In 1949 waren alle ogen gericht op schrijfster, filosofe en inspiratiebron Ayn Rand en haar levensvisie. Vooral in haar bizarre liefdesleven kwam haar filosofie duidelijk naar voren. Ayn (Helen Murren) voelt zich sterk aangetrokken tot haar briljante, jonge en knappe protégee Nathariel (Eric Stoltz). Overtuigd van het feit dat ze ieders hart en ziel kan beheersen overtuigt ze haar man (Peter Fonda) en de vrouw van haar nieuwe liefde Barbara (Julie Delpy) ervan dat zij akkoord moeten gaan met een langdurige relatie tussen Ayn en haar protégee terwijl ze allemaal gewoon getrouwd blijven. Terwijl de geliefden zegevieren en de echtgenoten lijden houdt de relatie 15 jaar stand, totdat de protégee geïnteresseerd raakt in een jonge studente van hem... Een waargebeurd verhaal over hartstocht en bedrog, gebaseerd op het boek Barbara, de vrouw van Nathariel.
Nee, helaas is The Passion of Ayn Rand nog niet beschikbaar op Netflix in Nederland.
| Directing | Christopher Menaul | Director |
| Production | Steven Hewitt | Co-Executive Producer |
| Crew | Tim King | Post Production Supervisor |
| Production | Doug Chapin | Co-Executive Producer |
| Production | Barry Krost | Co-Executive Producer |
| Production | Peter Crane | Producer |
| Production | Marilyn Lewis | Executive Producer |
| Production | Irwin Meyer | Executive Producer |
| Production | Martin Walters | Line Producer |
| Production | Linda Curran Wexelblatt | Producer |
| Crew | Ron Orieux | Cinematography |
| Editing | David Martin | Editor |
| Production | Diane Kerbel | Casting |
| Production | Beth Klein | Casting |
| Art | Lindsey Hermer-Bell | Production Design |
| Art | Edward Bonutto | Art Direction |
| Art | Ken Sinclair | Set Decoration |
| Art | Brendan Smith | Set Decoration |
| Costume & Make-Up | Resa McConaghy | Costume Design |
| Costume & Make-Up | Suzanne Benoit | Key Makeup Artist |
| Costume & Make-Up | Patricia Keighran | Assistant Makeup Artist |
| Costume & Make-Up | Jocelyn MacDonald | Assistant Hairstylist |
| Costume & Make-Up | Regan Noble | Hair Designer |
| Costume & Make-Up | Regan Noble | Key Hair Stylist |
| Production | Carmen Arndt | Production Manager |
| Production | Steve Wakefield | Executive In Charge Of Production |
| Directing | Rocco Gismondi | Second Assistant Director |
| Directing | Tim Singh | Third Assistant Director |
| Directing | Michael Zenon | Assistant Director |
| Crew | Karin Bechtel-Staley | Scenic Artist |
| Costume & Make-Up | Greg Chown | Dresser |
| Art | Garry Honcharuk | Assistant Property Master |
| Art | Friday Myers | Property Master |
| Art | Jesse O'Connor | Set Dresser |
| Art | David Sauder | Assistant Art Director |
| Art | Ken Sinclair | Assistant Set Decoration |
| Crew | Stephen Stanley | Key Scenic Artist |
| Crew | Scott Thom | Carpenter |
| Art | Bill Thrasher | Set Dresser |
| Art | Dave Watt | Construction Coordinator |
| Sound | Brian Avery | Sound Mixer |
| Sound | Matthew C. Beville | ADR Mixer |
| Sound | Gavin Coford | Boom Operator |
| Sound | Steve Copley | Foley Supervisor |
| Sound | Marvyn Dennis | Dialogue Editor |
| Sound | Jim Eustace | Assistant Foley Artist |
| Sound | Rob Hegedus | Dialogue Editor |
| Sound | Joe Mancuso | Dialogue Editor |
| Sound | Cory Mandel | Sound Re-Recording Mixer |
| Sound | Ed Poty | ADR Recordist |
| Sound | Scott Reed | Sound Post Supervisor |
| Sound | Dan Sexton | Sound Effects Editor |
| Sound | Paul Shubat | Sound Re-Recording Mixer |
| Sound | John Sievert | Foley Artist |
| Lighting | Pierre Berube | Electrician |
| Lighting | Ian Bibby | Gaffer |
| Camera | Raymond Brounstein | Camera Operator |
| Camera | Brad Crosbie | Camera Trainee |
| Camera | Neil Fraser | Best Boy Grip |
| Camera | Michael Gibson | Still Photographer |
| Camera | Burke Goldstein | Grip |
| Lighting | Terry Kelly | Electrician |
| Camera | James McRae | Grip |
| Camera | Keith Murphy | Steadicam Operator |
| Camera | Glenn Pineau | First Assistant Camera |
| Lighting | Sean Skarupa | Best Boy Electric |
| Crew | John Sztejnmiler | Generator Operator |
| Camera | Johnny Wersta | Dolly Grip |
| Production | David Aulicino | Casting Associate |
| Production | Robin McConnell | Casting Associate |
| Production | Jane Rogers | Extras Casting |
| Costume & Make-Up | Koreann Ciandre | Wardrobe Master |
| Costume & Make-Up | Erika Larner | Wardrobe Supervisor |
| Costume & Make-Up | Gersha Phillips | Assistant Costume Designer |
| Costume & Make-Up | Barbara Somerville | Wardrobe Assistant |
| Production | David Bailey | Post Production Coordinator |
| Editing | Robert Borics | Color Timer |
| Editing | Robbie Broughton | Assistant Editor |
| Crew | Chris Dover | Telecine Colorist |
| Editing | Giles Gardner | First Assistant Editor |
| Production | Cynthia Nicolella | Post Production Coordinator |
| Production | Chad Tomasoski | Post Production Coordinator |
| Production | Drazen Baric | Assistant Location Manager |
| Production | Derek Brady | Location Manager |
| Production | Malcolm McCulloch | Location Production Assistant |
| Art | Christopher Welch | Location Scout |
| Sound | Susan Pilcher | Music Coordinator |
| Sound | Spencer Proffer | Music Supervisor |
| Sound | Cathy Segal-Garcia | Vocals |
| Directing | Joanne T. Harwood | Script Supervisor |
| Crew | Jessica Drake | Dialect Coach |
| Crew | Diane Pitblado | Dialect Coach |
| Writing | Barbara Branden | Novel |
| Writing | Howard Korder | Screenplay |
| Writing | Mary Gallagher | Screenplay |
| Sound | Jeff Beal | Original Music Composer |
| Sound | Gael MacGregor | Original Music Composer |
| Sound | Bernie Kirsch | Original Music Composer |
| Camera | Mark Silver | Key Grip |
