Welkom in een wereld waar tijd het ultieme betaalmiddel is geworden. Het verouderingsproces stopt op de leeftijd van 25 jaar, maar er zit een addertje onder het gras: je bent genetisch gemanipuleerd om nog één jaar te leven, tenzij je je nakende dood kan afkopen. De rijken “verdienen” tientallen jaren per keer (en blijven 25 jaar), waardoor ze nagenoeg onsterfelijk worden, terwijl de rest genoeg uren bij elkaar smeekt, leent of steelt om de dag door te komen. Wanneer een jonge man (Timberlake) in het bezit komt van een fortuin aan tijd, wordt hij valselijk beschuldigd van moord. Hij wordt gedwongen op de vlucht te slaan met een mooie gijzelaar (Seyfried). De liefde van het duo, dat van minuut tot minuut leeft, wordt een sterk wapen in hun oorlog tegen het systeem.
Nee, helaas is In Time nog niet beschikbaar op Netflix in Nederland.
| Directing | Andrew Niccol | Director |
| Writing | Andrew Niccol | Screenplay |
| Sound | Craig Armstrong | Original Music Composer |
| Production | Marc Abraham | Producer |
| Production | Eric Newman | Producer |
| Production | Andrew Niccol | Producer |
| Production | Andrew Z. Davis | Executive Producer |
| Production | Amy Israel | Executive Producer |
| Production | Kristel Laiblin | Executive Producer |
| Editing | Zach Staenberg | Editor |
| Production | Denise Chamian | Casting |
| Art | Alex McDowell | Production Design |
| Costume & Make-Up | Colleen Atwood | Costume Design |
| Crew | Billy D. Lucas | Stunts |
| Crew | Shauna Galligan | Utility Stunts |
| Crew | Clay Cullen | Stunt Driver |
| Crew | Danny Wynands | Stunts |
| Crew | Zack Duhame | Stunts |
| Art | Vlad Bina | Art Direction |
| Art | Todd Cherniawsky | Art Direction |
| Art | Chris Farmer | Art Direction |
| Art | Karen O'Hara | Set Decoration |
| Costume & Make-Up | Katrina Chevalier | Hairstylist |
| Costume & Make-Up | Michelle Vittone | Makeup Department Head |
| Costume & Make-Up | Tracy Manzo | Makeup Artist |
| Art | Andrea Carter | Art Department Coordinator |
| Costume & Make-Up | Cheryl Beasley Blackwell | Costume Supervisor |
| Directing | Wilma Garscadden-Gahret | Script Supervisor |
| Crew | Jeremy Fry | Stunts |
| Camera | Roger Deakins | Director of Photography |
| Production | Debra James | Unit Production Manager |
| Production | Debra James | Co-Producer |
| Visual Effects | Dottie Starling | Visual Effects Supervisor |
| Production | Arnon Milchan | Executive Producer |
| Production | Hutch Parker | Executive Producer |
| Crew | David Leitch | Stunt Coordinator |
| Crew | Jared S. Eddo | Stunts |
| Directing | Lars P. Winther | First Assistant Director |
| Directing | Greg Hale | Second Assistant Director |
| Art | Priscilla Elliott | Art Direction |
| Art | Joel Prihoda | Leadman |
| Art | Igor Knežević | Production Illustrator |
| Art | Martin Charles | Graphic Designer |
| Directing | Renee Hill-Sweet | Second Second Assistant Director |
| Directing | Kristina M. Peterson | Second Second Assistant Director |
| Camera | Bela Trutz | "B" Camera Operator |
| Camera | Bela Trutz | Steadicam Operator |
| Camera | Andy Harris | First Assistant "A" Camera |
| Camera | Harry Zimmerman | First Assistant "B" Camera |
| Camera | Matthew Haskins | Second Assistant "A" Camera |
| Camera | Liza Bambenek | Second Assistant "B" Camera |
| Camera | Jessica Ramos | Camera Loader |
| Camera | Stephen Vaughan | Still Photographer |
| Sound | Ed Novick | Production Sound Mixer |
| Sound | Knox White | Boom Operator |
| Sound | Christopher Walmer | Utility Sound |
| Art | Eugene McCarthy | Property Master |
| Art | Ian Kay | Assistant Property Master |
| Crew | Ian Kay | Armorer |
| Art | John Herrera McElroy | Assistant Property Master |
| Visual Effects | Ellen Somers | Visual Effects Producer |
| Visual Effects | Ellen Somers | Visual Effects Supervisor |
| Editing | Tony Bacigalupi | First Assistant Editor |
| Sound | Richard King | Supervising Sound Editor |
