Sarah is sinds kort weduwe, nadat haar man neergestoken werd. Heden voedt ze haar zoontje Ben alleen op. Tot haar afgrijzen starten de autoriteiten geen onderzoek naar de moord op haar man. Op een dag ontmoet ze Tito die een crimineel verleden met zich meedraagt en haar daarin meesleurt. Sarah wil er niets mee te maken hebben, maar ruikt tegelijkertijd de kans om Tito te gebruiken in haar voordeel. Ze hoopt via hem meer te weten te komen over de moord op haar man.
Nee, helaas is A Good Woman Is Hard to Find nog niet beschikbaar op Netflix in Nederland.
| Production | Lee Bum-su | Executive Producer |
| Production | Michael Hooley | Casting Associate |
| Production | Jean-Yves Roubin | Co-Producer |
| Production | Carla Stronge | Casting |
| Directing | Orla Finucane | Script Supervisor |
| Production | Mathilde Snodgrass | Casting |
| Production | Marie-Thérése Mackle | Production Manager |
| Production | Molly Stack | Production Coordinator |
| Camera | Cel Bothwell-Fitzpatrick | Digital Imaging Technician |
| Camera | Joe Ransom | "B" Camera Operator |
| Camera | Ondřej Rybár | Focus Puller |
| Lighting | Brian Livingstone | Gaffer |
| Camera | Tanmoye Khan | Second Assistant Camera |
| Sound | Adrian Furdui | Supervising Dialogue Editor |
| Sound | James Matthews | Foley Editor |
| Art | Virginia Apicella | Standby Art Director |
| Production | Catherine Geary | Location Manager |
| Art | Andrew Robinson | Assistant Art Director |
| Sound | Patrick Singer | Foley Artist |
| Art | Neal Hughes | Property Master |
| Art | Benen Dillon | Art Department Assistant |
| Editing | Lauren L'Estrange | Assistant Editor |
| Editing | Stéphanie Merken | Assistant Editor |
| Camera | Joanne Mullin | Still Photographer |
| Camera | Christopher Barr | Still Photographer |
| Lighting | Steven Livingstone | Best Boy Electric |
| Sound | Peter Baldock | Sound Designer |
| Sound | Olivia Celeste Barry | Sound Editor |
| Sound | Kristiana Udre | Foley Artist |
| Art | Catherine Brannigan | Property Buyer |
| Sound | Paul Heymans | Production Sound Mixer |
| Production | Cassandre Warnauts | Co-Producer |
| Production | Abner Pastoll | Executive Producer |
| Sound | Thomas Berliner | Boom Operator |
| Production | Ronan Blaney | Associate Producer |
| Camera | Reece Hearnshaw | Grip |
| Sound | Matthew Pusti | Original Music Composer |
| Production | Guillaume Benski | Producer |
| Production | Jean-Yves Roubin | Producer |
| Art | Gillian Devenney | Production Design |
| Production | James Atherton | Executive Producer |
| Production | Jan Pace | Executive Producer |
| Writing | Ronan Blaney | Writer |
| Camera | Richard C Bell | Director of Photography |
| Production | Junyoung Jang | Producer |
| Directing | Abner Pastoll | Director |
| Costume & Make-Up | Dan Martin | Special Effects Makeup Artist |
| Production | 장원석 | Executive Producer |
| Directing | Neil Winterlich | Second Assistant Director |
| Sound | Nick Baldock | Supervising Sound Editor |
| Crew | Joe Condren | Stunt Coordinator |
| Directing | Laurie Mahon | First Assistant Director |
| Visual Effects | Stéphanie Pottier | Visual Effects Coordinator |
| Directing | Maéva Buisse | Second Assistant Director |
| Visual Effects | Nicolas Corson | Digital Compositor |
| Art | Megan Britton | Set Decoration |
| Directing | Dario Cappellini | Third Assistant Director |
| Costume & Make-Up | Liz Boston | Makeup Artist |
| Editing | Abner Pastoll | Editor |
| Costume & Make-Up | Elise Ancion | Costume Design |
