De Londense top-agent Nicholas Angel wordt door omstandigheden overgeplaatst naar het slaperige plaatsje Sandford. Er valt helemaal niets te beleven in tegenstelling tot de actie in Londen en Angel vindt het moeilijk zich aan te passen. Dan wordt hij ook nog gekoppeld aan de jonge en nogal onhandige agent Danny Butterman. Net als hij er de brui aan wil geven, zorgen een aantal mysterieuze voorvallen dat Angel opeens in actie moet komen en hij ontdekt al snel dat Sandford helemaal niet zo'n slaperig stadje is als hij dacht...
Nee, helaas is Hot Fuzz nog niet beschikbaar op Netflix in Nederland.
| Directing | Edgar Wright | Director |
| Writing | Edgar Wright | Screenplay |
| Sound | David Arnold | Original Music Composer |
| Art | Dick Lunn | Art Direction |
| Costume & Make-Up | Annie Hardinge | Costume Design |
| Writing | Simon Pegg | Screenplay |
| Production | Eric Fellner | Producer |
| Camera | Jess Hall | Director of Photography |
| Art | Liz Griffiths | Set Decoration |
| Production | Tim Bevan | Producer |
| Art | Marcus Rowland | Production Design |
| Editing | Chris Dickens | Editor |
| Production | Nira Park | Producer |
| Costume & Make-Up | Candice Banks | Hairstylist |
| Costume & Make-Up | Candice Banks | Makeup Artist |
| Camera | Simon Baker | Camera Operator |
| Camera | Peter Field | Second Unit Director of Photography |
| Camera | Mark Moriarty | Second Unit Director of Photography |
| Camera | Matt Nettheim | Still Photographer |
| Sound | Andie Derrick | Foley Artist |
| Costume & Make-Up | Chris Lyons | Special Effects Makeup Artist |
| Sound | Arthur Graley | Foley Editor |
| Costume & Make-Up | Nathaniel De'Lineadeus | Special Effects Makeup Artist |
| Costume & Make-Up | Deborah Taylor | Makeup Artist |
| Costume & Make-Up | Tony Lilley | Makeup Artist |
| Sound | Robert Edwards | ADR Recordist |
| Sound | Peter Burgis | Foley Artist |
| Costume & Make-Up | Jane Walker | Makeup Designer |
| Art | Oscar Wright | Storyboard Artist |
| Sound | Nigel Heath | Sound Re-Recording Mixer |
| Sound | Julian Slater | Supervising Sound Editor |
| Sound | Craig Butters | Sound Designer |
| Visual Effects | Richard Briscoe | Visual Effects Supervisor |
| Sound | Detlef Halaski | Sound Re-Recording Mixer |
| Sound | Michael Fentum | Sound Effects Editor |
| Crew | Lucy Allen | Stunts |
| Art | Kevin Day | Dressing Prop |
| Visual Effects | Zoltán Benyó | Visual Effects Producer |
| Visual Effects | John Lockwood | Visual Effects Supervisor |
| Art | Michael Smale | Assistant Art Director |
| Visual Effects | Jenõ Udvardi | Visual Effects Producer |
| Visual Effects | Val Wardlaw | Visual Effects Supervisor |
| Visual Effects | Stephen Elson | Visual Effects Producer |
| Visual Effects | Steve Garrad | Visual Effects Producer |
| Visual Effects | Steve Street | Visual Effects Supervisor |
| Production | Ronaldo Vasconcellos | Line Producer |
| Production | Natascha Wharton | Executive Producer |
| Production | Nina Gold | Casting |
| Production | Karen Beever | Associate Producer |
| Production | John David Gunkle | Unit Production Manager |
| Production | Michelle Wright | Executive In Charge Of Production |
| Production | Robert Sterne | Casting |
| Crew | Tania Blunden | Post Production Supervisor |
| Production | James Biddle | Production Manager |
| Crew | Mark Mottram | Stunts |
| Camera | Peter Robertson | Steadicam Operator |
| Camera | Peter Robertson | "A" Camera Operator |
| Production | Tarn Harper | Production Accountant |
| Sound | Robin Whittaker | Music Editor |
| Sound | Charles Lane | Music Consultant |
| Camera | Gavin Free | Additional Camera |
| Directing | Jeremy Lovering | Second Unit Director |
| Directing | Michael Elliott | First Assistant Director |
| Sound | Kirsten Lane | Music Consultant |
| Crew | Rowley Irlam | Stunt Double |
| Crew | Michael Byrch | Stunts |
