'Sweet Country' speelt zich af in 1929 in de buitenwijk van het Northern Territory. Sam is een aboriginal van middelbare leeftijd die werkt voor een vriendelijke predikant, Fred Smith. Harry Marsh keert terug van het westelijk front en wordt aangesteld als de nieuwe stationsoperator.
Nee, helaas is Sweet Country nog niet beschikbaar op Netflix in Nederland.
| Production | Andrew Mackie | Executive Producer |
| Production | Richard Payten | Executive Producer |
| Production | Oliver Lawrance | Executive Producer |
| Production | Christina Kennedy | Executive Producer |
| Production | Scott Otto Anderson | Executive Producer |
| Production | Trevor Kennedy | Executive Producer |
| Production | Craig Deeker | Executive Producer |
| Directing | Warwick Thornton | Director |
| Writing | Steven McGregor | Writer |
| Writing | David Tranter | Writer |
| Art | Tony Cronin | Production Design |
| Camera | Warwick Thornton | Director of Photography |
| Costume & Make-Up | Heather Wallace | Costume Design |
| Editing | Nick Meyers | Editor |
| Art | Theo Benton | Art Direction |
| Production | Greer Simpkin | Producer |
| Production | David Jowsey | Producer |
| Production | Anousha Zarkesh | Casting |
| Sound | Michael Yezerski | Original Music Composer |
| Production | Fiona Lanyon | Line Producer |
| Costume & Make-Up | Jen Rossiter | Hair Designer |
| Crew | Rachel Higgins | Post Production Supervisor |
| Lighting | Max Gersbach | Electrician |
| Directing | Tom Read | First Assistant Director |
| Art | Jennifer Drake | Set Decoration |
| Camera | Michael Corridore | Still Photographer |
| Costume & Make-Up | Rebecca Buratto | Assistant Makeup Artist |
| Sound | Chris Goodes | ADR Recordist |
| Camera | Martin Fargher | Key Grip |
| Costume & Make-Up | Jen Rossiter | Makeup Designer |
| Directing | Shannon Crotty | Second Assistant Director |
| Camera | Drew English | First Assistant "B" Camera |
| Camera | Daniel Foeldes | First Assistant "B" Camera |
| Sound | Phil Heywood | Sound Re-Recording Mixer |
| Sound | Mick Boraso | Sound Effects Editor |
| Costume & Make-Up | Beverley Freeman | Makeup & Hair |
| Camera | Jules Wurm | First Assistant "A" Camera |
| Sound | Evan McHugh | ADR Recordist |
| Sound | Will Sheridan | Boom Operator |
| Production | Tanith Glynn-Maloney | Extras Casting |
| Editing | Trish Cahill | Colorist |
| Camera | Dylan River | Second Unit Director of Photography |
| Crew | John Haratzis | Scenic Artist |
| Art | Matt Landreth | Construction Manager |
| Sound | Thom Kellar | Supervising Sound Editor |
| Crew | John Sanderson | Special Effects Coordinator |
| Camera | Warwick Baker | Still Photographer |
| Camera | Michael Fairbairn | Second Assistant Camera |
| Directing | Dylan River | Second Unit Director |
| Crew | Reg Roordink | Stunt Coordinator |
| Directing | James Dubay | Third Assistant Director |
| Sound | James Andrews | ADR & Dubbing |
| Costume & Make-Up | Olivia Iacobelli | Costume Supervisor |
| Production | Kim Bostock | Unit Manager |
| Sound | Taras Spahic | Assistant Sound Editor |
| Camera | Matt Coulam | Best Boy Grip |
| Sound | Sam Gain-Emery | Supervising Sound Editor |
| Sound | Lachlan Harris | Sound Designer |
| Sound | Adrian Medhurst | Foley Artist |
| Camera | Tamara Dean | Still Photographer |
| Editing | Annie Zhang | Assistant Editor |
| Crew | Kevin McLean | Unit Publicist |
| Production | Jesse Goninon | Location Manager |
| Editing | Miska Mandic | First Assistant Editor |
| Writing | Stephen Cleary | Script Editor |
| Crew | Scott Warwick | Armorer |
| Production | Emma Marshall | Production Coordinator |
| Production | Elspeth Baird | Production Accountant |
| Crew | Kara MacLean | Unit Publicist |
| Crew | Ningali Lawford | Dialogue Coach |
