Cabot is de ongeschreven meester in het organiseren van overvallen op juweliers. Zijn zoon 'Nice Guy' Eddie brengt een bende criminelen bij elkaar om een belangrijke diamantair te beroven. De zes weten niets van elkaar af en kennen slechts elkaars codenamen.
Nee, helaas is Reservoir Dogs nog niet beschikbaar op Netflix in Nederland.
| Editing | Sally Menke | Editor |
| Writing | Quentin Tarantino | Writer |
| Production | Ronna B. Wallace | Executive Producer |
| Production | Paul Hellerman | Production Manager |
| Production | Lawrence Bender | Producer |
| Art | Sandy Reynolds-Wasco | Set Decoration |
| Art | David Wasco | Production Design |
| Production | Monte Hellman | Executive Producer |
| Crew | Stephen DeLollis | Special Effects |
| Production | Richard N. Gladstein | Executive Producer |
| Crew | Rick Yale | Special Effects |
| Costume & Make-Up | Betsy Heimann | Costume Design |
| Crew | Larry Fioritto | Special Effects Coordinator |
| Camera | Andrzej Sekuła | Director of Photography |
| Production | Ronnie Yeskel | Casting |
| Production | Harvey Keitel | Co-Producer |
| Sound | Karyn Rachtman | Music Supervisor |
| Costume & Make-Up | Michelle Bühler | Makeup Artist |
| Directing | Martin Kitrosser | Script Supervisor |
| Production | Peggy Kennedy | Casting Associate |
| Crew | David Coffee | Driver |
| Crew | Marina Bailey | Unit Publicist |
| Camera | Ross Katz | Grip |
| Crew | Melanie Molyneux | Set Medic |
| Costume & Make-Up | Rachel Tanner | Hairstylist |
| Crew | Jennifer Pyken | Post Production Assistant |
| Lighting | Joey D. Brown | Electrician |
| Sound | Curt Schulkey | Sound Editor |
| Camera | Ric Urbauer | Key Grip |
| Crew | Marian Green | Stunts |
| Directing | Jamie Beardsley | First Assistant Director |
| Costume & Make-Up | Jacqueline Aronson | Set Costumer |
| Lighting | Greg R. McCullough | Gaffer |
| Sound | Dwayne S. Henkel | Boom Operator |
| Crew | John Lieberman | Thanks |
| Camera | Ziad Doueiri | First Assistant Camera |
| Production | Billy A. Fox | Location Manager |
| Crew | Jeannie H. Kelly | Craft Service |
| Art | Jonathan R. Hodges | Property Master |
| Production | R. Blaine Currier | Production Accountant |
| Art | Brett C. Smith | Leadman |
| Camera | Mark Emery Moore | Steadicam Operator |
| Crew | Wayne Alexander | Legal Services |
| Crew | James Lowder | Transportation Coordinator |
| Crew | Roger Avary | Creator |
| Costume & Make-Up | Iain Jones | Hair Designer |
| Crew | Ken Lesco | Stunt Coordinator |
| Sound | John Hulsman | Assistant Sound Editor |
| Crew | Bruce Comtois | Security |
| Crew | Ben C. Giller | Transportation Captain |
| Sound | Steve F.B. Smith | Dolby Consultant |
| Costume & Make-Up | Mary Claire Hannan | Costume Supervisor |
| Crew | Warren Betts | Public Relations |
| Editing | Chuck Winston | Color Timer |
| Editing | Kelley Dixon | First Assistant Editor |
| Art | Marino Pascal | Location Scout |
| Crew | Suzanne Celeste | Dialect Coach |
| Production | Enid L. Kantor | Production Coordinator |
| Lighting | Jay Dahlquist | Best Boy Electric |
| Sound | Ken Segal | Production Sound Mixer |
| Sound | Stephen Hunter Flick | Supervising Sound Editor |
| Directing | Steven K. Thomas | Second Second Assistant Director |
| Directing | Francis R. Mahony III | First Assistant Director |
| Sound | Geoffrey G. Rubay | Supervising Sound Editor |
| Sound | David E. Stone | Sound Editor |
| Writing | Roger Avary | Writer |
| Sound | Ron Bartlett | Sound Re-Recording Mixer |
| Sound | Charles Ewing Smith | Sound Editor |
| Directing | Andy Spilkoman | Second Second Assistant Director |
| Camera | Dink Adams | Best Boy Grip |
| Editing | Mark Lass | Negative Cutter |
| Sound | Mary Louise Rodgers | Foley Artist |
| Directing | Kelly Kiernan | Second Assistant Director |
| Sound | Nancy Lynn Hurlbut | Assistant Music Supervisor |
| Art | Jonathan Bobbitt | Swing |
| Sound | Cecilia Perna | Foley Mixer |
| Production | Wendy Baker | Production Assistant |
| Production | Judith E. Goldman | Assistant Location Manager |
| Production | Debra Grieco | Assistant Accountant |
| Camera | Dennis K. Wilson | Dolly Grip |
| Camera | Randall Guth | Second Assistant Camera |
| Crew | Pat Domenico | Key Special Effects |
| Production | Mary Santiago | Extras Casting |
| Crew | Robert John Speer | Generator Operator |
| Directing | Quentin Tarantino | Director |
| Art | Ken Kaufman | Production Design |
| Costume & Make-Up | Wayne Toth | Special Effects Makeup Artist |
| Costume & Make-Up | Howard Berger | Special Effects Makeup Artist |
| Art | Edward J. Protiva | Swing |
| Art | Greg Wilkinson | Assistant Property Master |
| Sound | Michael Salvetta | Foley Artist |
| Sound | Donald Ortiz | Assistant Sound Editor |
| Crew | Moose Enright | Special Effects Technician |
| Visual Effects | Dave Gregory | Visual Effects Supervisor |
| Crew | Marcia Holley | Stunts |
| Crew | Ken Lesco | Stunts |
| Crew | Pat McGroarty | Stunts |
| Lighting | Katie Nilson | Best Boy Electric |
| Camera | Chris J. Rossi | Grip |
| Camera | Alan Sherrod | Second Unit Director of Photography |
| Camera | Miles Thomas | Best Boy Grip |
| Lighting | Frank H. Woodward | Electrician |
| Production | Cheryl Faye | Extras Casting |
| Costume & Make-Up | Melinda Eshelman | Wardrobe Assistant |
| Editing | Carrie Elizabeth Foresman | First Assistant Editor |
| Editing | Boyd Steer | Negative Cutter |
| Editing | William W. Williams | First Assistant Editor |
| Editing | Nancy Perry | First Assistant Editor |
| Sound | Kathy Nelson | Music Supervisor |
| Crew | Robert John Speer | Driver |
| Crew | Roger Avary | Additional Dialogue |
| Crew | Quentin Tarantino | Additional Dialogue |
