In een achterbuurt van Boston wordt de vierjarige Amanda ontvoerd. Omdat de politie weinig vooruitgang lijkt te boeken in de zaak besluit Amanda's tante Bea de hulp in te roepen van twee jonge privédetectives, Kenzie en Gennaro.
Nee, helaas is Gone Baby Gone nog niet beschikbaar op Netflix in Nederland.
| Writing | Aaron Stockard | Screenplay |
| Camera | John Toll | Director of Photography |
| Editing | William Goldenberg | Editor |
| Production | Sean Bailey | Producer |
| Writing | Dennis Lehane | Novel |
| Production | Alan Ladd Jr. | Producer |
| Writing | Ben Affleck | Screenplay |
| Directing | Ben Affleck | Director |
| Directing | Christopher Surgent | First Assistant Director |
| Costume & Make-Up | Tisha D. Nagel | Costumer |
| Sound | Weldon Brown | ADR Mixer |
| Production | Helen Stergiou | First Assistant Accountant |
| Sound | Nerses Gezalyan | Foley Mixer |
| Sound | David Boulton | ADR Mixer |
| Sound | Victor Ray Ennis | First Assistant Sound Editor |
| Camera | Ben Beaird | Key Grip |
| Sound | Greg Steele | ADR Mixer |
| Lighting | David Ghegan | Assistant Chief Lighting Technician |
| Costume & Make-Up | Deborah Newhall | Key Costumer |
| Costume & Make-Up | Parrish Kennington | Costumer |
| Camera | Russell Nordstedt | Best Boy Grip |
| Sound | James Moriana | Foley Artist |
| Directing | Matt Power | Second Second Assistant Director |
| Costume & Make-Up | Taryn Weaver | Costumer |
| Lighting | Jarred Waldron | Chief Lighting Technician |
| Editing | Skip Kimball | Digital Intermediate Colorist |
| Editing | Mary Nelson-Duerrstein | Negative Cutter |
| Directing | Takahide Kawakami | Second Assistant Director |
| Camera | Patrick McArdle | First Assistant Camera |
| Camera | Tony Campenni | Dolly Grip |
| Sound | Jeffrey Wilhoit | Foley Artist |
| Crew | Christopher Murphy | Video Assist Operator |
| Art | Jonathan Woods | Storyboard Artist |
| Crew | Shauna Duggins | Stunt Double |
| Art | Sharon Seymour | Production Design |
| Production | Danton Rissner | Producer |
| Art | Kyra Friedman Curcio | Set Decoration |
| Sound | Nic Harcourt | Music Supervisor |
| Sound | Sally Boldt | Music Editor |
| Camera | Claire Folger | Still Photographer |
| Directing | Sheila Waldron | Script Supervisor |
| Costume & Make-Up | Nancy Hancock | Makeup Artist |
| Production | Chay Carter | Co-Producer |
| Costume & Make-Up | Alix Friedberg | Costume Design |
| Costume & Make-Up | Deena Adair | Hairstylist |
| Crew | Cort Hessler | Stunt Coordinator |
| Production | Donna Morong | Casting |
| Production | Amanda Lamb | Associate Producer |
| Sound | Christian P. Minkler | Sound Re-Recording Mixer |
| Sound | Alan Rankin | Sound Designer |
| Costume & Make-Up | Mary L. Mastro | Hair Department Head |
| Sound | Harry Gregson-Williams | Original Music Composer |
| Art | Chris Cornwell | Art Direction |
| Crew | Conrad V. Brink Jr. | Special Effects Coordinator |
| Production | Aaron Stockard | Associate Producer |
| Production | David Crockett | Executive Producer |
| Camera | P. Scott Sakamoto | Steadicam Operator |
| Camera | P. Scott Sakamoto | Camera Operator |
| Costume & Make-Up | Trish Seeney | Makeup Artist |
| Art | J.M. Hunter | Art Department Coordinator |
| Sound | Jon Taylor | Sound Re-Recording Mixer |
| Costume & Make-Up | John E. Jackson | Makeup Department Head |
| Sound | Mark P. Stoeckinger | Supervising Sound Editor |
| Costume & Make-Up | Brenda McNally | Hairstylist |
| Crew | Tracy R. Spiegel | Craft Service |
| Sound | Jim Stuebe | Production Sound Mixer |
| Sound | Kevin Hyde | Boom Operator |
| Sound | Ladd McIntosh | Orchestrator |
| Art | George Lee | Set Designer |
| Crew | Jimmy Flynn | Transportation Captain |
| Production | Desiree Varni | Production Accountant |
| Crew | Matt Damon | Thanks |
| Crew | Jerry Bruckheimer | Thanks |
| Visual Effects | Mark Driscoll | Visual Effects Producer |
| Production | David Crockett | Unit Production Manager |
| Costume & Make-Up | Hope Slepak | Costume Supervisor |
| Crew | Joe Galdo | Post Production Assistant |
| Art | Steve DeBoer | Construction Foreman |
| Crew | Terrence Malick | Thanks |
| Editing | Michael Tronick | Additional Editing |
| Crew | Tina Anderson | Post Production Supervisor |
| Crew | Nathaniel Stutz | Craft Service |
| Camera | Mike Thomas | Camera Operator |
| Visual Effects | Andy Simonson | Visual Effects Coordinator |
| Editing | Kevin Hickman | Assistant Editor |
| Art | Joseph Kearney | Construction Coordinator |
| Visual Effects | Henrik Fett | Visual Effects Supervisor |
| Editing | Brett M. Reed | First Assistant Editor |
| Production | Jeff Valeri | Production Coordinator |
| Art | Vanessa Pyne | Art Department Assistant |
| Production | Charles Harrington | Location Manager |
| Art | Kurt Smith | Leadman |
| Crew | Amy Cohn | Unit Publicist |
| Crew | Robert Martini | Transportation Coordinator |
| Editing | Mathieu Reid | Color Timer |
| Crew | Manny Ramírez | Thanks |
| Sound | Jarrett Simon | Utility Sound |
| Production | Nadia Aleyd | Casting Associate |
| Crew | Lisa Shaftel | Scenic Artist |
| Sound | Glynna Grimala | Dialogue Editor |
| Art | Jeffrey Paul Johnson | Property Master |
| Sound | Chris Hogan | Dialogue Editor |
| Sound | Jeff Largent | Sound Recordist |
| Sound | John C. Stuver | Dialogue Editor |
| Sound | Kerry Dean Williams | ADR Supervisor |
