In de nasleep van de Tweede Wereldoorlog besluit de vrijgevochten journaliste Juliet Ashton een boek te schrijven over de Guernsey Literary and Potato Peel Pie Society, een boekenclub die tijdens de oorlog werd opgericht op het Kanaaleiland Guernsey. De band die Juliet krijgt met de leden van de excentrieke club verandert haar leven.
Nee, helaas is The Guernsey Literary Society nog niet beschikbaar op Netflix in Nederland.
| Art | Phil Bull | Standby Property Master |
| Editing | Paul Tothill | Editor |
| Production | Paula Mazur | Producer |
| Production | Peter Czernin | Producer |
| Art | James Merifield | Production Design |
| Production | Graham Broadbent | Producer |
| Art | Kirk Doman | Art Direction |
| Directing | Mike Newell | Director |
| Writing | Thomas Bezucha | Screenplay |
| Writing | Don Roos | Screenplay |
| Writing | Kevin Hood | Screenplay |
| Camera | Zac Nicholson | Director of Photography |
| Costume & Make-Up | Angela Oxley Evans | Hair Supervisor |
| Directing | Jack Ravenscroft | First Assistant Director |
| Visual Effects | James Roberts | Visual Effects Supervisor |
| Writing | Mary Ann Shaffer | Novel |
| Production | Mitchell Kaplan | Producer |
| Costume & Make-Up | Ann Buchanan | Hair Designer |
| Sound | Mhairi Wyles-Lang | ADR & Dubbing |
| Sound | Becki Ponting | Supervising Sound Editor |
| Camera | James Markwick | Camera Operator |
| Sound | Sue Harding | Foley |
| Sound | Markus Moll | Sound Re-Recording Mixer |
| Lighting | Nathanael Bauer | Electrician |
| Lighting | Matt Markham | Electrician |
| Production | Susie Figgis | Casting |
| Costume & Make-Up | Charlotte Walter | Costume Design |
| Production | Monique Mussell | Production Manager |
| Art | Kate Suzanne Hunter | Assistant Art Director |
| Sound | Chris Burdon | Sound Re-Recording Mixer |
| Visual Effects | Paul O'Hara | Visual Effects Coordinator |
| Lighting | Sam Kite | Rigging Gaffer |
| Editing | Mhairi Wyles-Lang | Digital Intermediate |
| Editing | Tony Tromp | Assistant Editor |
| Sound | Mark Willsher | Music Editor |
| Directing | Jane Jackson | Script Supervisor |
| Costume & Make-Up | Lacey Corbould | Hairstylist |
| Sound | Jo Vale | Boom Operator |
| Lighting | Jason Wells | Electrician |
| Costume & Make-Up | Angela Oxley Evans | Makeup Designer |
| Sound | Hugo Adams | Foley Editor |
| Visual Effects | Chris Reynolds | Special Effects Supervisor |
| Crew | Luca Zappala | CG Supervisor |
| Writing | Annie Barrows | Novel |
| Costume & Make-Up | Ann Buchanan | Makeup Designer |
| Art | Lavleena Korotania | Art Department Assistant |
| Art | Philip A. Brown | Draughtsman |
| Crew | Chris Wilkinson | Drone Operator |
| Art | Sara Wan | Set Decoration |
| Art | Noel Cowell | Property Master |
| Sound | Robert Karlsson | Dolby Consultant |
| Visual Effects | Noga Alon Stein | Visual Effects Producer |
| Production | Sally McCleery | Casting Assistant |
| Crew | Sam Dormer | Armorer |
| Camera | Kerry Brown | Still Photographer |
| Sound | Karen Elliott | Music Supervisor |
| Costume & Make-Up | Christof Roche-Gordon | Costume Supervisor |
| Production | Kirsty Kinnear | Casting Associate |
| Crew | Ben Rothwell | Armory Coordinator |
| Crew | Mike Woodley | Aerial Coordinator |
| Editing | Charlotte Barnes | Digital Intermediate |
| Crew | Lucie Pankhurst | Choreographer |
| Editing | Jonathan Collard | Digital Intermediate |
| Sound | Alexandra Harwood | Original Music Composer |
| Crew | Aidan Brindle | Stunt Driver |
