De geneeskundestudente Eva laat haar studies voor wat ze zijn om de geschiedenis van het vak en het boek getiteld 'Book of Vision' te bestuderen. Deze werd door de dokter Anmuth in de achttiende eeuw geschreven en beslaat zijn relatie met zijn patiënten. Tijdens het onderzoek wordt ook haar mentor Stellan bij de zaak betrokken. Eva zelf staat intussen voor de grootste beslissing in haar leven.
Nee, helaas is The Book of Vision nog niet beschikbaar op Netflix in Nederland.
| Directing | Carlo Shalom Hintermann | Director |
| Writing | Carlo Shalom Hintermann | Writer |
| Writing | Marco Saura | Writer |
| Production | Simone Bachini | Line Producer |
| Production | Jerome Bellavista Caltagirone | Producer |
| Production | Sébastien Delloye | Producer |
| Production | Vera Filatova | Producer |
| Production | Terrence Malick | Executive Producer |
| Production | Robin Monotti Graziadei | Producer |
| Production | Gerardo Panichi | Producer |
| Production | Michele Petochi | Producer |
| Production | Béatrice Kruger | Casting |
| Art | David Crank | Production Design |
| Art | André Fonsny | Art Direction |
| Art | Tamara Marini | Art Direction |
| Art | Anca Rafan | Set Decoration |
| Art | Pascalle Willame | Set Decoration |
| Costume & Make-Up | Desideria Corridoni | Hair Designer |
| Costume & Make-Up | Antonello Resch | Key Makeup Artist |
| Production | Philippe Groff | Production Manager |
| Production | Alessandra Masi | Unit Production Manager |
| Production | Daniele Modina | Unit Manager |
| Production | Federico Verdinelli | Unit Manager |
| Directing | Paola Bonsembiante | Second Assistant Director |
| Directing | Kevin Dardenne | Third Assistant Director |
| Directing | Giuseppe Tedeschi | First Assistant Director |
| Directing | Michela Tomasi | Third Assistant Director |
| Art | Roberto Benetti | Leadman |
| Art | Matteo Bertelli | Painter |
| Art | Toon De Clercq | Painter |
| Art | Juliette Fassin | Assistant Property Master |
| Art | Riccardo Fedrizzi | Art Department Assistant |
| Art | Nicolas van der Biest | Property Master |
| Sound | Henri Morelle | Sound Engineer |
| Sound | Elsa Ruhlmann | Boom Operator |
| Crew | Paolo Galiano | Special Effects |
| Visual Effects | Stéphane Bidault | Visual Effects Supervisor |
| Lighting | Nicolas Blampain | Electrician |
| Camera | Dominique Degand | Grip |
| Camera | Katharina Dießner | Second Unit Director of Photography |
| Crew | Paolo Furlanelli | Video Assist Operator |
| Camera | Massimo Galiano | Key Grip |
| Lighting | Korneel Moeyaert | Electrician |
| Camera | Benoît Theunissen | Key Grip |
| Camera | Federico Vagliati | Still Photographer |
| Lighting | Bruno Verstraete | Gaffer |
| Production | Chiara Coller | Casting Consultant |
| Production | Sophia Tamaro | Casting Assistant |
| Production | Massimo Lorenzato | Location Manager |
| Production | Roger Schins | Location Manager |
| Production | Giovanna Cané | Production Coordinator |
| Crew | Clifford De Spenser | Dialect Coach |
| Sound | Clifford De Spenser | Vocal Coach |
| Directing | Julie Ghesquiere | Continuity |
| Camera | Jörg Widmer | Director of Photography |
| Costume & Make-Up | Mariano Tufano | Costume Designer |
| Sound | Giuseppe D'Amato | Sound Designer |
| Sound | Stefano Grosso | Sound Designer |
| Costume & Make-Up | Aldo Signoretti | Key Hair Stylist |
| Costume & Make-Up | Desideria Corridoni | Key Hair Stylist |
| Editing | Piero Lassandro | Editor |
| Art | Lorenzo Ceccotti | Conceptual Design |
