De Londense top-agent Nicholas Angel wordt door omstandigheden overgeplaatst naar het slaperige plaatsje Sandford. Er valt helemaal niets te beleven in tegenstelling tot de actie in Londen en Angel vindt het moeilijk zich aan te passen. Dan wordt hij ook nog gekoppeld aan de jonge en nogal onhandige agent Danny Butterman. Net als hij er de brui aan wil geven, zorgen een aantal mysterieuze voorvallen dat Angel opeens in actie moet komen en hij ontdekt al snel dat Sandford helemaal niet zo'n slaperig stadje is als hij dacht...
Nee, helaas is Hot Fuzz nog niet beschikbaar op Netflix in Nederland.
| Production | Nira Park | Producer |
| Art | Dick Lunn | Art Direction |
| Writing | Edgar Wright | Screenplay |
| Directing | Edgar Wright | Director |
| Writing | Simon Pegg | Screenplay |
| Production | Eric Fellner | Producer |
| Editing | Chris Dickens | Editor |
| Production | Tim Bevan | Producer |
| Sound | David Arnold | Original Music Composer |
| Costume & Make-Up | Annie Hardinge | Costume Design |
| Camera | Jess Hall | Director of Photography |
| Art | Liz Griffiths | Set Decoration |
| Art | Marcus Rowland | Production Design |
| Costume & Make-Up | Candice Banks | Makeup Artist |
| Costume & Make-Up | Candice Banks | Hairstylist |
| Camera | Simon Baker | Camera Operator |
| Camera | Matt Nettheim | Still Photographer |
| Camera | Mark Moriarty | Second Unit Director of Photography |
| Camera | Peter Field | Second Unit Director of Photography |
| Sound | Robert Edwards | ADR Recordist |
| Costume & Make-Up | Tony Lilley | Makeup Artist |
| Costume & Make-Up | Deborah Taylor | Makeup Artist |
| Costume & Make-Up | Jane Walker | Makeup Designer |
| Sound | Andie Derrick | Foley Artist |
| Sound | Arthur Graley | Foley Editor |
| Costume & Make-Up | Chris Lyons | Special Effects Makeup Artist |
| Sound | Peter Burgis | Foley Artist |
| Costume & Make-Up | Nathaniel De'Lineadeus | Special Effects Makeup Artist |
| Art | Oscar Wright | Storyboard Artist |
| Sound | Michael Fentum | Sound Effects Editor |
| Sound | Craig Butters | Sound Designer |
| Sound | Julian Slater | Supervising Sound Editor |
| Sound | Detlef Halaski | Sound Re-Recording Mixer |
| Sound | Nigel Heath | Sound Re-Recording Mixer |
| Visual Effects | Richard Briscoe | Visual Effects Supervisor |
| Crew | Lucy Allen | Stunts |
| Art | Kevin Day | Dressing Prop |
| Visual Effects | Steve Street | Visual Effects Supervisor |
| Visual Effects | Zoltán Benyó | Visual Effects Producer |
| Visual Effects | John Lockwood | Visual Effects Supervisor |
| Visual Effects | Val Wardlaw | Visual Effects Supervisor |
| Art | Michael Smale | Assistant Art Director |
| Visual Effects | Stephen Elson | Visual Effects Producer |
| Visual Effects | Steve Garrad | Visual Effects Producer |
| Visual Effects | Jenõ Udvardi | Visual Effects Producer |
| Production | Nina Gold | Casting |
| Production | Karen Beever | Associate Producer |
| Production | Natascha Wharton | Executive Producer |
| Production | John David Gunkle | Unit Production Manager |
| Production | Ronaldo Vasconcellos | Line Producer |
| Production | James Biddle | Production Manager |
| Crew | Tania Blunden | Post Production Supervisor |
| Production | Robert Sterne | Casting |
| Production | Michelle Wright | Executive In Charge Of Production |
| Crew | Mark Mottram | Stunts |
| Camera | Peter Robertson | Steadicam Operator |
| Camera | Peter Robertson | "A" Camera Operator |
| Production | Tarn Harper | Production Accountant |
| Sound | Robin Whittaker | Music Editor |
| Sound | Charles Lane | Music Consultant |
| Camera | Gavin Free | Additional Camera |
| Directing | Jeremy Lovering | Second Unit Director |
| Directing | Michael Elliott | First Assistant Director |
| Sound | Kirsten Lane | Music Consultant |
| Crew | Rowley Irlam | Stunt Double |
| Crew | Michael Byrch | Stunts |
| Costume & Make-Up | Charlie Knight | Costume Assistant |
