Trish's vrienden regelen een blind date voor haar, maar wanneer ze vergeet haar klokken aan te passen ter compensatie van de zomertijd, laat ze per ongeluk haar potentiële geliefde in de steek. In plaats daarvan arriveert ze op de locatie en ontmoet ze Parker, een zachtaardige maar onrustige paramedicus die besluit mee te spelen met de zich niet bewuste Trish. Het klikt tussen de twee, maar hun veelbelovende romance wordt bedreigd wanneer de zaak van identiteitsverwisseling aan het licht komt.
Nee, helaas is An Hour Behind nog niet beschikbaar op Netflix in Nederland.
| Directing | Alex Bryant | First Assistant Director |
| Directing | Lee Andrews | Second Assistant Director |
| Production | Kent Staheli | Production Assistant |
| Crew | Isaac Oates | Production Intern |
| Crew | Brett Miller | Transportation Coordinator |
| Crew | Jason Kelly | Driver |
| Crew | Matthew Fladell | Legal Services |
| Crew | Bryan Thompson | Post Production Supervisor |
| Editing | Bryan Anderson | Online Editor |
| Editing | Alex Bryant | Colorist |
| Sound | James Schafer | Original Music Composer |
| Visual Effects | Anthony Straga | VFX Artist |
| Art | Anthony Straga | Production Design |
| Costume & Make-Up | Sonja N. Harris | Costume Designer |
| Editing | Brian Brough | Editor |
| Camera | John Lyde | Director of Photography |
| Production | Elisa Jan | Executive Producer |
| Production | AJC Pennyworth | Executive Producer |
| Production | Pierre-Andre Rochat | Executive Producer |
| Production | Brian Brough | Producer |
| Production | Anthony Straga | Producer |
| Writing | Brittany Wiscombe | Screenplay |
| Directing | Brian Brough | Director |
| Production | B.J. Alexander | Unit Production Manager |
| Directing | BrookeLynn Millard | Second Second Assistant Director |
| Camera | Brian Brough | "B" Camera Operator |
| Camera | John Lyde | "A" Camera Operator |
| Camera | Paul D. Green | First Assistant "A" Camera |
| Camera | Scott Schaertl | First Assistant "B" Camera |
| Camera | Kevin Lyde | Second Assistant Camera |
| Lighting | Steven Madsen | Gaffer |
| Lighting | Dan Haskell | Best Boy Electric |
| Camera | Kevin Woodward | Key Grip |
| Camera | KeAlii Johnson | Best Boy Grip |
| Art | Monet Devilliers | Set Decoration |
| Art | Bryce Bishop | Set Dresser |
| Art | Bruce Wing | Property Master |
| Art | Arielle Wing | Props |
| Art | Keston Wing | Props |
| Sound | Paul D. Hunt | Sound Mixer |
| Sound | Paul D. Hunt | Boom Operator |
| Costume & Make-Up | Danielle Donahue | Key Makeup Artist |
| Costume & Make-Up | Leslie Kidman | Key Hair Stylist |
| Production | Emily Bitter | Production Coordinator |
| Directing | Emily Bitter | Script Supervisor |
| Production | Gregory K. Brough | Accountant |
| Production | Melanie Burningham | Production Accountant |
| Editing | Anthony Straga | Assistant Editor |
| Visual Effects | Anthony Straga | Visual Effects Supervisor |
| Sound | James Schafer | Orchestrator |
| Sound | Nate Hoffman | Supervising Sound Editor |
| Sound | Nate Hoffman | Dialogue Editor |
| Sound | Nate Hoffman | Foley Artist |
| Sound | Nate Hoffman | Sound Re-Recording Mixer |
| Sound | China Khoral | Sound Effects Editor |
| Writing | Brittany Wiscombe | Writer |
