Maria is een 17-jarig meisje uit Bogotá in Colombia. Ze heeft een slechtbetaald baantje. Haar familie rekent op haar uiterst magere salaris. Op een dag ontmoet ze Franklin die haar een voorstel doet. Tegen betaling mag ze naar de Verenigde Staten. Eindelijk eens wat van de wereld zien en ontsnappen aan haar bestaan. Maar voor dat aanbod moet ze wel iets doen: bolletjes heroïne in haar lichaam meesmokkelen.
Nee, helaas is María, llena eres de gracia nog niet beschikbaar op Netflix in Nederland.
| Writing | Joshua Marston | Screenplay |
| Sound | Jacobo Lieberman | Original Music Composer |
| Editing | Lee Percy | Editor |
| Directing | Joshua Marston | Director |
| Production | Becky Glupczynski | Line Producer |
| Camera | Jim Denault | Director of Photography |
| Production | Paul S. Mezey | Producer |
| Production | Gigia Jaramillo | Line Producer |
| Sound | Leonardo Heiblum | Original Music Composer |
| Art | Carrie Stewart | Set Decoration |
| Art | Yann Blanc | Art Direction |
| Production | Jaime Osorio Gómez | Producer |
| Editing | Anne McCabe | Editor |
| Lighting | Scott Miller | Gaffer |
| Sound | Ricardo Escallón | ADR & Dubbing |
| Visual Effects | Heather L. Anderson | Visual Effects Supervisor |
| Sound | Rick Ash | Sound Re-Recording Mixer |
| Sound | James Wright | Dolby Consultant |
| Sound | Marko Costanzo | Foley |
| Sound | Allan Zaleski | Sound Effects Editor |
| Camera | Jay Silver | Camera Operator |
| Camera | Ricardo Sarmiento | First Assistant Camera |
| Sound | Frank Kern | Foley |
| Costume & Make-Up | Sarah Beers | Costume Design |
| Directing | Mariana Hellmund | Script Supervisor |
| Camera | Milly Itzhak | First Assistant Camera |
| Sound | George A. Lara | Foley |
| Art | Debbie DeVilla | Production Design |
| Production | Maria Eugenia Salazar | Casting |
| Art | Mónica Marulanda | Production Design |
| Camera | Larry Riley | Still Photographer |
| Sound | Ruth Hernandez | ADR & Dubbing |
| Sound | Lynn Fainchtein | Music Supervisor |
| Production | Rodrigo Guerrero | Associate Producer |
| Sound | Steven Visscher | Foley |
| Crew | Rodrigo Guerrero | Second Unit Cinematographer |
| Sound | Reilly Steele | Sound Re-Recording Mixer |
| Production | Maria E. Nelson | Casting |
| Production | Jorge Valencia | Casting |
| Costume & Make-Up | Lauren Press | Costume Design |
| Lighting | David Elwell | Rigging Gaffer |
| Camera | Cristobal Corral | Still Photographer |
| Production | Orlando Tobón | Associate Producer |
| Production | Ellyn Long Marshall | Casting |
| Art | Thomas Lee | Art Department Coordinator |
| Sound | Philip Stockton | Supervising Sound Editor |
| Costume & Make-Up | Flore Marina Sandoval | Hairstylist |
| Costume & Make-Up | Donna Marie Fischetto | Hairstylist |
| Sound | Drew Webster | Sound Re-Recording Mixer |
| Art | Raul V. Carrera | Assistant Art Director |
| Crew | Juan Olmo | Property Master |
| Costume & Make-Up | Renee Didio | Makeup Artist |
| Costume & Make-Up | Dallas Hartnett | Key Hair Stylist |
| Costume & Make-Up | Flore Marina Sandoval | Makeup Artist |
| Sound | Alex Wolfe | Sound Mixer |
