Een overval loopt verkeerd af. Het lukt Connie om te ontsnappen maar zijn broer Nick wordt gearresteerd. Wanneer Connie probeert om de borg bijeen te krijgen om zijn broer uit de gevangenis te krijgen, krijgt hij nog een andere optie aangeboden om hem vrij te krijgen: hem helpen ontsnappen.
Nee, helaas is Good Time nog niet beschikbaar op Netflix in Nederland.
Crew | Lance de los Reyes | Thanks |
Crew | FKA twigs | Thanks |
Art | Patrick Duncan | Art Direction |
Visual Effects | Adam Teninbaum | Visual Effects Supervisor |
Visual Effects | Michael Glen | VFX Artist |
Directing | Benny Safdie | Director |
Directing | Josh Safdie | Director |
Sound | Daniel Lopatin | Original Music Composer |
Camera | Sean Price Williams | Director of Photography |
Writing | Josh Safdie | Screenplay |
Writing | Ronald Bronstein | Screenplay |
Production | Oscar Boyson | Producer |
Production | Sebastian Bear-McClard | Producer |
Production | Terry Dougas | Producer |
Production | Paris Kassidokostas-Latsis | Producer |
Production | Jean-Luc De Fanti | Executive Producer |
Production | Brendan McHugh | Co-Producer |
Production | Stephanie Meurer | Co-Executive Producer |
Production | Alexis Varouxakis | Co-Executive Producer |
Production | Jennifer Venditti | Casting |
Editing | Benny Safdie | Editor |
Editing | Ronald Bronstein | Editor |
Costume & Make-Up | Miyako Bellizzi | Costume Design |
Costume & Make-Up | Mordechai Rubinstein | Costume Design |
Costume & Make-Up | Jessica Jade Jacob | Makeup Artist |
Costume & Make-Up | Anouck Sullivan | Makeup Department Head |
Costume & Make-Up | Toby Sells | Makeup Effects Designer |
Art | Sam Lisenco | Production Design |
Art | Audrey Turner | Set Decoration |
Directing | Gordon Bell | Script Supervisor |
Production | Michele Mansoor | Casting Associate |
Production | Alexandre Khondji | Production Assistant |
Production | Wyatt McBride | Production Assistant |
Production | Jordan Sirek | Production Assistant |
Sound | Daniel Lopatin | Music Supervisor |
Production | Drew Johnson | Assistant Location Manager |
Production | Jacob Lavin | Location Production Assistant |
Editing | Kyle Casey | Digital Intermediate Producer |
Editing | Jeff Cornell | Digital Intermediate Editor |
Editing | Erin DeWitt | Assistant Editor |
Editing | Jack Lewars | Digital Intermediate Colorist |
Production | Eléonore Hendricks | Street Casting |
Lighting | Daniel April | Gaffer |
Camera | Aaron Brown | Steadicam Operator |
Camera | Peter Buntaine | Camera Operator |
Camera | Sean Gradwell | Key Grip |
Lighting | Jack McDonald | Additional Gaffer |
Camera | Kevin McDonald | Additional Key Grip |
Camera | Christopher Messina | Camera Operator |
Camera | Jesse Ruuttila | Grip |
Camera | Alec Nickel | Camera Loader |
Camera | Bayley Sweitzer | Second Assistant "B" Camera |
Camera | Andy Hensler | Second Assistant "A" Camera |
Camera | Kali Riley | First Assistant "A" Camera |
Camera | Hunter Zimny | Assistant Camera |
Crew | Bryce Biederman | Stunt Double |
Crew | Jason Mello | Stunt Double |
Crew | Dean Neistat | Stunt Coordinator |
Crew | Jeremy Sample | Stunt Double |
Crew | Peter Wallack | Stunt Double |
Crew | Greg Wattkis | Stunt Double |
Sound | Leslie Bloome | Foley Artist |
Sound | Ryan Collison | Foley Mixer |
Sound | Joanna Fang | Foley Artist |
Sound | Evan Mangiamele | Sound Mixer |
Sound | Ryan Price | Supervising Sound Editor |
Sound | Ryan Price | Sound Designer |
Sound | Nick Seaman | Foley Editor |
Sound | Patrick Southern | Sound Mixer |
Art | William J. Hopper | Graphic Designer |
Art | Blake LaRue | Set Dresser |
Art | Timothy Cobb Passarella | Construction Coordinator |
Art | Stephen Phelps | Property Master |
Directing | Duccio Fabbri | First Assistant Director |
Directing | Jae Matthews | Second Assistant Director |
Production | Mary Beth Minthorn | Unit Production Manager |
Costume & Make-Up | Ashley K. Thomas | Special Effects Makeup Artist |
Costume & Make-Up | Daniel DeVore | Special Effects Makeup Artist |
Sound | Benny Safdie | Sound Recordist |
Production | Geraldine Barón | Casting Associate |