De geneeskundestudente Eva laat haar studies voor wat ze zijn om de geschiedenis van het vak en het boek getiteld 'Book of Vision' te bestuderen. Deze werd door de dokter Anmuth in de achttiende eeuw geschreven en beslaat zijn relatie met zijn patiënten. Tijdens het onderzoek wordt ook haar mentor Stellan bij de zaak betrokken. Eva zelf staat intussen voor de grootste beslissing in haar leven.
Nee, helaas is The Book of Vision nog niet beschikbaar op Netflix in Nederland.
| Production | Vera Filatova | Producer |
| Production | Gerardo Panichi | Producer |
| Art | Nicolas van der Biest | Property Master |
| Production | Michele Petochi | Producer |
| Art | David Crank | Production Design |
| Lighting | Nicolas Blampain | Electrician |
| Production | Massimo Lorenzato | Location Manager |
| Production | Daniele Modina | Unit Manager |
| Production | Federico Verdinelli | Unit Manager |
| Production | Robin Monotti Graziadei | Producer |
| Camera | Massimo Galiano | Key Grip |
| Camera | Federico Vagliati | Still Photographer |
| Lighting | Bruno Verstraete | Gaffer |
| Production | Chiara Coller | Casting Consultant |
| Art | Roberto Benetti | Leadman |
| Crew | Paolo Furlanelli | Video Assist Operator |
| Directing | Carlo Shalom Hintermann | Director |
| Production | Sébastien Delloye | Producer |
| Production | Terrence Malick | Executive Producer |
| Sound | Elsa Ruhlmann | Boom Operator |
| Crew | Paolo Galiano | Special Effects |
| Writing | Carlo Shalom Hintermann | Writer |
| Production | Béatrice Kruger | Casting |
| Art | Pascalle Willame | Set Decoration |
| Directing | Paola Bonsembiante | Second Assistant Director |
| Production | Sophia Tamaro | Casting Assistant |
| Writing | Marco Saura | Writer |
| Production | Simone Bachini | Line Producer |
| Visual Effects | Stéphane Bidault | Visual Effects Supervisor |
| Production | Alessandra Masi | Unit Production Manager |
| Art | Riccardo Fedrizzi | Art Department Assistant |
| Camera | Benoît Theunissen | Key Grip |
| Production | Roger Schins | Location Manager |
| Production | Jerome Bellavista Caltagirone | Producer |
| Art | André Fonsny | Art Direction |
| Art | Tamara Marini | Art Direction |
| Production | Philippe Groff | Production Manager |
| Directing | Kevin Dardenne | Third Assistant Director |
| Directing | Giuseppe Tedeschi | First Assistant Director |
| Sound | Henri Morelle | Sound Engineer |
| Art | Anca Rafan | Set Decoration |
| Art | Toon De Clercq | Painter |
| Production | Giovanna Cané | Production Coordinator |
| Costume & Make-Up | Desideria Corridoni | Hair Designer |
| Costume & Make-Up | Antonello Resch | Key Makeup Artist |
| Directing | Michela Tomasi | Third Assistant Director |
| Camera | Dominique Degand | Grip |
| Art | Matteo Bertelli | Painter |
| Crew | Clifford De Spenser | Dialect Coach |
| Art | Juliette Fassin | Assistant Property Master |
| Lighting | Korneel Moeyaert | Electrician |
| Sound | Clifford De Spenser | Vocal Coach |
| Camera | Katharina Dießner | Second Unit Director of Photography |
| Directing | Julie Ghesquiere | Continuity |
| Camera | Jörg Widmer | Director of Photography |
| Costume & Make-Up | Mariano Tufano | Costume Designer |
| Sound | Stefano Grosso | Sound Designer |
| Editing | Piero Lassandro | Editor |
| Costume & Make-Up | Desideria Corridoni | Key Hair Stylist |
| Costume & Make-Up | Aldo Signoretti | Key Hair Stylist |
| Sound | Giuseppe D'Amato | Sound Designer |
| Art | Lorenzo Ceccotti | Conceptual Design |
