John McClane reist af naar Rusland om zijn vervreemde zoon te helpen. Die is betrokken bij de gevangenisuitbraak van een Russische leider die een staatsgreep wil plegen. Vader en zoon moeten alles op alles zetten om zichzelf en elkaar in leven te houden en de werelddemocratie te beschermen.
Nee, helaas is A Good Day to Die Hard nog niet beschikbaar op Netflix in Nederland.
| Directing | John Moore | Director |
| Writing | Skip Woods | Screenplay |
| Crew | Валерий Деркач | Stunt Coordinator |
| Crew | Billy D. Lucas | Stunts |
| Production | Alex Young | Producer |
| Production | Deborah Aquila | Casting |
| Production | Tricia Wood | Casting |
| Crew | Mic Rodgers | Stunts |
| Crew | Matt Leonard | Stunts |
| Production | Wyck Godfrey | Producer |
| Crew | Danny Wynands | Stunts |
| Visual Effects | Amber Kirsch | Visual Effects Producer |
| Crew | Thorsten Knatz | Visual Effects Editor |
| Visual Effects | Sarah Mooney | Visual Effects Producer |
| Visual Effects | Julia Neighly | Visual Effects Producer |
| Crew | Jake Walshe | Visual Effects Editor |
| Visual Effects | Christal Wolgamott | Visual Effects Producer |
| Visual Effects | Ed Bruce | Visual Effects Supervisor |
| Visual Effects | Everett Burrell | Visual Effects Supervisor |
| Crew | Ryan Chavez | Visual Effects Editor |
| Visual Effects | Eric D. Christensen | Visual Effects Supervisor |
| Visual Effects | Sean Andrew Faden | Visual Effects Supervisor |
| Visual Effects | Joe Farrell | Visual Effects Supervisor |
| Visual Effects | Bryan Godwin | Visual Effects Supervisor |
| Visual Effects | Randy Goux | Visual Effects Supervisor |
| Visual Effects | Matthew Gratzner | Visual Effects Supervisor |
| Crew | Steve M. Davison | Stunt Coordinator |
| Crew | Domonkos Párdányi | Stunt Coordinator |
| Camera | Botond Aszalós | Camera Operator |
| Lighting | Gábor Hevesi | Gaffer |
| Camera | Imre Juhász | Camera Operator |
| Camera | György Réder | Camera Operator |
| Camera | Gregory W. Smith | Camera Operator |
| Camera | Des Whelan | Camera Operator |
| Camera | John Marzano | Helicopter Camera |
| Lighting | James Elton Davis | Gaffer |
| Camera | Frank Masi | Still Photographer |
| Camera | Márton Miklauzic | Additional Camera |
| Camera | Andrew Banwell | Additional Photography |
| Costume & Make-Up | Adina Bucur | Costume Supervisor |
| Costume & Make-Up | Cristina Ghergheli | Costume Supervisor |
| Editing | Marisa Clayton | Digital Intermediate |
| Editing | Mark Sahagun | Digital Intermediate |
| Editing | Ian Silverstein | First Assistant Editor |
| Sound | Jay Duerr | Music Editor |
| Crew | Claudia Kossik | Transportation Coordinator |
| Crew | Gábor Szénási | Transportation Coordinator |
| Production | Rudolf András | Location Manager |
| Production | János Cserven | Location Manager |
| Production | Balint Kovacs | Location Manager |
| Production | Laszlo Rorariusz | Location Manager |
| Directing | Dóra Simkó | Script Supervisor |
| Crew | Elena Baranova | Dialect Coach |
| Crew | Larry Garrison | Unit Publicist |
| Camera | Jonathan Sela | Director of Photography |
| Editing | Dan Zimmerman | Editor |
| Production | Zsolt Csutak | Casting |
| Art | Daniel T. Dorrance | Production Design |
| Art | Nick Blanche | Art Direction |
| Art | Bence Erdélyi | Art Direction |
| Art | Andrew Munro | Art Direction |
| Art | Jille Azis | Set Decoration |
| Art | Zoltán Horváth | Set Decoration |
| Art | Dóra Papp | Set Decoration |
| Costume & Make-Up | Bojana Nikitović | Costume Design |
| Costume & Make-Up | Francesca Crowder | Hairstylist |
| Costume & Make-Up | Gerald Quist | Makeup Department Head |
| Costume & Make-Up | Fiona Connon | Makeup Artist |
| Costume & Make-Up | Anna Tesner | Makeup Artist |
| Art | Eniko Orosz | Art Department Coordinator |
| Art | László Szirmai | Assistant Art Director |
| Art | Gergely Kajdi | Greensman |
| Art | Mátyás Szakonyi | Greensman |
| Art | Zoltán Kiss | Sculptor |
| Art | Tamas Ordodi | Sculptor |
| Crew | Howard Weaver | Scenic Artist |
| Sound | John T. Cucci | Foley |
| Sound | Lee Gilmore | Sound Effects Editor |
| Sound | Ai-Ling Lee | Sound Effects Editor |
| Sound | Chuck Michael | Sound Effects Editor |
| Sound | Ron Bartlett | Sound Re-Recording Mixer |
| Sound | Doug Hemphill | Sound Re-Recording Mixer |
| Sound | Jay Wilkinson | Supervising Sound Editor |
| Sound | Andy Potvin | Dolby Consultant |
| Crew | Matthew Lee | CG Supervisor |
| Visual Effects | Petr Marek | Animation Supervisor |
| Crew | Dan Mayer | CG Supervisor |
| Crew | Mohsen Mousavi | CG Supervisor |
| Visual Effects | Mike Warner | Animation Supervisor |
| Visual Effects | James Dornoff | Visual Effects Producer |
| Visual Effects | Brett Dowler | Visual Effects Producer |
| Visual Effects | Charlene Eberle Douglas | Visual Effects Producer |
| Production | Lina Todd | Casting |
| Production | Kate Ringsell | Casting Associate |
| Crew | Béla Gajdos | Armorer |
| Crew | Gábor Gajdos | Armorer |
| Crew | Michael Papac | Armorer |
| Crew | Sascha Robey | Armorer |
| Art | Tom Brown | Supervising Art Director |
| Crew | Eric Jacobus | Stunts |
| Crew | Géza Kovács | Stunts |
| Crew | Daniel Bernhardt | Stunts |
| Camera | Елена Иванова | Second Unit Director of Photography |
| Camera | Jonathan Taylor | Second Unit Director of Photography |
| Sound | Tim Gomillion | Sound Recordist |
| Sound | Ryan Cole | Sound Recordist |
| Art | Chris Cull | Property Master |
| Production | Alena Garetovskaya | Local Casting |
| Production | Kirsty McGregor | Local Casting |
| Sound | Marco Beltrami | Original Music Composer |
| Sound | Vanessa Lapato | ADR Supervisor |
| Sound | Matthew Harrison | Foley Editor |
| Crew | Jeffrey J. Dashnaw | Stunt Coordinator |
| Crew | Lance Gilbert | Stunts |
| Writing | Roderick Thorp | Characters |
| Crew | Oakley Lehman | Stunts |
| Production | Péter Fülöp | Location Manager |
| Crew | Sam Conway | Special Effects Technician |
