De Duitse soldaat Bernd Trautmann wordt tegen het einde van de Tweede Wereldoorlog gevangen genomen in Engeland. Tijdens een voetbalwedstrijd tussen de gevangenen wordt de keeper opgemerkt door Jack Friar, manager van een amateurclub. Trautmann, die gedwongen mee moet spelen bij het team, verrast hem zowel op als naast het veld.
Nee, helaas is Trautmann nog niet beschikbaar op Netflix in Nederland.
| Costume & Make-Up | Tatjana Krauskopf | Makeup Designer |
| Crew | Alan Walsh | Stunts |
| Sound | Keith Partridge | Foley Mixer |
| Sound | Michael Lauterbach | Orchestrator |
| Costume & Make-Up | Tatjana Krauskopf | Hair Designer |
| Production | Christian Eisenbeiss | Executive Producer |
| Directing | Anke Reichert | Script Supervisor |
| Production | Florian Erhard | Location Manager |
| Production | Florian Leonhardt | Unit Manager |
| Sound | Jeremy Price | Sound Editor |
| Camera | Florian Speer | Key Grip |
| Art | Nigel Pollock | Supervising Art Director |
| Costume & Make-Up | Anna Brandt | Assistant Costume Designer |
| Crew | Katja Jerabek | Stunt Coordinator |
| Sound | Oliver Brierley | ADR Mixer |
| Sound | Marc Tanzmann | Music Supervisor |
| Sound | Andy Shelley | Supervising Dialogue Editor |
| Visual Effects | David Laubsch | Visual Effects Supervisor |
| Directing | Benedict Hoermann | Second Unit Director |
| Camera | Glynn Harrison | Key Grip |
| Art | Carl Obereisenbuchner | Art Department Coordinator |
| Lighting | Vincent Wollinger | Genetator Operator |
| Crew | Donal O'Farrell | Stunt Coordinator |
| Sound | Barnaby Smyth | Foley Supervisor |
| Sound | Benjamin A. Rosenkind | Sound Re-Recording Mixer |
| Art | Mareen Golz | Assistant Property Master |
| Editing | Lukas Lerch | Assistant Editor |
| Sound | Jeremy Price | Supervising Sound Editor |
| Art | Lisa Staub | Assistant Production Design |
| Art | Hermann Größ | Property Master |
| Art | Florian Schafarschik | Construction Manager |
| Sound | Peter Gleaves | ADR Mixer |
| Lighting | Florian Kopske | Electrician |
| Camera | Florian Speer | Dolly Grip |
| Directing | Benedict Hoermann | First Assistant Director |
| Art | Miriam Müller | Assistant Production Design |
| Sound | Steve Bartlik | Music Supervisor |
| Crew | William Willoughby | Stunts |
| Writing | Nicholas J. Schofield | Writer |
| Directing | Marcus H. Rosenmüller | Director |
| Art | Nigel Pollock | Art Direction |
| Production | Steve Milne | Producer |
| Production | Chris Curling | Producer |
| Production | Tom Blieninger | Line Producer |
| Production | Dan Hubbard | Casting |
| Production | Lars Wiebe | Co-Producer |
| Art | Doerthe Komnick | Production Design |
| Art | Áine McGuinness | Set Decoration |
| Writing | Marcus H. Rosenmüller | Writer |
| Production | Daniela Tolkien | Casting |
| Art | Michael Binzer | Production Design |
| Art | Julia Panholzer | Set Decoration |
| Art | Johannes Sternagel | Production Design |
| Production | Robert Marciniak | Producer |
| Editing | Alexander Berner | Editor |
| Art | Sarah Gerg | Set Decoration |
| Sound | Gerd Baumann | Music |
| Camera | Daniel Gottschalk | Director of Photography |
| Costume & Make-Up | Anke Winckler | Costume Design |
| Visual Effects | Michael Koch | Visual Effects |
| Sound | Ruth Sullivan | Foley Artist |
