De kleptomane Marnie solliciteert voor een baan bij Rutland & Co. Mark herkent haar onmiddellijk als de vrouw die tienduizend dollar stal uit de safe van een vennoot. Hij voelt zich echter tot haar aangetrokken en neemt haar in dienst. Marnie wacht geduldig af maar wanneer het ideale moment zich voordoet maakt ze prompt de safe van Rutland leeg en verdwijnt naar haar afgelegen ranch.
Nee, helaas is Marnie nog niet beschikbaar op Netflix in Nederland.
Sound | Bernard Herrmann | Original Music Composer |
Editing | George Tomasini | Editor |
Art | Robert F. Boyle | Production Design |
Writing | Jay Presson Allen | Screenplay |
Camera | Robert Burks | Director of Photography |
Directing | Alfred Hitchcock | Director |
Art | George Milo | Set Decoration |
Production | Alfred Hitchcock | Producer |
Costume & Make-Up | Vincent Dee | Costume Supervisor |
Costume & Make-Up | Howard Smit | Makeup Artist |
Costume & Make-Up | Edith Head | Costume Design |
Directing | James H. Brown | Assistant Director |
Sound | William Russell | Sound Recordist |
Camera | Leonard J. South | Camera Operator |
Production | Hilton A. Green | Unit Manager |
Directing | Lois Thurman | Script Supervisor |
Writing | Winston Graham | Novel |
Costume & Make-Up | Jack Barron | Makeup Artist |
Costume & Make-Up | Robert Dawn | Makeup Artist |
Sound | Waldon O. Watson | Sound Recordist |
Costume & Make-Up | Virginia Darcy | Hairstylist |
Directing | Hilton A. Green | Assistant Director |
Lighting | Paul Jacobsen | Electrician |
Costume & Make-Up | Rita Riggs | Costumer |
Directing | Patricia Casey | Assistant Director |
Directing | William Witney | Second Unit Director |
Camera | Robert Willoughby | Still Photographer |
Camera | William N. Clark | First Assistant Camera |
Crew | May Boss | Stunts |
Art | Harold Michelson | Storyboard Artist |
Costume & Make-Up | Joan Joseff | Other |
Costume & Make-Up | James Linn | Costumer |
Camera | Bobby Greene | Assistant Camera |
Editing | Tanner Buschman | Colorist |