In de buurt van Minneapolis vliegen een TUA 35 en een DC 10 op elkaar en storten neer. Geen van de passagiers of bemanningsleden overleven de crash. Bill moet uitzoeken wat er precies gebeurd is. In zijn verslag schrijft hij dat een computerdefect aan de basis van de ramp ligt, maar is dat wel zo? Hoe komt het dat sommige horloges van de slachtoffers nog werken? Wat is het kleine, verdovende wapen dat Bill tussen de brokstukken vond en waarmee hij kortsluiting veroorzaakte? En wie is Louise Baltimore?
Nee, helaas is Millennium nog niet beschikbaar op Netflix in Nederland.
| Production | Douglas Leiterman | Producer |
| Directing | Michael Anderson | Director |
| Camera | Rene Ohashi | Director of Photography |
| Art | Charles Dunlop | Art Direction |
| Sound | Eric Robertson | Original Music Composer |
| Editing | Ron Wisman | Editor |
| Writing | John Varley | Screenplay |
| Production | Deirdre Bowen | Casting |
| Production | Freddie Fields | Executive Producer |
| Production | John Foreman | Executive Producer |
| Production | P. Gael Mourant | Executive Producer |
| Production | Robert Vince | Co-Producer |
| Production | Louis M. Silverstein | Executive Producer |
| Art | Gene Rudolf | Production Design |
| Production | Bruce McNall | Producer |
| Crew | Alison Reid | Stunts |
| Directing | Harold Michelson | Continuity |
| Crew | Shelley Cook | Stunts |
| Production | John M. Eckert | Supervising Producer |
| Writing | John Varley | Short Story |
| Crew | Robert Hannah | Stunts |
| Crew | Debbie Kirby | Stunts |
| Crew | Branko Racki | Stunts |
| Sound | Marvin Berns | Sound Re-Recording Mixer |
| Crew | Rick Forsayeth | Stunts |
| Crew | Ted Hanlan | Stunts |
| Crew | Dan Redford | Stunts |
| Crew | Dennis Lundin | Stunts |
| Crew | Jamie Jones | Stunts |
| Crew | Marco Bianco | Stunts |
| Sound | Jim Hopkins | Supervising Sound Editor |
| Camera | John Harris | Second Unit Director of Photography |
| Directing | Sarah Grahame | Script Supervisor |
| Crew | Glen Kotyk | Choreographer |
| Crew | Shane Cardwell | Stunt Coordinator |
| Crew | Leslie Munro | Stunts |
| Crew | T.J. Scott | Stunts |
| Directing | Greg Zenon | Third Assistant Director |
| Sound | Douglas Ganton | Production Sound Mixer |
| Crew | John Stoneham Sr. | Stunts |
| Sound | Patricia Gardner | Assistant Sound Editor |
| Production | Irka M. Iwachiw | Post Production Coordinator |
| Costume & Make-Up | Robert Laden | Prosthetic Makeup Artist |
| Costume & Make-Up | Barbie Palmer | Makeup Artist |
| Visual Effects | Robert Ryan | Visual Effects Supervisor |
| Visual Effects | Sam Nicholson | Visual Effects Director |
| Production | Dan Nyberg | Production Manager |
| Sound | Alan Hardiman | Sound Effects Editor |
| Sound | Donna Powell | Assistant Foley Artist |
| Art | Gustave Meunier | Assistant Set Decoration |
| Camera | Robert Saad | Camera Operator |
| Camera | Julian Chojnacki | Steadicam Operator |
| Sound | Penny Hozy | Dialogue Editor |
| Camera | Kerry Smart | First Assistant Camera |
| Camera | Robert Crone | Steadicam Operator |
| Art | Perri Gorrara | First Assistant Art Direction |
| Costume & Make-Up | Ursula Masten Voss | Assistant Makeup Artist |
| Sound | Reynald Trudel | Boom Operator |
| Sound | Robin Leigh | ADR Editor |
| Art | Jacques M. Bradette | Set Decoration |
| Costume & Make-Up | Linda Crawford | Assistant Makeup Artist |
| Crew | Jérôme Tiberghien | Stunts |
| Directing | Michael Zenon | First Assistant Director |
| Camera | Henri Fiks | Camera Operator |
| Costume & Make-Up | Olga Dimitrovová | Costume Designer |
| Costume & Make-Up | Paula Saunders | Assistant Makeup Artist |
| Crew | John Stoneham Jr. | Stunts |
| Editing | Stephen Humble | First Assistant Editor |
| Sound | Terry Burke | Foley Artist |
| Directing | Bill Bannerman | Second Assistant Director |
| Sound | Paul Coombe | Sound Re-Recording Mixer |
| Sound | Dale Sheldrake | ADR Editor |
| Sound | Kelly Hall | Assistant Foley Artist |
| Art | Dan Conley | Set Dresser |
| Costume & Make-Up | Ken Freeman | Assistant Makeup Artist |
| Crew | Ken Quinn | Stunts |
| Crew | Suzanne Smith | Stunts |
| Crew | Bob Hall | Special Effects Assistant |
| Art | Jeff Ginn | Set Designer |
| Costume & Make-Up | Malcolm Tanner | Prosthetics |
| Costume & Make-Up | Leslie Sebert | Assistant Makeup Artist |
| Crew | Nick Fischer | Special Effects |
| Sound | Don White | Sound Re-Recording Mixer |
| Camera | Stewart Aziz | Second Assistant Camera |
| Camera | Jon Cassar | Steadicam Operator |
| Costume & Make-Up | Nadia Jarvis | Seamstress |
| Costume & Make-Up | Paul R.J. Elliot | Wigmaker |
| Art | Alfred | Assistant Art Director |
| Costume & Make-Up | Sherry Baker | First Assistant Hairstylist |
| Sound | Joe Lafontaine | Assistant Sound Editor |
| Art | Wendy Morrow | Second Assistant Art Director |
| Costume & Make-Up | Ton Pascal | Wardrobe Assistant |
| Costume & Make-Up | Dana Joon | Assistant Makeup Artist |
| Crew | Dan Purdy | Special Effects Assistant |
| Production | Diane Bell | Extras Casting Assistant |
| Art | Caroline George-Kohne | Set Dresser |
| Costume & Make-Up | Albert Paradis | Key Hair Stylist |
| Camera | David Whittaker | Still Photographer |
| Production | Peter Lavender | Extras Casting |
| Costume & Make-Up | Elizabeth Fleet | Wardrobe Assistant |
| Crew | Kaz Kobielski | Special Effects Assistant |
