In een achterbuurt van Boston wordt de vierjarige Amanda ontvoerd. Omdat de politie weinig vooruitgang lijkt te boeken in de zaak besluit Amanda's tante Bea de hulp in te roepen van twee jonge privédetectives, Kenzie en Gennaro.
Nee, helaas is Gone Baby Gone nog niet beschikbaar op Netflix in Nederland.
| Writing | Ben Affleck | Screenplay |
| Writing | Aaron Stockard | Screenplay |
| Writing | Dennis Lehane | Novel |
| Production | Alan Ladd Jr. | Producer |
| Production | Sean Bailey | Producer |
| Camera | John Toll | Director of Photography |
| Editing | William Goldenberg | Editor |
| Directing | Ben Affleck | Director |
| Sound | Nerses Gezalyan | Foley Mixer |
| Production | Helen Stergiou | First Assistant Accountant |
| Sound | David Boulton | ADR Mixer |
| Lighting | Jarred Waldron | Chief Lighting Technician |
| Camera | Tony Campenni | Dolly Grip |
| Editing | Skip Kimball | Digital Intermediate Colorist |
| Costume & Make-Up | Tisha D. Nagel | Costumer |
| Editing | Mary Nelson-Duerrstein | Negative Cutter |
| Sound | Victor Ray Ennis | First Assistant Sound Editor |
| Directing | Matt Power | Second Second Assistant Director |
| Costume & Make-Up | Taryn Weaver | Costumer |
| Sound | Greg Steele | ADR Mixer |
| Art | Jonathan Woods | Storyboard Artist |
| Directing | Christopher Surgent | First Assistant Director |
| Sound | Weldon Brown | ADR Mixer |
| Sound | Jeffrey Wilhoit | Foley Artist |
| Crew | Christopher Murphy | Video Assist Operator |
| Camera | Ben Beaird | Key Grip |
| Directing | Takahide Kawakami | Second Assistant Director |
| Camera | Patrick McArdle | First Assistant Camera |
| Lighting | David Ghegan | Assistant Chief Lighting Technician |
| Costume & Make-Up | Deborah Newhall | Key Costumer |
| Costume & Make-Up | Parrish Kennington | Costumer |
| Camera | Russell Nordstedt | Best Boy Grip |
| Sound | James Moriana | Foley Artist |
| Crew | Shauna Duggins | Stunt Double |
| Production | Aaron Stockard | Associate Producer |
| Camera | P. Scott Sakamoto | Steadicam Operator |
| Sound | Harry Gregson-Williams | Original Music Composer |
| Production | David Crockett | Executive Producer |
| Directing | Sheila Waldron | Script Supervisor |
| Sound | Sally Boldt | Music Editor |
| Art | Kyra Friedman Curcio | Set Decoration |
| Camera | Claire Folger | Still Photographer |
| Art | Sharon Seymour | Production Design |
| Production | Danton Rissner | Producer |
| Production | Chay Carter | Co-Producer |
| Production | Amanda Lamb | Associate Producer |
| Sound | Nic Harcourt | Music Supervisor |
| Art | Chris Cornwell | Art Direction |
| Costume & Make-Up | Alix Friedberg | Costume Design |
| Crew | Conrad V. Brink Jr. | Special Effects Coordinator |
| Camera | P. Scott Sakamoto | Camera Operator |
| Production | Donna Morong | Casting |
| Sound | Christian P. Minkler | Sound Re-Recording Mixer |
| Sound | Alan Rankin | Sound Designer |
| Sound | Mark P. Stoeckinger | Supervising Sound Editor |
| Sound | Jon Taylor | Sound Re-Recording Mixer |
| Costume & Make-Up | Nancy Hancock | Makeup Artist |
| Costume & Make-Up | Mary L. Mastro | Hair Department Head |
| Art | J.M. Hunter | Art Department Coordinator |
| Crew | Cort Hessler | Stunt Coordinator |
| Costume & Make-Up | John E. Jackson | Makeup Department Head |
| Costume & Make-Up | Deena Adair | Hairstylist |
| Costume & Make-Up | Trish Seeney | Makeup Artist |
| Production | Charles Harrington | Location Manager |
| Crew | Amy Cohn | Unit Publicist |
| Crew | Robert Martini | Transportation Coordinator |
| Editing | Kevin Hickman | Assistant Editor |
| Crew | Terrence Malick | Thanks |
| Editing | Brett M. Reed | First Assistant Editor |
| Crew | Joe Galdo | Post Production Assistant |
| Camera | Mike Thomas | Camera Operator |
| Crew | Tina Anderson | Post Production Supervisor |
| Production | Desiree Varni | Production Accountant |
| Crew | Jimmy Flynn | Transportation Captain |
| Visual Effects | Andy Simonson | Visual Effects Coordinator |
| Sound | Kevin Hyde | Boom Operator |
| Art | George Lee | Set Designer |
| Sound | Jim Stuebe | Production Sound Mixer |
| Editing | Michael Tronick | Additional Editing |
| Crew | Matt Damon | Thanks |
| Costume & Make-Up | Hope Slepak | Costume Supervisor |
| Art | Kurt Smith | Leadman |
| Crew | Tracy R. Spiegel | Craft Service |
| Crew | Manny Ramírez | Thanks |
| Costume & Make-Up | Brenda McNally | Hairstylist |
| Art | Joseph Kearney | Construction Coordinator |
| Crew | Jerry Bruckheimer | Thanks |
| Crew | Nathaniel Stutz | Craft Service |
| Production | David Crockett | Unit Production Manager |
| Visual Effects | Mark Driscoll | Visual Effects Producer |
| Art | Vanessa Pyne | Art Department Assistant |
| Sound | Ladd McIntosh | Orchestrator |
| Editing | Mathieu Reid | Color Timer |
| Production | Jeff Valeri | Production Coordinator |
| Art | Steve DeBoer | Construction Foreman |
| Visual Effects | Henrik Fett | Visual Effects Supervisor |
| Sound | Jarrett Simon | Utility Sound |
| Production | Nadia Aleyd | Casting Associate |
| Crew | Lisa Shaftel | Scenic Artist |
| Sound | Chris Hogan | Dialogue Editor |
| Sound | John C. Stuver | Dialogue Editor |
| Art | Jeffrey Paul Johnson | Property Master |
| Sound | Glynna Grimala | Dialogue Editor |
| Sound | Jeff Largent | Sound Recordist |
| Sound | Kerry Dean Williams | ADR Supervisor |
