Jerry woont en werkt op een autosloperij naast een transformatorstation en heeft het angstige vermoeden dat het transformatorstation zijn hersenen doet smelten. Wanneer hij het wil saboteren gaat het mis en raakt hij gemagnetiseerd. Het magnetische veld om hem heen bezorgt hem nog meer problemen als hij Mike bezoekt, zijn vriend die in de oude slechtlopende videotheek van Elroy Fletcher werkt. Door het magnetische veld zijn alle videobanden onbruikbaar geworden, hierdoor zou Elroy zijn zaak wel kunnen sluiten. Aangezien er maar weinig klanten zijn valt de schade mee en besluiten Mike en Jerry elke film die ze willen huren met hun beperkte middelen zelf na te maken.
Nee, helaas is Be Kind Rewind nog niet beschikbaar op Netflix in Nederland.
| Costume & Make-Up | Tobe West | Key Makeup Artist |
| Crew | Tim Rossiter | Special Effects Coordinator |
| Crew | Kendall McCarthy | Post Production Supervisor |
| Sound | Jean-Michel Bernard | Original Music Composer |
| Editing | Jeff Buchanan | Editor |
| Art | Fred Merusi | Construction Coordinator |
| Sound | Paul Hsu | Sound Re-Recording Mixer |
| Sound | Jamie Baker | Foley Supervisor |
| Sound | George A. Lara | Foley Mixer |
| Sound | Linda Cohen | Music Supervisor |
| Camera | Abbot Genser | Still Photographer |
| Sound | Paul Sacco | Dolby Consultant |
| Costume & Make-Up | Kishu Chand | Costume Design |
| Camera | Sandy Hays | Steadicam Operator |
| Sound | Jeffrey Stern | Dialogue Editor |
| Sound | Marissa Littlefield | Supervising ADR Editor |
| Sound | Mary Ellen Porto | ADR Editor |
| Sound | Branka Mrkic | Dialogue Editor |
| Directing | Michel Gondry | Director |
| Production | Gwen Bialic | Production Supervisor |
| Camera | Christopher Norr | "A" Camera Operator |
| Sound | Marko Costanzo | Foley Artist |
| Production | Guy Stodel | Executive Producer |
| Production | Raffi Adlan | Associate Producer |
| Writing | Michel Gondry | Screenplay |
| Sound | Pawel Wdowczak | Sound Mixer |
| Sound | Jeanne Gilliland | Boom Operator |
| Production | Nicole Abellera Hallman | Casting Associate |
| Sound | Reilly Steele | Sound Re-Recording Mixer |
| Sound | Paul Hsu | Supervising Sound Editor |
| Sound | Tass Filipos | Music Editor |
| Costume & Make-Up | Roz Music | Makeup & Hair |
| Costume & Make-Up | Tonya Huskey | Costume Supervisor |
| Production | Georges Bermann | Producer |
| Production | Toby Emmerich | Executive Producer |
| Lighting | John C. Nadeau | Gaffer |
| Art | James Donahue | Art Direction |
| Costume & Make-Up | Rahel Afiley | Costume Design |
| Art | Russell Barnes | Art Department Coordinator |
| Art | Ron von Blomberg | Set Decoration |
| Costume & Make-Up | Marjorie Durand | Makeup Department Head |
| Sound | Dan Korintus | Dialogue Editor |
| Camera | Ellen Kuras | Director of Photography |
| Production | Julie Fong | Producer |
| Crew | Russell Berg | Special Effects Coordinator |
| Crew | Dennis Kelly | Transportation Co-Captain |
| Sound | Lisa J. Levine | ADR Editor |
| Art | Dan Leigh | Production Design |
| Production | Jeanne McCarthy | Casting |
| Costume & Make-Up | Kashka Banjoko | Hairstylist |
| Directing | Mary Cybulski | Script Supervisor |
| Art | Jeff Butcher | Property Master |
| Sound | Gina Alfano | ADR Editor |
| Costume & Make-Up | Suzy Mazzarese-Allison | Hair Department Head |
| Crew | Henry S. Avelin | Transportation Captain |
| Crew | Stephen A. Pope | Stunt Coordinator |
| Sound | Frank Kern | Foley Editor |
| Production | Michel Gondry | Producer |
