De mooie Cinderella moet van haar slechte stiefmoeder allemaal vervelende klusjes in huis opknappen terwijl haar twee stiefzussen zichzelf klaarmaken voor het grote bal. Diezelfde dag krijgt Cinderella bezoek van de prins die het bal organiseert en die haar vraagt of ze ook wil komen. Haar stiefmoeder is echter vastbesloten om daar een stokje voor te steken.
Nee, helaas is Cinderella nog niet beschikbaar op Netflix in Nederland.
Directing | Robert Iscove | Director |
Production | David R. Ginsburg | Executive Producer |
Production | Debra Martin Chase | Executive Producer |
Costume & Make-Up | Carla Farmer | Hairstylist |
Costume & Make-Up | Terrell Mullin | Makeup Artist |
Costume & Make-Up | Roxanna Floyd | Makeup Artist |
Costume & Make-Up | Dionne Smith | Makeup Artist |
Crew | Miguel Ángel Poveda | Post Production Supervisor |
Production | Mike Moder | Producer |
Production | Paula S. Warner | Associate Producer |
Costume & Make-Up | Jennifer Guerrero-Mazursky | Hairstylist |
Costume & Make-Up | Kimberly Kimble | Hairstylist |
Production | Craig Zadan | Executive Producer |
Production | Valorie Massalas | Casting |
Costume & Make-Up | Lucia Mace | Key Hair Stylist |
Costume & Make-Up | Geneva Nash Morgan | Makeup Artist |
Production | Robyn Crawford | Associate Producer |
Costume & Make-Up | Judy Yonemoto | Makeup Artist |
Costume & Make-Up | Ellin La Var | Hairstylist |
Costume & Make-Up | Elizabeth Rabe | Additional Hairstylist |
Production | Neil Meron | Executive Producer |
Editing | Casey O. Rohrs | Editor |
Production | Chris Montan | Producer |
Costume & Make-Up | Julia L. Walker | Hairstylist |
Costume & Make-Up | Karen Dahl | Makeup Artist |
Editing | Tanya Swerling | Editor |
Production | Mike Moder | Unit Production Manager |
Production | Brenda K. Kyle | Executive In Charge Of Production |
Art | Renata Yvette Ray | Props |
Sound | Dan Yale | Dialogue Editor |
Art | Hugo Santiago | Set Designer |
Lighting | Craig Kvinsland | Electrician |
Costume & Make-Up | Cynthia C. Rebman | On Set Dresser |
Directing | Marge Piane | Second Assistant Director |
Directing | Victoria E. Rhodes | First Assistant Director |
Art | Jason Weil | Set Designer |
Art | Kent Kidman | Construction Foreman |
Directing | Paul Bode | First Assistant Director |
Crew | Timothy B. Graham | Special Effects |
Directing | Tyrone L. Mason | First Assistant Director |
Art | Francine Byrne | Art Designer |
Art | Barbara Mesney | Set Designer |
Costume & Make-Up | Lisa Nash-Jones | Makeup Artist |
Sound | John Sheridan | Boom Operator |
Visual Effects | Christopher Reichel | Visual Effects Assistant Editor |
Production | Stuart Howard | Casting Director |
Art | Daniel Brewer | Construction Coordinator |
Sound | Kevin Hyde | Boom Operator |
Costume & Make-Up | Lois DeArmond | Costume Illustrator |
Camera | Tim Collins | Dolly Grip |
Production | Howard Meltzer | Casting Director |
Sound | Albert Gasser | Supervising Sound Editor |
Crew | Wayne Burnes | Special Effects Technician |
Sound | Doug Besterman | Music Arranger |
Visual Effects | Loni Peristere | Visual Effects Producer |
Costume & Make-Up | Michael Dennison | Wardrobe Supervisor |
Sound | Dean St. John | ADR Mixer |
Sound | Terry O'Bright | Sound Re-Recording Mixer |
Visual Effects | Ralph Maiers | Visual Effects Supervisor |
Costume & Make-Up | Robin Borman-Wizan | Wardrobe Master |
Costume & Make-Up | Ann Culotta | Costumer |
Production | Robyn Owen Silvestri | Casting Associate |
Art | Ron Yates | Set Designer |
Sound | Bud Alper | Sound |
Sound | Keith Rogers | Sound Re-Recording Mixer |
Production | Amy Schecter | Casting Director |
Costume & Make-Up | Lillian Lanette Little | Costumer |
Production | Howard Meltzer | Casting |
Sound | Nancy MacLeod | Foley Editor |
Crew | Stephen Brand | Digital Effects Supervisor |
Editing | Paul Lear | Colorist |
Sound | Konstantinos Linoxylakis | Sound Re-Recording Mixer |
Lighting | Brian Webster | Electrician |
Sound | Paul Bogaev | Conductor |
Sound | Paul Bogaev | Music Supervisor |
Costume & Make-Up | David Ferry | Costumer |
Costume & Make-Up | Linda Foole | Costumer |
Sound | Michael Starobin | Music Arranger |
Sound | Richard Ford | Music Editor |
Crew | Corky Randall | Animal Wrangler |
Sound | Danny Troob | Original Music Composer |
Directing | Nancy Karlin | Script Supervisor |
Sound | Martin Erskine | Music Arranger |
Crew | Whitney Houston | Presenter |
Sound | David Krane | Music Arranger |
Production | Jennifer Good | Production Coordinator |
Crew | Michael Forte | Transportation Coordinator |
Sound | Sam Kriger | Vocal Coach |
Production | Laurie Badami | Executive Producer's Assistant |
Sound | Martin Erskine | Original Music Composer |
Sound | Richard Rodgers | Original Music Composer |
Sound | David Cullen | Music Arranger |
Sound | Wade Culbreath | Music |
Sound | Richard Rodgers | Songs |
Writing | Oscar Hammerstein II | Lyricist |
Writing | Lorenz Hart | Lyricist |
Camera | Ralf D. Bode | Director of Photography |
Costume & Make-Up | Ellen Mirojnick | Costume Design |
Production | Whitney Houston | Executive Producer |
Sound | Richard Rodgers | Music |
Art | Edward L. Rubin | Art Direction |
Art | Randy Ser | Production Design |
Sound | Oscar Hammerstein II | Music |
Art | Julie Kaye Fanton | Set Decoration |
Writing | Robert L. Freedman | Teleplay |
Writing | Oscar Hammerstein II | Book |
Crew | Rob Marshall | Choreographer |
Crew | Carol Lee Meadows | Choreographer |