In de nasleep van de Tweede Wereldoorlog besluit de vrijgevochten journaliste Juliet Ashton een boek te schrijven over de Guernsey Literary and Potato Peel Pie Society, een boekenclub die tijdens de oorlog werd opgericht op het Kanaaleiland Guernsey. De band die Juliet krijgt met de leden van de excentrieke club verandert haar leven.
Nee, helaas is The Guernsey Literary Society nog niet beschikbaar op Netflix in Nederland.
| Art | Phil Bull | Standby Property Master |
| Production | Graham Broadbent | Producer |
| Art | Kirk Doman | Art Direction |
| Production | Paula Mazur | Producer |
| Production | Peter Czernin | Producer |
| Art | James Merifield | Production Design |
| Directing | Mike Newell | Director |
| Editing | Paul Tothill | Editor |
| Writing | Don Roos | Screenplay |
| Writing | Thomas Bezucha | Screenplay |
| Writing | Kevin Hood | Screenplay |
| Camera | Zac Nicholson | Director of Photography |
| Camera | James Markwick | Camera Operator |
| Art | Lavleena Korotania | Art Department Assistant |
| Art | Kate Suzanne Hunter | Assistant Art Director |
| Sound | Chris Burdon | Sound Re-Recording Mixer |
| Crew | Luca Zappala | CG Supervisor |
| Production | Mitchell Kaplan | Producer |
| Art | Noel Cowell | Property Master |
| Visual Effects | Chris Reynolds | Special Effects Supervisor |
| Crew | Chris Wilkinson | Drone Operator |
| Art | Sara Wan | Set Decoration |
| Art | Philip A. Brown | Draughtsman |
| Sound | Markus Moll | Sound Re-Recording Mixer |
| Visual Effects | Noga Alon Stein | Visual Effects Producer |
| Writing | Annie Barrows | Novel |
| Costume & Make-Up | Lacey Corbould | Hairstylist |
| Lighting | Jason Wells | Electrician |
| Directing | Jack Ravenscroft | First Assistant Director |
| Lighting | Nathanael Bauer | Electrician |
| Lighting | Matt Markham | Electrician |
| Writing | Mary Ann Shaffer | Novel |
| Costume & Make-Up | Ann Buchanan | Hair Designer |
| Costume & Make-Up | Angela Oxley Evans | Makeup Designer |
| Lighting | Sam Kite | Rigging Gaffer |
| Costume & Make-Up | Charlotte Walter | Costume Design |
| Costume & Make-Up | Angela Oxley Evans | Hair Supervisor |
| Production | Monique Mussell | Production Manager |
| Sound | Mhairi Wyles-Lang | ADR & Dubbing |
| Visual Effects | Paul O'Hara | Visual Effects Coordinator |
| Production | Susie Figgis | Casting |
| Visual Effects | James Roberts | Visual Effects Supervisor |
| Sound | Hugo Adams | Foley Editor |
| Costume & Make-Up | Ann Buchanan | Makeup Designer |
| Sound | Jo Vale | Boom Operator |
| Sound | Robert Karlsson | Dolby Consultant |
| Sound | Sue Harding | Foley |
| Sound | Becki Ponting | Supervising Sound Editor |
| Production | Sally McCleery | Casting Assistant |
| Crew | Mike Woodley | Aerial Coordinator |
| Costume & Make-Up | Christof Roche-Gordon | Costume Supervisor |
| Editing | Charlotte Barnes | Digital Intermediate |
| Editing | Jonathan Collard | Digital Intermediate |
| Crew | Ben Rothwell | Armory Coordinator |
| Crew | Sam Dormer | Armorer |
| Sound | Mark Willsher | Music Editor |
| Production | Kirsty Kinnear | Casting Associate |
| Directing | Jane Jackson | Script Supervisor |
| Sound | Karen Elliott | Music Supervisor |
| Editing | Mhairi Wyles-Lang | Digital Intermediate |
| Editing | Tony Tromp | Assistant Editor |
| Crew | Lucie Pankhurst | Choreographer |
| Camera | Kerry Brown | Still Photographer |
| Sound | Alexandra Harwood | Original Music Composer |
| Crew | Aidan Brindle | Stunt Driver |
