De in Engeland geboren Joan Stanley is een Sovjet en sympathisant van de communistische partij. Ze wordt ingelijfd als ambtenaar en wordt in de jaren 30 gerekruteerd door de KGB. Ze slaagt erin geheimen omtrent de kernbommen door te spelen aan de Sovjet-Unie en weet ruim een halve eeuw haar identiteit als spion verborgen te houden.
Nee, helaas is Red Joan nog niet beschikbaar op Netflix in Nederland.
| Art | Russell Daly | Construction Manager |
| Art | Charlotte Meakin | Assistant Art Director |
| Art | Polly Stevens | Assistant Art Director |
| Art | Douglas Ingram | Storyboard Artist |
| Art | Steve Register | Property Master |
| Editing | Malcolm Crowe | Assistant Editor |
| Production | Amelia Southgate | Production Coordinator |
| Crew | Anthony Skrimshire | Stunts |
| Lighting | Wailoon Chung | Electrician |
| Production | Andreya Lynham | Casting Associate |
| Costume & Make-Up | Hannah Warren | Assistant Costume Designer |
| Production | Elfyn Wyn Jones | Production Accountant |
| Sound | Nick Baldock | ADR Mixer |
| Costume & Make-Up | Carmen Cristea | Wardrobe Master |
| Art | Abbie Bellwood | Assistant Set Decoration |
| Camera | Luke Redgrave | Camera Operator |
| Lighting | Paul Sallent | Electrician |
| Crew | Chus Lucas | Stunt Double |
| Camera | Barney Davis | Steadicam Operator |
| Costume & Make-Up | Mariem Bey | Wardrobe Supervisor |
| Costume & Make-Up | Sam Smart | Makeup & Hair |
| Sound | Samuel Pegg | Music Editor |
| Sound | Graham Sutton | Music Editor |
| Camera | Alex Coverley | Key Grip |
| Crew | Jo McLaren | Stunt Coordinator |
| Editing | Thora Woodward | First Assistant Editor |
| Directing | Trevor Nunn | Director |
| Sound | George Fenton | Original Music Composer |
| Production | David Parfitt | Producer |
| Editing | Kristina Hetherington | Editor |
| Production | Tim Haslam | Executive Producer |
| Production | James Atherton | Executive Producer |
| Art | Cristina Casali | Production Design |
| Camera | Zac Nicholson | Director of Photography |
| Writing | Lindsay Shapero | Screenplay |
| Costume & Make-Up | Charlotte Walter | Costume Designer |
| Production | Cleone Clarke | Associate Producer |
| Production | Priscilla John | Casting |
| Production | Zygi Kamasa | Executive Producer |
| Sound | Will Whale | Sound Mixer |
| Art | Frances Bennett | Graphic Designer |
| Sound | Sue Harding | Foley Artist |
| Production | Orla Maxwell | Casting |
| Writing | Jennie Rooney | Novel |
| Lighting | Andy Long | Gaffer |
| Sound | Nick Adams | Supervising Sound Editor |
| Sound | Max Walsh | Sound Re-Recording Mixer |
| Directing | Kim Armitage | Script Supervisor |
| Costume & Make-Up | Sallie Jaye | Makeup & Hair |
| Directing | Cordelia Hardy | First Assistant Director |
| Editing | Vanessa Taylor | Colorist |
| Production | Hugo Grumbar | Executive Producer |
| Production | Jan Pace | Executive Producer |
| Visual Effects | Mark Knapton | Visual Effects Supervisor |
| Production | Kelly E. Ashton | Executive Producer |
| Production | Karl Sydow | Executive Producer |
| Production | Alice Dawson | Co-Producer |
| Production | Ivan Mactaggart | Co-Producer |
| Art | Tanya Bowd | Set Decoration |
| Sound | Craig Irving | Sound Re-Recording Mixer |
| Sound | Dario Swade | Foley Editor |
| Art | Sion Clarke | Supervising Art Director |
| Camera | Nick Wall | Still Photographer |
| Visual Effects | Chris Reynolds | Special Effects Supervisor |
| Camera | Parisa Taghizadeh | Still Photographer |
| Production | Beth Timbrell | Production Manager |
