Maria is een 17-jarig meisje uit Bogotá in Colombia. Ze heeft een slechtbetaald baantje. Haar familie rekent op haar uiterst magere salaris. Op een dag ontmoet ze Franklin die haar een voorstel doet. Tegen betaling mag ze naar de Verenigde Staten. Eindelijk eens wat van de wereld zien en ontsnappen aan haar bestaan. Maar voor dat aanbod moet ze wel iets doen: bolletjes heroïne in haar lichaam meesmokkelen.
Nee, helaas is María, llena eres de gracia nog niet beschikbaar op Netflix in Nederland.
| Sound | Jacobo Lieberman | Original Music Composer |
| Art | Yann Blanc | Art Direction |
| Writing | Joshua Marston | Screenplay |
| Production | Becky Glupczynski | Line Producer |
| Art | Carrie Stewart | Set Decoration |
| Directing | Joshua Marston | Director |
| Production | Jaime Osorio Gómez | Producer |
| Editing | Lee Percy | Editor |
| Production | Paul S. Mezey | Producer |
| Production | Gigia Jaramillo | Line Producer |
| Camera | Jim Denault | Director of Photography |
| Editing | Anne McCabe | Editor |
| Sound | Leonardo Heiblum | Original Music Composer |
| Sound | James Wright | Dolby Consultant |
| Sound | Allan Zaleski | Sound Effects Editor |
| Production | Ellyn Long Marshall | Casting |
| Production | Jorge Valencia | Casting |
| Production | Maria E. Nelson | Casting |
| Crew | Rodrigo Guerrero | Second Unit Cinematographer |
| Camera | Larry Riley | Still Photographer |
| Lighting | David Elwell | Rigging Gaffer |
| Camera | Cristobal Corral | Still Photographer |
| Sound | Rick Ash | Sound Re-Recording Mixer |
| Lighting | Scott Miller | Gaffer |
| Sound | Marko Costanzo | Foley |
| Costume & Make-Up | Lauren Press | Costume Design |
| Visual Effects | Heather L. Anderson | Visual Effects Supervisor |
| Art | Debbie DeVilla | Production Design |
| Camera | Jay Silver | Camera Operator |
| Camera | Ricardo Sarmiento | First Assistant Camera |
| Sound | Ricardo Escallón | ADR & Dubbing |
| Sound | Frank Kern | Foley |
| Production | Rodrigo Guerrero | Associate Producer |
| Sound | Steven Visscher | Foley |
| Sound | George A. Lara | Foley |
| Production | Orlando Tobón | Associate Producer |
| Costume & Make-Up | Sarah Beers | Costume Design |
| Directing | Mariana Hellmund | Script Supervisor |
| Camera | Milly Itzhak | First Assistant Camera |
| Production | Maria Eugenia Salazar | Casting |
| Art | Mónica Marulanda | Production Design |
| Sound | Ruth Hernandez | ADR & Dubbing |
| Sound | Reilly Steele | Sound Re-Recording Mixer |
| Costume & Make-Up | Flore Marina Sandoval | Hairstylist |
| Sound | Drew Webster | Sound Re-Recording Mixer |
| Art | Thomas Lee | Art Department Coordinator |
| Art | Raul V. Carrera | Assistant Art Director |
| Costume & Make-Up | Dallas Hartnett | Key Hair Stylist |
| Costume & Make-Up | Renee Didio | Makeup Artist |
| Crew | Juan Olmo | Property Master |
| Costume & Make-Up | Flore Marina Sandoval | Makeup Artist |
| Costume & Make-Up | Donna Marie Fischetto | Hairstylist |
| Sound | Philip Stockton | Supervising Sound Editor |
| Sound | Lynn Fainchtein | Music Supervisor |
| Sound | Alex Wolfe | Sound Mixer |
