The Jackal is een mysterieuze huurmoordenaar die door de Russische maffia wordt ingeschakeld om in een wraakactie de directeur van de FBI om te brengen. De FBI krijgt hier lucht van en ziet zich genoodzaakt de hulp in te roepen van gevangen IRA-terrorist Declan Mulqueen, de enige die The Jackal kan identificeren.
Nee, helaas is The Jackal nog niet beschikbaar op Netflix in Nederland.
| Directing | Michael Caton-Jones | Director |
| Production | Sean Daniel | Producer |
| Production | James Jacks | Producer |
| Production | Michael Caton-Jones | Producer |
| Production | Ellen Chenoweth | Casting |
| Production | Kevin Jarre | Producer |
| Camera | Karl Walter Lindenlaub | Director of Photography |
| Art | Michael White | Production Design |
| Writing | Chuck Pfarrer | Screenplay |
| Editing | Jim Clark | Editor |
| Costume & Make-Up | Gary Archer | Prosthetics |
| Production | Gary Levinsohn | Executive Producer |
| Sound | Carter Burwell | Original Music Composer |
| Production | Terence A. Clegg | Executive Producer |
| Production | Mark Gordon | Executive Producer |
| Production | Sean T. Stratton | Associate Producer |
| Production | Hal Lieberman | Executive Producer |
| Crew | Jodi Michelle Pynn | Stunts |
| Art | Alan Hook | Draughtsman |
| Art | Ricky Eyres | Art Direction |
| Art | Stephanie Wertlake | Art Department Coordinator |
| Costume & Make-Up | Albert Wolsky | Costume Design |
| Art | Bruton Jones | Art Direction |
| Art | Dennis Bosher | Assistant Art Director |
| Art | Michael R. Clark | Painter |
| Art | Raymond Dupuis | Art Direction |
| Art | John Fenner | Art Direction |
| Art | Michael D. Harrell | Leadman |
| Camera | Michael Adams | Grip |
| Camera | Larry Blanford | Aerial Director of Photography |
| Art | Kate J. Sullivan | Set Decoration |
| Costume & Make-Up | William A. Campbell | Costume Supervisor |
| Costume & Make-Up | Kathe Swanson | Key Hair Stylist |
| Crew | Debbie Nolan | Propmaker |
| Lighting | Bernard Arseneau | Best Boy Electric |
| Sound | Paul Gillon | Music Supervisor |
| Editing | Phil Hetos | Color Timer |
| Lighting | Eddie Knight | Gaffer |
| Costume & Make-Up | Felicity Bowring | Makeup Artist |
| Crew | Tom Moore | Picture Car Coordinator |
| Crew | Sandy O'Neill | Unit Publicist |
| Visual Effects | Yves De Bono | Special Effects Supervisor |
| Camera | Arwell Roberts | Camera Technician |
| Camera | Alf Tramontin | Steadicam Operator |
| Crew | Howard 'Stick' Baines | Stunts |
| Production | Leila Kirkpatrick | Unit Production Manager |
| Crew | Ole Dieter Sturm | CG Supervisor |
| Visual Effects | David S. Williams Jr. | Digital Compositors |
| Art | Ray Barrett | Construction Coordinator |
| Sound | Sonny Kompanek | Orchestrator |
| Art | Charles Cottrell | Standby Painter |
| Camera | Simon Hume | First Assistant Camera |
| Costume & Make-Up | Lorraine Z. Calvert | Assistant Costume Designer |
| Crew | Dick Moore | Transportation Coordinator |
| Sound | Mark Auguste | ADR Supervisor |
| Camera | Martin Hume | Camera Operator |
| Costume & Make-Up | Eithné Fennel | Hairstylist |
| Costume & Make-Up | Pamela M. Rogers | Set Dressing Artist |
| Crew | Heidi Gilbert | Set Production Assistant |
| Crew | Joe Dunne | Stunt Coordinator |
| Directing | Bill Westley | First Assistant Director |
| Production | Keith Hatcher | Location Manager |
| Production | Dorothy Precious | Production Accountant |
| Production | François Sylvestre | Production Manager |
| Sound | Paul Cridlin | Boom Operator |
| Visual Effects | Tricia Owen | Visual Effects Coordinator |
| Production | Michel Chauvin | Unit Manager |