| Sound | Michael Babcock | Supervising Sound Editor |
| Sound | Paul Massey | Sound Re-Recording Mixer |
| Sound | David Giammarco | Sound Re-Recording Mixer |
| Lighting | Chris Napolitano | Gaffer |
| Lighting | Robert B. Dechellis | Best Boy Electric |
| Lighting | R. Michael De Chellis | Rigging Gaffer |
| Camera | Ray Garcia | Key Grip |
| Camera | Rod Farley | Best Boy Grip |
| Camera | Bruce Hamme | Dolly Grip |
| Lighting | Blake Pike | Key Rigging Grip |
| Costume & Make-Up | Christine L. Cantella | Assistant Costume Designer |
| Costume & Make-Up | Carrie Arakaki | Key Costumer |
| Costume & Make-Up | Donna O'Neal | Key Set Costumer |
| Costume & Make-Up | Shelli Nishino | Set Costumer |
| Costume & Make-Up | Jay Cheng | Set Costumer |
| Costume & Make-Up | Kanani Wolf | Set Costumer |
| Costume & Make-Up | Julie Kristy | Makeup Artist |
| Costume & Make-Up | Debra Coleman | Makeup Artist |
| Costume & Make-Up | Terry Baliel | Hair Department Head |
| Costume & Make-Up | Maggie Hayes-Jackson | Hairstylist |
| Costume & Make-Up | Candace Neal | Hairstylist |
| Production | John Panzarella | Location Manager |
| Production | S. Dylan Kirkland | Assistant Location Manager |
| Production | Paul LaZebnik | Production Coordinator |
| Art | Darlene Salinas | Set Decorating Coordinator |
| Art | John Markovich | Set Dresser |
| Art | Gregory Byrne | Set Dresser |
| Art | Art Shippee | Set Dresser |
| Art | Anne Marie Hamill | Set Dresser |
| Art | Christopher Williamson | Set Dresser |
| Visual Effects | Matt Sweeney | Special Effects Supervisor |
| Art | Bill Holmquist | Construction Coordinator |
| Production | Michael DeSantis | Production Accountant |
| Production | Michelle Stevens | First Assistant Accountant |
| Production | Alan Kilmer | Payroll Accountant |
| Production | David Bojarski | Second Assistant Accountant |
| Production | Ania O'Hare | Casting Associate |
| Crew | Guy Adan | Unit Publicist |
| Crew | Jesse Olivares | Video Assist Operator |
| Crew | Ted Moser | Transportation Coordinator |
| Crew | Ted Moser | Picture Car Coordinator |
| Crew | Rick Davis | Transportation Captain |
| Crew | Willie Radcliff | Craft Service |
| Crew | Bradley M. Goodman | Post Production Supervisor |
| Sound | Linda Yeaney | First Assistant Sound Editor |
| Sound | Andrew Bock | Assistant Sound Editor |
| Sound | Jeff Sawyer | Sound Effects Editor |
| Sound | Odin Benitez | Sound Effects Editor |
| Sound | Paul Berolzheimer | Sound Effects Editor |
| Sound | Roland N. Thai | Sound Effects Editor |
| Sound | Jessica Gallavan | ADR Supervisor |
| Sound | Kira Roessler | Dialogue Editor |
| Sound | Christopher Flick | Foley Supervisor |
| Sound | Bruce Tanis | Foley Supervisor |
| Sound | Alyson Dee Moore | Foley Artist |
| Sound | John Roesch | Foley Artist |
| Sound | David Lee Fein | Foley Artist |
| Sound | Hilda Hodges | Foley Artist |
| Sound | Mary Jo Lang | Foley Mixer |
| Sound | David Jobe | Foley Mixer |
| Sound | Thomas J. O'Connell | ADR Mixer |
| Sound | Rick Canelli | ADR Recordist |
| Production | Barbara Harris | ADR Voice Casting |
| Sound | Michael Babcock | Additional Sound Re-Recording Mixer |
| Sound | James Wright | Dolby Consultant |
| Art | Ahmet Ahmet | Title Designer |
| Editing | Martha Pike | Digital Intermediate Editor |
| Editing | George Chavez | Color Timer |
| Sound | Gary Calamar | Music Consultant |
| Sound | Zigmund Gron | Music Editor |
| Directing | David Leitch | Second Unit Director |
| Camera | Paul Hughen | Second Unit Director of Photography |
| Art | Todd Harris | Storyboard Artist |
| Crew | Allan Padelford | Stunt Driver |
| Editing | Ainslie Thomas | Project Manager |
| Crew | Heidi Moneymaker | Stunt Double |
| Crew | Tad Griffith | Stunts |
| Crew | Debbie Evans | Stunts |
| Crew | Chris Palermo | Stunt Driver |
| Crew | Renae Moneymaker | Stunt Double |
| Crew | Oakley Lehman | Stunts |
| Crew | Michelle Rose | Utility Stunts |
