Jerry woont en werkt op een autosloperij naast een transformatorstation en heeft het angstige vermoeden dat het transformatorstation zijn hersenen doet smelten. Wanneer hij het wil saboteren gaat het mis en raakt hij gemagnetiseerd. Het magnetische veld om hem heen bezorgt hem nog meer problemen als hij Mike bezoekt, zijn vriend die in de oude slechtlopende videotheek van Elroy Fletcher werkt. Door het magnetische veld zijn alle videobanden onbruikbaar geworden, hierdoor zou Elroy zijn zaak wel kunnen sluiten. Aangezien er maar weinig klanten zijn valt de schade mee en besluiten Mike en Jerry elke film die ze willen huren met hun beperkte middelen zelf na te maken.
Nee, helaas is Be Kind Rewind nog niet beschikbaar op Netflix in Nederland.
| Production | Georges Bermann | Producer |
| Production | Toby Emmerich | Executive Producer |
| Costume & Make-Up | Rahel Afiley | Costume Design |
| Production | Gwen Bialic | Production Supervisor |
| Sound | Frank Kern | Foley Editor |
| Art | Dan Leigh | Production Design |
| Directing | Mary Cybulski | Script Supervisor |
| Camera | Abbot Genser | Still Photographer |
| Sound | Gina Alfano | ADR Editor |
| Production | Jeanne McCarthy | Casting |
| Sound | Pawel Wdowczak | Sound Mixer |
| Art | Russell Barnes | Art Department Coordinator |
| Writing | Michel Gondry | Screenplay |
| Costume & Make-Up | Kishu Chand | Costume Design |
| Sound | Linda Cohen | Music Supervisor |
| Sound | Jeanne Gilliland | Boom Operator |
| Sound | Reilly Steele | Sound Re-Recording Mixer |
| Sound | Paul Hsu | Supervising Sound Editor |
| Lighting | John C. Nadeau | Gaffer |
| Sound | Mary Ellen Porto | ADR Editor |
| Camera | Ellen Kuras | Director of Photography |
| Production | Nicole Abellera Hallman | Casting Associate |
| Crew | Dennis Kelly | Transportation Co-Captain |
| Crew | Kendall McCarthy | Post Production Supervisor |
| Directing | Michel Gondry | Director |
| Art | Ron von Blomberg | Set Decoration |
| Sound | George A. Lara | Foley Mixer |
| Costume & Make-Up | Suzy Mazzarese-Allison | Hair Department Head |
| Sound | Marko Costanzo | Foley Artist |
| Costume & Make-Up | Kashka Banjoko | Hairstylist |
| Sound | Lisa J. Levine | ADR Editor |
| Sound | Jean-Michel Bernard | Original Music Composer |
| Production | Julie Fong | Producer |
| Art | Jeff Butcher | Property Master |
| Sound | Paul Hsu | Sound Re-Recording Mixer |
| Sound | Jamie Baker | Foley Supervisor |
| Sound | Tass Filipos | Music Editor |
| Crew | Stephen A. Pope | Stunt Coordinator |
| Camera | Sandy Hays | Steadicam Operator |
| Crew | Henry S. Avelin | Transportation Captain |
| Sound | Branka Mrkic | Dialogue Editor |
| Sound | Marissa Littlefield | Supervising ADR Editor |
| Costume & Make-Up | Tobe West | Key Makeup Artist |
| Art | Fred Merusi | Construction Coordinator |
| Crew | Russell Berg | Special Effects Coordinator |
| Sound | Paul Sacco | Dolby Consultant |
| Art | James Donahue | Art Direction |
| Production | Guy Stodel | Executive Producer |
| Production | Raffi Adlan | Associate Producer |
| Costume & Make-Up | Roz Music | Makeup & Hair |
| Costume & Make-Up | Marjorie Durand | Makeup Department Head |
| Costume & Make-Up | Tonya Huskey | Costume Supervisor |
| Sound | Dan Korintus | Dialogue Editor |
| Sound | Jeffrey Stern | Dialogue Editor |
| Editing | Jeff Buchanan | Editor |
| Camera | Christopher Norr | "A" Camera Operator |
| Crew | Tim Rossiter | Special Effects Coordinator |
| Production | Michel Gondry | Producer |