| Art | Tom Trigo | Location Scout |
| Camera | Kelly R. Borisy | Key Grip |
| Editing | Eric O. Schusterman | First Assistant Editor |
| Sound | Noah Blough | Sound Effects Editor |
| Art | Mark David Kersey | Greensman |
| Crew | Barclay Crenshaw | Post Production Assistant |
| Art | Philip McDonald | Property Master |
| Production | Terence A. Clegg | Executive In Charge Of Production |
| Production | Pat McCarthy | Production Coordinator |
| Sound | Richard King | Supervising Sound Editor |
| Camera | Eli Reed | Still Photographer |
| Costume & Make-Up | Scheris Shephard | Set Costumer |
| Crew | Stephen McGregor | Carpenter |
| Crew | Debbie Lane | Stand In |
| Sound | Todd Kasow | Music Editor |
| Crew | Vito G. Balenzano | Driver |
| Crew | Bob Foster | Transportation Captain |
| Crew | Lester Dunton | Video Assist Operator |
| Directing | Libbie Barr | Script Supervisor |
| Lighting | Matthew Brookman | Electrician |
| Sound | Catherine Calleson | Assistant Sound Editor |
| Visual Effects | Richard Malzahn | Animation Supervisor |
| Crew | Lisa Banes | Thanks |
| Sound | David John | Production Sound Mixer |
| Crew | Linda Perlin | Stunts |
| Lighting | Mark 'Rocky' Evans | Electrician |
| Sound | William Jacobs | Dialogue Editor |
| Sound | James Matheny | Dialogue Editor |
| Sound | Michael Haight | Dialogue Editor |
| Crew | Erik Stabenau | Stunts |
| Camera | Brian Robertson | Grip |
| Camera | Tom Barrett | Grip |
| Costume & Make-Up | David Crossman | Wardrobe Assistant |
| Editing | Gary Burritt | Negative Cutter |
| Crew | Mark Griffin | Special Effects Technician |
| Production | Mercedes Kelso | Casting Assistant |
| Editing | Katie Hedrich | Assistant Editor |
| Crew | John Sprague | Weapons Master |
| Directing | Jane Burgess | Third Assistant Director |
| Camera | Ciro Candia | Camera Trainee |
| Crew | Emma Ibbetson | Digital Effects Producer |
| Crew | Richard Patterson | Digital Supervisor |
| Crew | David Gene Gibbs | Pilot |
| Crew | David Hill | Pyrotechnician |
| Production | Andrew L. Lanier | Location Assistant |
| Production | Beth-Anne Uston | Production Assistant |
| Directing | Buddy Joe Hooker | Second Unit Director |
| Directing | Adam Goodman | Second Assistant Director |
| Camera | Jamie Lagerhausen | Best Boy Grip |
| Camera | Mik Allen | Second Assistant Camera |
| Crew | Robin Demetriou | Catering |
| Art | Simon Taylor | Title Designer |
| Crew | Tom Delmar | Stunt Driver |
| Sound | Paul Gillon | Music Consultant |
| Sound | Weldon Brown | ADR Mixer |
| Camera | Andreas Crawford | Dolly Grip |
| Production | Guylaine Boucher | Assistant Production Coordinator |
| Costume & Make-Up | Minni Härkönen | Costume Assistant |
| Art | Peter Menich | Graphic Designer |
| Sound | Cliff Latimer | ADR Editor |
| Costume & Make-Up | Tommy Boyer | Key Set Costumer |
| Art | John Greaves | Storyboard Artist |
| Art | Alain Gonzalez | Swing |
| Art | Jean Simard | Assistant Property Master |
| Sound | Nerses Gezalyan | Foley Mixer |
| Production | Terri Douglas | ADR Voice Casting |
| Production | Rick Kelly | Key Set Production Assistant |
| Art | Jack Dyer | Construction Buyer |
| Crew | Terry Jackson | Stunt Double |
| Production | Katie Conkey | Extras Casting Assistant |
| Directing | Martin Krauka | Additional Second Assistant Director |
| Sound | Gary Alexander | Additional Sound Re-Recordist |
| Production | Denis Paquette | Assistant Location Manager |
| Production | Michael Beaudin | Assistant Accountant |
| Crew | Brendan Gunn | Dialogue Coach |
| Production | Kelly Stultz | Payroll Accountant |
