bob is longkanker geconstateerd waardoor hij waarschijnlijk dood zal gaan voordat de baby geboren is. Zo verdrietig als hij is, denkend aan het kind wat hij nooit zou kunnen zien, besluit hij een film te maken over zijn leven, zodat het kind hem toch zal kennen.
| Directing | Bruce Joel Rubin | Director |
| Art | Anne D. McCulley | Set Decoration |
| Costume & Make-Up | Judy L. Ruskin | Costume Design |
| Production | Hunt Lowry | Producer |
| Production | Jerry Zucker | Producer |
| Production | Bruce Joel Rubin | Producer |
| Production | Gil Netter | Executive Producer |
| Production | Kathryn J. McDermott | Associate Producer |
| Editing | Richard Chew | Editor |
| Art | Neil Spisak | Production Design |
| Art | Larry Fulton | Art Direction |
| Art | Troy Sizemore | Art Direction |
| Writing | Bruce Joel Rubin | Writer |
| Camera | Peter James | Director of Photography |
| Production | Hunt Lowry | Unit Production Manager |
| Directing | William M. Elvin | First Assistant Director |
| Directing | Alan Edmisten | Second Assistant Director |
| Production | William M. Elvin | Associate Producer |
| Directing | Wilma Garscadden-Gahret | Script Supervisor |
| Camera | Michael Ferris | Camera Operator |
| Camera | Josh Bleibtreu | First Assistant Camera |
| Camera | Daniel E. Teaze | Second Assistant Camera |
| Camera | Gregory Lundsgaard | Steadicam Operator |
| Crew | Richard Scarpone | Video Assist Operator |
| Sound | John Sutton | Sound Mixer |
| Sound | Bill J. DiDonna | Boom Operator |
| Costume & Make-Up | Kimberly Guenther Durkin | Costume Supervisor |
| Costume & Make-Up | Bob Mills | Makeup Artist |
| Costume & Make-Up | David Forrest | Makeup Artist |
| Costume & Make-Up | Joseph Coscia | Hairstylist |
| Costume & Make-Up | Barbara Lorenz | Hairstylist |
| Costume & Make-Up | Matthew W. Mungle | Prosthetic Makeup Artist |
| Lighting | Peter Clarson | Chief Lighting Technician |
| Lighting | Patrick Murray | Assistant Chief Lighting Technician |
| Camera | Bobby Huber | Key Grip |
| Camera | Frank A. Montesanto | Second Company Grip |
| Camera | Dwight Joseph Lavers | Dolly Grip |
| Crew | Larz Anderson | Special Effects |
| Production | Lisa Lynn Kearsley | Production Coordinator |
| Production | Margaret Mitchell | Production Accountant |
| Production | John Panzarella | Location Manager |
| Art | Philip Steuer | Property Master |
| Art | Mike Cunningham | Assistant Property Master |
| Directing | Otie Brown | Second Second Assistant Director |
| Art | Gina B. Cranham | Set Designer |
| Crew | Steven R. Molen | Transportation Captain |
| Sound | Richard King | Supervising Sound Editor |
| Sound | John Benson | Sound Editor |
| Sound | Sukey Fontelieu | Sound Editor |
| Sound | Cliff Kohlweck | Music Editor |
| Sound | Chris Carpenter | Sound Re-Recording Mixer |
| Sound | Doug Hemphill | Sound Re-Recording Mixer |
| Sound | Bill W. Benton | Sound Re-Recording Mixer |
| Sound | Cliff Latimer | ADR Supervisor |
| Art | Kenneth L. Westcott | Leadman |
| Crew | Jeff Winn | Craft Service |
| Art | Len Morganti | Storyboard Artist |
| Crew | Carla Meyer | Dialect Coach |
| Crew | Anne S. Reilly | Unit Publicist |
| Camera | Merrick Morton | Still Photographer |
| Editing | Donah Bassett | Negative Cutter |
| Visual Effects | John Nelson | Visual Effects Supervisor |
| Visual Effects | George Merkert | Visual Effects Producer |
| Visual Effects | Neil Eskuri | Lead Animator |
| Crew | Ladd McPartland | Visual Effects Editor |
| Sound | John Barry | Original Music Composer |
