Tov Matheson is een oorlogsveteraan die lijdt aan posttraumatische stressstoornis. Hij denkt dat het einde van de wereld nadert. Nadat hij een relatie heeft opgezet met een dubieuze Messias, laat hij zijn normale leven achter zich en begint met de bouw van een ondergrondse bunker. Hij traint zichzelf tot het extreme toe, waardoor hij alles en iedereen verliest en iedereen denkt dat hij gek is. Wanneer hij het zelf ook begint te geloven, gebeurt het onwaarschijnlijke.
Nee, helaas is The Last Man nog niet beschikbaar op Netflix in Nederland.
| Camera | Daniel Ortega | Camera Operator |
| Camera | Daniel Ortega | Director of Photography |
| Directing | Rodrigo H. Vila | Director |
| Crew | Gustavo Lencina | Additional Writing |
| Production | Pablo Atkins | Line Producer |
| Production | Federico Heller | Co-Producer |
| Production | Michael Hothorn | Associate Producer |
| Production | Patricio Rabuffetti | Co-Producer |
| Production | Guillermo Rossi | Associate Producer |
| Production | Sabina Sigler | Associate Producer |
| Production | Gonzalo Vila | Producer |
| Production | Rodrigo H. Vila | Producer |
| Production | Dalila Zaritzky | Executive Producer |
| Production | Dalila Zaritzky | Producer |
| Sound | Emilio Kauderer | Music |
| Editing | Luis de la Madrid | Editor |
| Editing | Jordi López | Editor |
| Production | Michael Hothorn | Casting |
| Art | Maximiliano Patko | Production Design |
| Costume & Make-Up | Pepe Uria | Costume Design |
| Crew | Pablo Margiotta | Post-Production Manager |
| Crew | Luciano Origlio | Post Production Supervisor |
| Directing | Gimena Joao | First Assistant Director |
| Directing | Agustina Macri | Second Unit Director |
| Directing | Luciano Pozzi | Assistant Director |
| Sound | José E. Caldararo | Foley Artist |
| Sound | Agustín Casola | Foley Artist |
| Sound | Hernán Converti | Sound Mixer |
| Sound | Bechen de Loredo | ADR Mixer |
| Sound | Bechen de Loredo | Foley Mixer |
| Sound | Leandro de Loredo | Sound Re-Recording Mixer |
| Sound | Andrés Gargiulli | Boom Operator |
| Sound | Esteban Golubicki | Sound Effects Editor |
| Sound | Julia Huberman | Foley Mixer |
| Sound | Jeronimo Kohn | Dialogue Editor |
| Sound | Sébastien Lipszyc | Boom Operator |
| Sound | Rafael Millán | Foley Recordist |
| Sound | Sebastián Sonzogni | Foley Artist |
| Visual Effects | Gonzalo Arenas Norton | Digital Compositor |
| Visual Effects | Nacho Arevalo | Digital Compositor |
| Visual Effects | Julián Coutada | Digital Compositor |
| Visual Effects | Guido Ferraro | Visual Effects Designer |
| Visual Effects | Federico Heller | Visual Effects Supervisor |
| Visual Effects | Majo Tabares | Visual Effects Producer |
| Visual Effects | Virginia Vallés | Visual Effects Coordinator |
| Crew | Riley Barnes | Stunt Double |
| Crew | Nahuel Lozano | Stunts |
| Camera | Valeria Fiorini | Still Photographer |
| Camera | Gabriel Quevedo | Steadicam Operator |
| Crew | Clara Ripoll | Video Assist Operator |
| Lighting | Juan Manuel Tizón | Gaffer |
| Camera | Jorge Coki Tristán | Key Grip |
| Production | Natalia Smirnoff | Casting |
| Editing | Jorgina Elias | Assistant Editor |
| Editing | Camila Musteikis | Assistant Editor |
| Production | Desireé Lehner | Location Assistant |
| Crew | Irving Victoria | Additional Music |
| Writing | Rodrigo H. Vila | Writer |
| Writing | Dan Bush | Script Consultant |
