Voormalig Hollywoodster Helen is vastbesloten om de begrafenis van haar voormalige geliefde bij te wonen in het glamoureuze Franse Île de Ré. Met de hulp van Priscilla, een onderdrukte Engelse huisvrouw die vast zit in een slecht huwelijk, ontvlucht ze het Londense bejaardenhuis. Met hun beperkte middelen beginnen ze aan een race tegen de klok om in Île de Ré te komen waarbij ze onderweg ook nog verstrikt raken in een driehoeksverhouding met een teruggetrokken Italiaanse miljonair.
Nee, helaas is The Time of Their Lives nog niet beschikbaar op Netflix in Nederland.
| Production | Joan Collins | Executive Producer |
| Production | Amaka Ugwunkwo | Production Manager |
| Sound | Baptiste Waneukem | Assistant Sound Editor |
| Sound | Dominyka Bagrij | Assistant Sound Editor |
| Directing | Peter Agnew | First Assistant Director |
| Camera | Jessica Wray | Second Assistant Camera |
| Crew | Seon Rogers | Stunt Driver |
| Art | Elle Tennyson | Graphic Designer |
| Crew | Gary Connery | Stunt Driver |
| Production | Richard Juneman | Production Accountant |
| Crew | Sisi Cronin | Unit Publicist |
| Crew | Andy Bradford | Stunt Coordinator |
| Crew | Tina Maskell | Stunt Double |
| Sound | Paula Boram | Foley Artist |
| Crew | Cécilia Ngo | Stunt Double |
| Editing | Matthew Troughton | Colorist |
| Camera | Simon Bottomley | Still Photographer |
| Crew | Ben Pengilly | Floor Runner |
| Editing | Marina Theodotou | Assistant Editor |
| Crew | Kaelan Ratcliffe | Floor Runner |
| Production | Tiago Petrica | Production Coordinator |
| Sound | Lewis Morison | Music Editor |
| Art | Anna Mould | Art Direction |
| Sound | David Menke | Music Editor |
| Production | Azim Bolkiah | Producer |
| Art | Ana Viana | Production Design |
| Camera | Rob Hart | Camera Operator |
| Camera | James Aspinall | Director of Photography |
| Editing | Beverley Mills | Editor |
| Art | Phoebe Platman | Set Decoration |
| Costume & Make-Up | Susannah Buxton | Costume Design |
| Writing | Roger Goldby | Writer |
| Art | Georgia Platman | Art Department Coordinator |
| Camera | Warwick Drucker | Key Grip |
| Costume & Make-Up | Alyn Waterman | Makeup Department Head |
| Production | Sarah Sulick | Producer |
| Costume & Make-Up | Amy Tapper | Costume Supervisor |
| Sound | Iain Cooke | Music Supervisor |
| Sound | Robbie Derrick | Boom Operator |
| Art | Nat Bocking | Property Master |
| Camera | Lee Thomas | Aerial Camera |
| Art | Charlie Whiteway | Set Decoration |
| Costume & Make-Up | Jo Turner | Makeup Artist |
| Directing | Roger Goldby | Director |
| Directing | Caroline O'Reilly | Script Supervisor |
| Sound | Alex Outhwaite | Supervising Sound Editor |
| Camera | Sandra Coulson | First Assistant Camera |
| Sound | Stelios Koupetoris | ADR Editor |
| Costume & Make-Up | Sam Broyden | Makeup Supervisor |
| Lighting | Carolina Schmidtholstein | Gaffer |
| Sound | James Feltham | Sound Re-Recording Mixer |
| Visual Effects | Jennifer Eriksson | Visual Effects Supervisor |
| Visual Effects | Alex Murray | Visual Effects Supervisor |
| Editing | Stelios Koupetoris | Dialogue Editor |
| Costume & Make-Up | Louisa Fleming | Makeup Artist |
| Sound | Christian Bourne | Sound Recordist |
| Sound | Stephen Warbeck | Original Music Composer |
